Horror Subgenres, Part Three

Just in case you missed them, here are links to part one and part two.

Horror of demonic

Some of these subgenres are pretty self-explanatory. Like this one. This subgenre is based on the theory that the world is a dark, dangerous, and scary place. And that it is that way because of demonic beings who want to destroy our very souls. 

Most possession stories would fall squarely into this category, like The Exorcist or The Exorcism of Emily Rose. And of course, Rosemary’s Baby. 

Horror of personality

When I first read about this subgenre, I thought it sounded a lot like a cult of personality. And I wasn’t that surprised to find out I was right.

Horror of personality revolves around one person. They usually don’t have any sort of supernatural abilities or magic. Unless being a psycho is a superpower now.

This is the subgenre in which our serial killers fit. Our crazy cult leaders. So one real fun example of this subgenre is American Horror Story Cult. You can read all about what I thought of that series on Haunted MTL.

Japanese Horror

Japanese storytelling differs from American in many ways. Their horror tends to be more psychological than ours. You’ll find a lot of ghost stories. And, of course, some of the scariest damn urban legends I have ever heard. The amount of screaming, long-haired vengeful spirits these people have is amazing. 

Of course, the most well-known film to come from Japan is Kwaidan. You might know it better from the name of its American adaptation, The Ring.

Jiangshi fiction

I didn’t know this was a thing until I started doing research for this series. And I’m so glad I found out about it! 

This subgenre revolves around reanimated corpses, controlled by Taoist priests. 

That’s right, this is about zombies. Specifically, Chinese zombies. And that is so cool.

I haven’t yet gotten a chance to watch any of these films, but I want to. Some great examples of this subgenre are Spraying water and Demonic Corpses. 

Lovecraftian Horror

See, I told you we’d get to this. 

Lovecraftian horror is about the least cheerful thing you can imagine. It’s based on cosmic dread. A dark, terrifying, Elder God horror that we mere mortals cannot hope to escape from. 

The distinguishing feature of Lovecraftian horror is that there is no escaping the horrific end for the main character. It’s not a situation where you can outsmart the bad death. You didn’t do anything to incite the bad death. It simply came for you, like a force of nature, and took you. And no matter how clever you might be, how good of a person you might be, you’re not getting away.

Surprisingly, Lovecraft Country isn’t actually a Lovecraftian story. If you don’t remember, this book was so good it made it onto my top ten list for 2021.

Some good examples of Lovecraftian horror are 2019’s The Lighthouse. And the absolutely horrific movie, The Mist. 

Macabre 

Macabre is not a form of storytelling, at least not in literal words on the page sort of way. It’s art about death.

It is no surprise that macabre art has been with mankind as long as we’ve been on this earth. Death has always been a mystery, coming with emotions that are too great to contain. And so, it comes out in art. 

You can find examples of Macabre art almost anywhere. But my personal favorite is the collection of bone chandeliers you can find. Not one, but several people in the history of the world thought, “You know what this room needs? Some human bones dangling from the ceiling to hold candles.”

You know what, this is pretty cool. When I die, someone please make me into a chandelier. Read by my light.

That’s it for this installment. I’ll be back soon with part four.

Don’t forget, you can preorder my latest book, Quiet Apocalypse now on Amazon and Smashwords.

The end of the world began with a winter storm.

Sadie’s quiet life is interrupted when a tree crushes the roof of her attic apartment. She’s forced to move to a smaller apartment in the building. Then, her aunt guilts her into clearing an ouija board of a particularly irritating spirit. 

But it wasn’t just the roof that was broken by the tree. There was something trapped within the building, waiting. Waiting to wake and bring about the end of the world. 

Not with screams, but with silence. 

Paper Beats World is a labor of love. If you found something of value in this post, please consider buying me a cup of coffee on Ko-fi.

Horror subgenres, Part Two

Welcome to our series of horror subgenres, part two. We’re taking a look at some of the many flavors that encompass our beloved genre of horror.

