Tag: writing advice

The many uses of subplots

So, you want to write a book. You have a vision for a story, and it’s wonderful. You have a beginning, a middle, and an end.

But, what about subplots?

A subplot, just in case this is all very new to you, is a story within your story that is not directly part of your main plotline. Today, we’re going to be using the novel Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix as an example because I’m tired of using Harry Potter and everyone should read Slaying Vampires.

So, as an example, in Slaying Vampires the main story is about a vampire that moves to a suburban town and starts feeding on people. One of the subplots is the main character, Patricia, struggling with her relationships with her husband and children.

Subplots have the power to make or break your book. And it’s almost impossible to write a novel without some subplots. So let’s talk today about how subplots can make your story better.

Subplots work best when they have something to do with the main story. Even when they don’t seem to at first. Especially when they don’t seem to at first. For instance, in Slaying Vampires, there’s a subplot regarding Patricia’s mother-in-law coming to live with them. While that might not seem like it has anything to do with a vampire attack, it sure as hell has a lot to do with the story by the end of it.

Foreshadowing

One of my favorite ways to use a subplot is for foreshadowing. We can do this by adding subtle (or not-so-subtle) hints that appear to have nothing to do with the main plot.

For example, let’s consider Patricia’s mother-in-law. She is suffering from advanced stages of dementia. So when she first sees our vampire, she calls him by another name. This is pretty common behavior for someone with dementia. Which makes this subplot a strong and useful one.

When they provide character development.

Early in Slaying Vampires, Patricia’s husband gives her a pair of earrings. And these earrings have a whole journey on their own.

This story starts when Patricia is worried her book club friends will think she’s showing off, wearing big diamonds to their meeting. Then, one of them is bitten off her head and swallowed by someone infected by the vampire.

Bitten off and swallowed.

When Patricia starts to cry, telling her husband that she’s sorry she lost his expensive gift, this asshole loving husband starts laughing at her. He tells her that those earrings were costume jewelry, and he got them from one of his patients. His therapist patients.

This little story tells us something about Patricia. It tells us that she’s desperately worried about what her friends think of her. It also tells us that she’s uncomfortable with how much money her family makes and that she tends to think that everything is her fault.

What we learn about her husband is that he doesn’t put much care into giving his wife meaningful gifts and that he doesn’t consider it his responsibility to care for her when she’s emotionally distraught. You know, because somebody bit her ear off. It also tells us that he doesn’t care much for the ethics that go along with his profession, since therapists aren’t supposed to accept gifts from their clients.

That’s a lot of lifting for a three-part subplot.

When they balance out the main story.

Some stories are heavy. They’re full of dark content, upsetting themes, and serious subject matter.

That is important work that we undertake as artists. But sometimes, it’s a lot.

For our sake and the readers, we need to lighten the story up a little.

Southern Vampires is of course, about a vampire. It’s also about austerity, and how far people will go to get it. It’s about race inequality. It’s about financial abuse (and physical abuse) in gender-normative relationships.

To balance that out, we need some funny in the story. We need some heartwarming moments in the story. And so we have Patricia’s son as a subplot, with a fascination with nazis. ( Not as good guys. They aren’t from that part of the south.)

We also have the subplot, possibly the most important one of the book, of the creation of the book club itself. We see scene after scene of the women talking about their books, their families, their struggles, and their successes. We see their polite friendships grow into strong sisterhoods, without which their eventual success over the vampire would be impossible. But before it gets too far, these scenes help to lighten what is at its core a very dark story.

Do not add subplots just to add subplots.

Finally, I’d like to leave you with this important suggestion. Subplots only work if they factor in, in some way, with the main storyline. This is why most romantic subplots annoy me because they could be removed from the book and leave no plot holes.

That is a good test for your subplots. If you remove them from the story, what kind of impact will that have on the story as a whole? If not, maybe this is a subplot that should be left out altogether.

That’s all I have to say about subplots for the day, but it’s not all for the day as a whole. Check back in about fifteen minutes, I have a great announcement.

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How I won Nanowrimo this year

We’re a week into December now, and most of us have put Nanowrimo aside for the year. And I have as well. I’m thrilled to be able to say that I did win this year.

Especially because last year I didn’t win. And I have to be honest, that kind of messed with me.

It really messed with me.

See, I always win Nano. I mean, I’ve been doing Nanowrimo or Nanoedmo every year since I started this blog. But last year, in addition to losing Nano, I turned 36. This year, I turned 37. And ever since last November, there’s been a little voice in the back of my mind, suggesting that I might be getting past my prime.

I might be slowing down.

All this to say, my confidence took a hit. And I’ve spent the past year trying to get that confidence back. Now that I won Nano, I’m feeling a lot better.

Winning Nanowrimo was a challenge. It required me to work in a way that I’d never done before. I disregarded all of my usual advice. Here’s what I did instead.

I just focused on hitting par every day.

In the past, I’ve tried to write more than 1,667 words at the start of November. And because of that, I got ahead of schedule.

And then I got cocky. And frankly, a little worn out. So I skipped a day or two. And that’s when I’d lose momentum.

This year, I focused on hitting par every day. Actually, I tried to hit 1,700 every day. This was manageable and sustainable. At least for a month. So I wasn’t feeling as burned out by writing 4,000 words in a day, and then expecting my brain to function creatively the next day.

I didn’t participate in a lot of online groups.

Well, that’s not entirely true. I did join a new writing group. But I wasn’t all that active. I’d jump on to commiserate or celebrate with other writers only after I’d reached my word count for the day.

Before, I was jumping into my groups and getting discouraged by all the people who were not getting their word counts in. Worse, I was irritated by anyone who was getting their words in. Were they better than me? Were they younger? Was I just lazy? No, it’s not that one, laziness doesn’t exist.

Was I just old?

Of course, it wasn’t any of those things. It was just that I was struggling. My struggle didn’t have anything to do with my fellow writers. And rather than letting them inspire me, I let their success condemn me.

This year, I wasn’t competing with anyone but me. It was just me and my word count, come hell or high water.

I didn’t attend write-ins

Write-ins are fun if you’ve got the time for them. They’re a great place to meet other writers and network.

And meeting other writers is a wonderful thing.

I’ve attended write-ins, study halls, and group work hours in the past. But I don’t do a lot of writing at them. At least not as much as if I were to just take the same amount of time to just write as I was taking to get to the event, do all the meet and greet events, and get settled into the location.

Plus, I used to have a little touch of social anxiety. Now, after Covid shutdowns working from home and generally not interacting with anyone for more than three minutes at a time, I have a lot of social anxiety. So when I try to write around other people, I’m focusing on all the wrong things. Are people looking at me? Does my shirt smell like cat pee? Is my lipstick smudged? Do I look like an introspective writer, working away at her project? Or do I look like a hunchbacked old woman trying to fit in with a bunch of kids?

None of this is helping me get words on the page. So I skipped the live events.

I didn’t write out in public, except for on the last day.

This point is similar to the last one. The year before I was making time to write in coffee shops, diners, and libraries. And yes, that is sometimes wonderful. But when I’m in crunch time, that is not the time to be writing in public. Writing at the library or my favorite coffee shop is for days when I’m lacking motivation or need a treat. It’s not the place to be if I need to get a significant amount of words on the page.

I did write at a coffee shop on the last day of November. And it was fantastic.

If you didn’t win, you’re no less of a writer and you can still do hard things

Now I told you all this not to make you feel bad if you didn’t win Nanowrimo this year. I told you all this to inspire you to win next time. Or, not. Maybe this will just inspire you to not be down on yourself if you didn’t make it. Because there are a lot of reasons to not succeed at something we want to do, no matter how much we want to do it.

I think it’s only now as I write this that I’m realizing something important. Last November was not a good mental health time for me. And despite the stereotype of the tortured writer, a bad place emotionally isn’t a good place to write from. It’s not a place to do anything but to heal. I needed to heal so that I could do hard things again.