If you missed it, here’s part one

Ghost story

Ghost stories are my favorite. I mean, my absolute top-tier favorite. It’s not a hard subgenre to define. Any story that involves a ghost is, duh, a ghost story. 

These come in all sorts of varieties. Haunted house stories, haunted woods. Haunted highways, hospitals, insane asylums. Haunted objects like lockets and music boxes. Even haunted cars. Literally, anything can be haunted. 

Do I even need to give examples of this one? Well, there’s mine, of course, Quiet Apocalypse. House on Haunted Hill, American Horror Story Murder House. Some of the best are urban legends, like the vanishing hitchhiker. 

Then there are the real ghost stories that everyone seems to have. Most people haven’t seen a cryptid or run into a serial killer. But everyone’s got a ghost story.

Giallo

This is an Italian subgenre, named for the color that the covers generally came in. Which is, if you don’t speak Italian, yellow.

A lot of horror from America was translated and put on these yellow covers, including Agatha Christie novels.

These stories tended to be a blend of horror and thriller with a little bit of romance. The cornerstone of this subgenre is that the killer would never be revealed until the last act. 

Some examples of this subgenre are Eye in the Labyrinth and The Girl Who Knew Too Much.

Gothic bluebooks

Okay, this is a little funny and a little sad. And it’s got nothing to do with the comic ‘bluebooks’. Also called shilling shockers or sixpenny shockers, these were full-on plagiarized stories. A sleazy writer would condense a popular novel, telling the whole story in their own less talented words. Then they would sell the result for a fraction of the price. 

As much as I would love to say this is a product of a bygone time, we see the descendants of these works today. Go into any dollar store and you’ll find crates of DVDs that look similar to but aren’t popular films. We used to call them grandma bait because we figured the only people who bought them were grandmothers looking for gifts for their grandkids who didn’t get popular culture.

Grotesquerie 

I thought at first this subgenre was going to be about the goriest of the gory. But that’s not the case. 

This is a term used to describe a blend of sci-fi and horror. It’s dark stuff, that’s got one tentacle in the world of reality while the other seven are waving in the wild. 

Some authors who did well in this subgenre are Ambrose Bierce, Katherine Anne Porter, and H.P Lovecraft.

Dark Fantasy

This is a subgenre that I’ve gone over a lot, so I won’t spend a lot of time on it here. Dark fantasy is anything that takes the fantasy genre and the horror genre and blends them. As I discussed here, this is easily done. Because of course, if there are good and friendly fantasy creatures, then there are horrifying ones as well.

Honestly, how does anyone read old stories about the fai and think they’re our friends?

Witcher is a great example of a recent dark fantasy that was a lot of fun. 

Supernatural fiction

Finally, this is kind of a blanket subgenre that most of the others could easily fit into. It is any horror story that contains a supernatural element. Ghosts, vampires, demons, werewolves. Any cryptid you could imagine.

This subgenre is kind of silly when it can be broken down so much more. But next time we’re going to be digging into some much more complicated stuff. 

See you then.

My newest novel, Quiet Apocalypse, is available now for pre-order on Amazon and Smashwords! 

Paper Beats World is a labor of love. If you enjoyed this post, please consider buying me a cup of coffee on Ko-fi. 

How to write a truly creepy Creepypasta

Let me tell you a story.

I used to live in a part of town called The Island. It wasn’t great. It was run down, there was some drug activity. Not a bit of this stopped me and the other kids around there from playing outside, though. We often hung out next to the train tracks, in this long patch of dirty grass. It was actually pretty great. There were the tracks, then a creek on the other side. Not the cleanest of creeks, but any running water is going to attract kids.

I was playing there with my friend Emily one day when we were both around twelve. We were doing all the normal things. Balancing on the tracks, throwing rocks into the water. Basic broke kid shit. 

We saw a guy walking towards us near the tracks. He was kind of between us and the row of houses, or we might have taken off right away. 

The guy was getting closer. He was wearing a dirty pair of jeans and a windbreaker zipped all the way up to his chin. He wasn’t walking in a straight line. It was almost like he was drunk. As he moved closer I could start to smell him. He smelled awful like he hadn’t had a shower in years.