Just because we fail at one hard thing doesn’t mean we can’t do other hard things. Just because we don’t achieve what we want, doesn’t mean we will never achieve it again.

Sometimes we just need to rethink our approach.

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Are you making art or making a product?

Continuing in our back-to-basics series today, I wanted to touch on a difficult topic. It’s a question that I think a lot of creatives ask themselves. I’d like to say writers have been asking that question for longer than other artists, but that isn’t fair. Even so, I’m a writer, so I’ll just be talking to the writers today.

When we write, are we creating a piece of art or are we creating a product?

The maddening answer is that we’re doing both.

We are artists

Writing is an art, don’t let anyone ever tell you otherwise. And you are an artist, no matter what stage of your writing career you’re in. We are creating something new. Something that brings joy to people. We craft sentences with thought put into each word and each turn of phrase. We practice, read, and study to make our story the best, most original creative, and perfect story it can be.

We are marketers

But we are also selling a product. And I’m sorry if I’m the first to tell you this, but you’re probably going to have to do most of the selling of your book yourself. Even if you get picked up by one of the big publishing houses, you are probably going to do most of your marketing and promoting yourself.

If you’re an indie or hybrid writer, like me, you’ll be doing all of it yourself. And that requires you to think of your story like a product. A product that you have to market and sell.

A product that feels like a piece of your soul, surgically cut off from you and placed out in the world for people to abuse, tread upon, and spit on. No big deal.

How do we do both?

So, how do we do this? How do we craft a piece of art and still make money? How do we successfully make a living and not feel like a sell-out?

For me, it comes down to two rules. These two rules are vital, and set in stone.

The first of these rules is that you deserve to make money for your art. All artists deserve to make money for our art. Don’t ever feel bad or guilty about charging for your work.

Look, I give a lot of writing away for free. I post here weekly. I produced two seasons of a podcast that you do not have to pay to listen to. I post micro-fiction and short stories. And every time a new Station 86 book comes out, I post it here on Paper Beats World for free before publishing it.

But I charge for my books. I get paid for my reviews on Hauntedmtl. I leave links at the bottom of every post to my ko-fi account. I do not write for experience organizations, or to gain exposure. I deserve to get paid for my writing. You deserve to get paid for your writing.

The second rule is a little more nuanced. But it’s possibly more important.

Be clear about what activities are making art, and what activities are marketing.

When I’m writing a piece of fiction, I am creating art. I am not wondering if I’ll be able to sell this. I am just writing a story. Maybe it’s bad, maybe it’s good. But it’s the story that I want to tell. I’m having fun while I’m writing it.

In later drafts, I’ll polish it. Make sure the story is satisfying, and that it makes sense. That it’s fun to read. During all that I’m still not worrying about if it’s marketable. I’m not writing a main character that I think would be a cool Halloween costume or look good on a hoodie. I am writing a character that I want to trek through at least 50,000 words with. More if it’s a series. I didn’t write Sennett as a single mom and police officer because I considered her a marketable character. I wrote her that way because that’s the person who appeared in my head.

Later, when I was thinking about how to market Station 86, I sure as hell used the fact that she was a single mom cop. When I’m making a book cover, crafting social media posts about my book, making bookmarks and little video clips to share on Instagram, then I’m marketing a product. The artist part of me has given me a story. Now it’s up to the part of me that is a saleswoman to sell the hell out of it.

Render unto art what is art and marketing what is marketing.

I hope this post helps you today. Trying to balance the different aspects of a writing career is difficult. But always remember that your art is worth it. But no one’s going to see it if you don’t market it.

See you next week. And I hope you have a terrific Thanksgiving if you live in the States.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting us on Ko-fi.

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Paper or PC

Welcome back to our fundamental series here on Paper Beats World. We’re slowly, over time, diving back into the basics of writing. We’re talking about the barebones standards of writing in a mundane way that is magical in practice. Today, I want to talk about something that has many answers, and none of them are wrong.

Do you write longhand, or do you type your writing?

No, let’s narrow that down a bit. Because there are just some parts of the writing process that are not going to work in one medium or the other. A second draft cannot be handwritten in my opinion. And while there can be a healthy debate about that, I don’t think anyone’s going to argue that by a third draft you should really be clacking keys. Though if you’ve got an argument for that please let me know in the comments because you are clearly a fascinating individual. Or you’re a time traveler from the past.

So let’s narrow this down to just the first few steps of your book. The brainstorming and rough draft steps. Now, I’ve written rough drafts on paper, and I’ve written them right into Word. Both have pros and cons, so let’s talk about them.

On paper

This is how I started, and how I think most writers my age or older stared. Writing a rough draft on anything else but paper. I think Stephen King wrote his rough drafts on an old typewriter. But he also says he wasn’t super prone to typos in his book, On Writing.

I am super prone to typos. And I didn’t have a typewriter. So I write in college ruled notebooks.

I still prefer to write my rough drafts in notebooks. There are several reasons for this.

One, of course, is the issue with typos. I know it doesn’t matter in a rough draft, but I can’t stop myself from going back and fixing them. Writing on paper allows me to ignore the mistakes and just keep on flowing.

Another is that I can take a notebook anywhere. And when I’m in the rough draft zone, I might well take the damn thing anywhere. Yes, I can do this with a laptop, but I don’t drive. And when you’re walking or riding the bus, a laptop can get heavy.

Or get broken.

Writing on paper has a lot of aesthetic benefits for me. There’s a reason I called my blog Paper Beats World. I love paper. I love watching pages stack up with story on them. I love filling a blank page with ink.

More than anything though, I write on paper because my brain works best when I do.

Likely from years of habit, my creativity comes out most on paper with pen. I can scribble, work out problems and figure out what’s going on in my mind when I have a pen in my hand. So, because this is what my muse works best with, it’s what I lean towards.

On PC

All that being said, I have written rough drafts on my computer. Well, on Dabble to be specific.

There are many good reasons to do this. For one, it costs no money. Well, for me it costs my Dabble subscription. But I’m going to keep paying that anyway. So it cost me no additional money. And you can always write on Google Docs or Libre Open Office.

There’s also the fact that my rough drafts written on pc are legible. Like, the whole way through. I have terrible handwriting, and it gets worse when I get excited and start writing fast. I have definitely gone through some handwritten rough drafts and just written big question marks on pages. I just had no idea what I’d written in a fit of creative passion.

Another thing that’s nice about writing your first draft on pc is that you’re not going to have to rewrite as much of it. Well, you might not have to rewrite as much of it. When I type my second draft, I have to literally type every word. When I write a rough draft on pc, I can just copy and paste anything worth keeping. If there’s anything worth keeping.

There is also the matter of speed. I can write pretty fast, but I can type almost as fast as words come to me. Even if you aren’t a fast typist, you probably still type faster than you write.

When you don’t have a ton of time, getting words down fast can be a necessity.

Built in spell checks don’t hurt either.

Finally, there is something incredibly satisfying in watching a word-count rise. Especially right now during Nanowrimo. I have been loving the little ticker at the right hand side of my screen. It makes my little Type A heart happy.

What’s worked best for me, after years of trying and testing, is a combination of the two. I write brainstorming and notes, then the rough draft, on paper. The second draft goes onto my pc, as do all other drafts that come after. And I, and my muse, are happy with this.

But now I want to hear what you think. Do you write your rough drafts on paper, do you start at your pc, or do you do something totally different? Let us know in the comments.

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What do you listen to when you write?

Music is a wonderful thing. I thrive on it. I’ve got playlists for different moods, seasons, days of the week. I use music to help me clean, calm me down, or pump me up. Recently I’ve fallen in love with lo-fi and ambient music for reading and, of course, writing.

This, of course, is our topic for today. What do you listen to when you write?

I can’t write in silence. It’s too loud. Neither can I write with any music that has lyrics. I’ve learned I can’t even listen to instrumental versions of songs that I know normally have lyrics, because I’ll just fit them in myself and get distracted by that.

I was not born knowing this information about myself. Nobody is. This is one of many reasons it’s important to understand ourselves as creatives and as people in general.

Understanding how you react to music, or just sounds, can help you be more productive, sleep better, and overall be happier throughout your day. So it’s worth taking some time to learn this about yourself.

To do this, I suggest three exercises.

Listen to music and journal how you feel

Yes, my answer to everything is journaling. But this is a fun exercise you can do just about anywhere. I’m not suggesting a long freewriting session, though some songs might inspire that. I’m saying to jot down a few words or sentences that come to mind.

You can also do this the opposite way. Write a list of songs that make you feel excited. Or that make you feel brave, nostalgic, or safe.

Freewrite while listening to different music

This is another fun one. Listen to some music and free write while you’re doing it. Then, see what you’ve written. Does lo-fi help you write romance? Does rock music bring out battle scenes? How does the soundtrack from Wicked work for you?

Try to free-write without judgment, and see what comes. You’ll probably find that some genres work better with some writing than others.

Try listening to something brand new

This is a great exercise if you’re feeling stuck with your writing. Find a genre or music style you’ve never listened to, and try to write with it. Or some other sort of background sound. Ambient noise videos abound on YouTube. You can listen to the sounds of a coffee shop, a library, or even a train station. I love fireplace videos. Recently I’ve been listening to videos of vintage music played in another room. Here’s a link if you don’t know what I’m talking about.

So that’s it for today. I hope these exercises help you learn a little about yourself and what kind of music makes your creative brain happiest. And for those of you participating in Nanowrimo next week, I wish you the best of luck. I’ll be right there with you.

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When do you write?

We are back to our back-to-basics series, after a bit of a delay. I did mention this was going to be a delayed series.

But, as they say, timing is everything.

With that awkward segue out of the way, we’re talking about time today. As in, when you write and how often you write.

I’ve never been a big fan of the advice to write every day. While it sounds terrific in theory, it’s unrealistic. We’re all adults here. However, if you’re not, you still have responsibilities.

We are writers. But we’re also humans trying to survive in late-stage capitalism. We have to fit writing in where we can when we can. And that’s just not going to happen every day.

Don’t despair, though. I manage to finish a book or podcast season a year, most years.

So today let’s consider when we can fit writing in, when the best time to do it is, and how we can make the most of the moments we have.

Let’s start with some questions to figure out where you are, time-wise. First, when is your best time of day, energy-wise? This is basic advice, yes, but it’s worth knowing about yourself.

Me, I’m a morning person. The later it gets to the day, the less likely I’m going to get anything done. So getting up early to write before I go to work works best for me.

If you would rather stick needles in your eyes than get up a minute earlier than you have to, this isn’t your best bet.

I wouldn’t spend a lot of time fighting your internal clock if you didn’t have to. I’ve tried to write in the afternoons, after work, and it just doesn’t work as well for me. I’m tired, I’m irritated, and this is the time of the day when my family needs the most from me. Dinner needs made, Oliver needs walking, the cats need attention. This is also the time the darling husband and I tell each other about our day and all the cool things we saw on social media. To think that I’d be able to write during all that is madness. To think that I’d want to write after all that is settled and dinner is done is also madness.

So know your internal timing and honor it as much as you can.

This brings me to our next step. Before you can decide when you’re going to write, you need a crystal clear understanding of when you cannot write.

You want to start with a blank weekly calendar. I like a Google calendar, but a paper one will work just as well.

I start by putting in my work schedule. Not because it’s the most important but because it’s the thing I can’t control. These hours I am working, and I cannot plan to do anything else.

Next, I put in my family time and self-care time. This includes when I need to sleep, cook, and clean my space up a little. I’m a pretty spiritual person, so I also like to add in times I’m going to spend doing rituals, spells, or studying.

This might feel like writing, my art, is coming in fourth place.

And sadly, it is. Writing is vital to me, but I have to make money to survive. I have to take care of myself and the people (pets) that I care about.

That being said, making time for my writing is a priority. And as such, I schedule time for it.

So what if you write out your schedule and you don’t think you’ve got any time at all for writing? I get that, schedules can get tight fast. But I am sure that everyone can find some time most days to write.

If you’re sure you don’t have time to write, start by tracking your time for a week or two. Myriad apps will help you with this, or you can just keep track on paper.

Keep track of how you spend your time, without judgment. There is no reason to beat yourself up. This is your time and you get to choose how to spend it.

Once you have an idea of how you spend your time, you can see where you can cut out some space for writing. Maybe you find that you’re puttering a lot in the morning, so streamlining your morning routine might help. Maybe you’re spending too much time cleaning at the end of the day.

This is the first place I’d start cutting, by the way. If you let them, household chores can consume every second of your free time. There is always another chore, another task, another project. Don’t let yourself get sucked in.

While you will likely find a few half hours or even hours that you can spend on writing, you’ll likely also find minutes.

Likely you won’t find these while mapping out your time, but by living out your day.

Waiting for other people’s doctor’s appointments are my most common times like this. But I also travel by bus, so there’s lots of time there.

But, you might ask, what can you possibly get done in these snatched moments? Well, not a lot individually. But when you count them all up a the end of the day, week, or month, you’ll be surprised how much you can accomplish.

Finally, I want to give you the best advice I’ve ever found.

Be firm and flexible.

Here’s what I mean by this. If you have looked at your schedule and you’ve found time to write, write then. Tell the people in your life that this is your writing time, and that you are not available to do anything else during that time.

Take it seriously, and require the people who love you to take it seriously.

But understand that God laughs when men make plans. You’re going to have days when that writing session isn’t going to happen, no matter how respectful anyone is about it. You’ll get sick, pets will get sick, kids will get sick. You’ll have to pick up overtime because your gas is about to be shut off. Your water heater will explode, or the septic system will start backing up into your basement.

On the flip side, make yourself ready for unexpected moments of writing time. Maybe you didn’t realize you were going to have to wait twenty minutes to see your doctor. You didn’t know your car was going to break down. In short, you now have time you didn’t

Be prepared! Take a notebook with you wherever you go. If you prefer to type, take a tablet or laptop with you.

Because we are artists. We are creatives. And sometimes to make our art happen, we have to get creative.

So that’s it for this week. I hope that you’re finding time to write right now, as we get closer to the holidays. Let us know in the comments when you write.

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Preptober 2023 Week three

We’ve made it to week three of Preptober. So far, we’ve made a writing plan and done some world-building.

Now, it’s time to start casting characters. For me, characters are always the most interesting part of any story. I want to know about the people.

I have for you two lists of questions. The first is for your main character or characters. I almost always have two main characters, but you can have just one or a full ensemble cast.

Main character questions

What is their full name and nickname?

What do they look like?

Why is this their story to tell?

What do they want at the start of the story?

What are they afraid of?

What don’t they like about themselves?

How are they going to change?

Do they fit into their world as it is?

How is the world going to change because of them?

Next, we’re going to consider our secondary characters and villains. A story’s main character shouldn’t be the only interesting person in the cast.

Your main character also shouldn’t have main character syndrome. Which is to say, they should be aware that the world doesn’t revolve around them. The rest of the cast should also be aware of this.

And don’t skip planning your villain. In fact, this might be the most important character. A good villain makes a story. Consider the Borg, Magnito, Ursula, Voldemort, The Other Mother, and Beetlejuice. These characters were way more interesting than their heroes.

Secondary characters and villains

What is their full name and nickname?

What do they look like?

Why are they the main characters in their own story?

What do they contribute to this story?

What do they want at the start of the story?

What are they afraid of?

What don’t they like about themselves?

How are they going to change?

Do they fit into their world as it is?

How is the world going to change because of them?

Join us again next week for week four of Preptober. And don’t forget, you can download the Preptober Planner now on my Ko-fi shop.

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Preptober 2023 Week Two

It’s week two of Preptober, and time to start writing. How exciting is that?

This week our focus is world-building. I’ve compiled a list of questions to help you figure out your world and how people live in it.

But what if your story is set in the real world? You probably still want to fill this out. Things like food, clothing and culture vary wildly depending on where you’re from. And it never hurts to get things down on paper.

Besides, thinking of these details will help you step into the world of your story. It’ll get you thinking of those intimate details.

What is the weather like?

This is pretty straightforward, but no less important. There’s a reason one of the first things I do in the morning is check the weather.

Does it rain a lot? Is it sunny? Is this a place where the weather impacts travel and crops? Does any of this have anything to do with your story?

What do people wear?

Clothing tells us so much about a person. What do people usually wear in your world? Cloaks, jeans, sweaters? Are mink coats the style, or Foster Grants?

What do people eat?

This might largely be impacted by the first question, and where your story is taking place. An ocean-side city is going to eat a lot of fish. A more rural land is going to have a lot of farm food, like chicken and corn.

What’s the popular entertainment?

This is always a fun thing to consider. What are people doing to entertain themselves? Are plays popular entertainment? Do people gather at the local tavern to hear music? Or is this a more modern story where people prefer to stay home and stream a movie? No judgment.

Is there a magical structure? What are the rules?

Here’s where things get fun. What kind of magic exists in your world, if any? What rules does the magic have? What are its limitations? Because of course, magic isn’t fun when it doesn’t have limitations.

What is their technology like?

Even if you’re writing a fantasy novel, there’s still technology. It’s just that it’s going to look wildly different depending on when in time your story takes place. Do they have smartphones or water wheel power generators? Or, if you’re writing steampunk, maybe a fantastic combination of both?

What political structure do they have?

Politics might be frustrating, but it’s something that impacts us all. Whether it’s going to impact your story or not, you should know what political structure is. Even if it’s just a local sheriff and a disinterested mayor.

What cool element exists in this world that isn’t in ours, and how does that impact everyone?

Yes, this applies to every story, even if it’s set in the real world. This doesn’t have to be magical. It doesn’t have to be fantastic pieces of technology. Though of course, that’s fine if it is.

This can be an old mill, a fantastic coffee shop, or a stretch of road that has the habit of moving around on certain nights of the year.

So that’s it for this time. Don’t forget, you can download my Preptober Planner from my Ko-Fi shop and play along all month.

See you next week for week three.

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Where do you write?

With Nanowrimo right around the corner, I thought it might be nice to do a series getting back to some real bare-bone basics of living a writing life.

Then I realized I’m going to be doing a ton of Preptober content this month, and Banned Books Week is next week. Then of course there’s all the holiday content coming up. So while I’m still doing this series, it might be a little scattered.

But it will be here, damn it!

Today, I want to start with a question. Where do you write?

I’ve been blessed to always have a desk of my own. Even as a kid, I had a table in my bedroom. Today I have a whole office in our home, small as it is. I do work from home for my day job, so unfortunately it isn’t just a writing desk. But it is a desk of my own in a room of my own.

While this is a blessing, it’s not a necessity. I wrote books long before I had a whole office when my desk was crammed into a living room or my bedroom. I wrote books while I was working outside of my home. And even though I’ve always had a desk, I’ve written lots of my books while I wasn’t anywhere near it.

I’ve written in diners, laundromats, coffee shops, doctor’s waiting rooms, hospital rooms and libraries. I’ve written at bus stops, rest stops, haircut places, fast food joints. I’ve written in break rooms, under trees in the grass and on the couch in front of the TV. About the only place I don’t write (except maybe some journaling) is in bed because somewhere I heard it’s not good to work in bed because it trains your brain that this isn’t a place to rest.

Flexibility is crucial if you’re going to be a working writer. Unless you are very lucky, you are just not going to have the amount of quiet alone time in your home at your desk to put the number of words on the page that you want.

While it’s great, and necessary, to be flexible, it also doesn’t hurt to put some intention into your writing space. I have always tried to keep a physical space where I can (ideally) write in peace at home. But I’ve also kept a bag packed with things that allow me to create a writing space anywhere I am.

Crafting both of those things requires the same questions to be answered. And of course, your ideal writing space is going to look quite different than mine. So here are some practical considerations to help you create a place where writing is a pleasure.

Consider what you’re writing

Writing a blog post or review is different for me than writing a novel. Editing again is different. I almost never write posts in coffee shops because I’m so used to writing prose there.

How does a certain place make you feel? Does the library bring out your childish side? Do you feel more professional working at your desk? Do you think best at the kitchen table after everyone else is in bed?

If you’re unsure, try this exercise. Attempt a fifteen to twenty-minute freewriting session at several places you tend to write in.

How did you feel writing in each of these places? Does one place feel safer? Does another place feel like you ought to be doing your Math homework instead?

I can’t explain it, except that some places have certain vibes that lend themselves to certain activities. Maybe it’s the lighting. Maybe it’s the background sounds. Maybe it’s something in our past that makes us associate a place with a feeling.

Consider your tools

Different writing projects require different things of us. When I’m rough drafting, I just need my notebook and my outline. And a pen, of course. This is probably the easiest draft to take everywhere.

The second draft requires my laptop, the first draft, and several colored pens. Again, this can all be tossed into a bag and taken to most places.

Outlining is a whole other thing. This requires index cards, post-it notes, pens, markers, three virgin sacrifices and a mandrake root.

And coffee.

This isn’t an activity I would try anywhere but my house, because it’s such a mess and requires so much space.

The point is that you should consider what you’re going to need to accomplish a project. Do you need space, quiet, coffee? Is a good internet connection vital (when I write a review) or forbidden (when I’m writing prose?)

These are all things to consider when you’re planning where you’ll be writing. Even in your own home. Maybe your writing desk doesn’t have the space for a certain project. Maybe your place has internet dead spots. Maybe one spot in the house seems to invite tabby battles.

Think about it before, and you won’t have to think about it when you’re writing.

Consider your preferences

Everyone has likes and dislikes. And while we can’t always have everything we want, we can usually have some of it.

Consider what sort of chair you’d like. What sort of lighting do you like? Do you enjoy having a candle burning when you work? Are there certain reference books or things you like to have around for inspiration?

What kind of pens do you like? Do you prefer paper or PC? Maybe you’re an absolute weirdo perfectly valid person deserving of love who writes on their phone.

Do not let anyone tell you what you should like. Writing is, after all, art. You should choose the tools you use for your art all by yourself. And hopefully, you’re going to be spending a lot of time writing. You should be as comfortable as possible while you do that.

So that’s it. If you’re a new writer, I hope this post helps you create a space in your home and out to write. If you’ve been a writer for a while, I hope this post inspires you to update where you’re writing if it needs it.

Next week is the start of Preptober, so get excited for some extra content. Banned Books Week also begins next week. We’ll be seeing a lot of each other in the next month is what I’m trying to say.

See you then.

Preptober starts in just a few days! Jump over to Ko-fi and grab a copy of my preptober planner. Don’t forget, I’ll be posting additional posts all month to walk you through each Preptober page together.

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Preptober Planner 2023

A few months ago, I was talking with a writer friend of mine. Camp Nano was coming up, and so our discussion turned to the big event in November. Eventually the discussion came to the Preptober Planner that I created last year. She mentioned something about the character creation page.

Those of you who bought last years Preptober Planner might remember that there wasn’t a character creation page included. Which of course got me thinking. Why wasn’t there a character creation page? Or a world building page? 

Since I overdo things, this line of questions made me rethink my entire outlook on Preptober. And thus, the planner as well. 

I am thrilled to announce today the new and improved 2023 Preptober Planner. And with it, a completely new Preptober game plan that will go into more detail than ever before. 

I’ll also be doing some extra posts in October, to walk you through the new program week by week. As I intend to start a new Station 86 novel this November, we’ll all be working through it together. 

Yes, this will be book six. Yes, book five will be launching soon. Thank you all for your patience. I’m hoping the space between book five and book six won’t be as bloody long. 

The path to success is planning. Writing a novel takes a lot of planning. Let’s do it together. 

Click here to get your copy of the 2023 Preptober Planner

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