Emily was balancing on the tracks. She was giving the guy a worried look. I wasn’t thrilled about him either. But I figured he’d just walk past us without even noticing. 

Instead, he stopped. “Isn’t it a little cold for you girls to be playing out here?” he asked.

No,” Emily said. It was only about sixty, so this was a strange thing for him to suggest. 

The guy seemed to lean a little closer to us. There was something wrong with his skin. It looked almost like it was hanging off him. Not just old people wrinkles, but like it might actually drip off any second. 

When he spoke again, it didn’t sound like his words were coming from his mouth. More like it was from under his coat.

Not a safe place for kids to be playing alone.”

He leaned closer to Emily. “Does your mom know you’re here?”

“Get away from me!” Emily said. She jumped away from the man but fell. I guess her shoelace must have gotten caught on the track. The man reached down and grabbed her jacket sleeve. She screamed. I shoved him away from her and almost screamed too.

It didn’t feel like touching a person. It was like under that windbreaker there were just pounds and pounds of cold hamburger.

The guy had to pull away. I helped Emily pull her shoe free from the tracks and we ran back to her house. 

We ran inside and slammed the door shut behind us. Her dad was home that day. When we told him what happened, he grabbed his shotgun and went outside. Of course, the guy was long gone.

There was no reason to call the cops. Emily’s dad was sure the guy was just a homeless man and they wouldn’t be able to find him. I would have thought so too, except for one thing.

We never told her dad, because we didn’t think he would believe us. But on Emily’s jacket, where the man had grabbed her, there was a handprint. It looked like the skin from the guy’s hand had come off, and stuck itself to her sleeve. 

The internet is awash with horror stories referred to as Creepypastas. Microfiction and flash fiction stories that almost seem like they could be real. 

Kind of like the one I just told you.

They’re creepy, they’re upsetting. Some are incredibly gory and some are just uncomfortable. Some of them are mistaken for true stories. Some have become beloved characters, like Jeff the Killer or Slenderman. They are today’s modern urban legends, and we love them. I even wrote a Slenderman inspired story once

You can find these sorts of stories all over. There are a few subreddits, including one called R/nosleep. Youtube is littered with videos titled like ‘3 scary Snapchat stories’ or ‘4 home alone stories to make you scream. I even just downloaded an app called Chilling that’s full of them.

Honestly, I cannot get enough of them. And some of them have freaked me out. I especially love Rap Rat.

If you’re interested in writing one of these Creepypasta stories, here’s the advice I have for you. These are tips not only from me as a writer, but from me as someone who has consumed far too many of these things to be healthy.

Keep it just this side of true

In case you haven’t already guessed, my story at the beginning wasn’t a true story. I was never attacked by a rotting man while playing outside as a child. 

I was, however, a broke kid who lived in a bad part of town called the Island. I did play near the train tracks and in the creek with my friends. I did once get my shoelace caught in the tracks. Thankfully, there was no train coming. And once I was approached by a stranger who stood too close to me. Then, talked too long to a preteen girl outside by herself.

It’s this sort of thing that makes these stories so relatable. And relatability is something that you need if you want to scare the hell out of someone. 

Good horror is honest, especially in Creepypastas. So much so that some people don’t quite get the joke. Stories on R/nosleep are often laughed at because they ‘can’t possibly be true. Well of course they aren’t true. No one ever said they were. They’re just written in such a way that they feel like they might be true.

And of course, there’s always a chance that some of them are. We don’t know, do we?

Grammar can fall away a bit

Many of these Creepypasta stories appear to be written by amateurs. The grammar is off. 

Well, that might be on purpose. Generally, the best stories are written in the first person, like you’re telling someone a story. So, since you’re the whole story is narrated from your MC’s pov, you can get away with bad grammar the same way you do while writing dialog. I’m betting you don’t use perfect grammar while talking in the best of circumstances. Neither do I. So why would we when we’re telling someone about a creepy thing that happened one night?

A really scary thing. Something you don’t usually talk about. 

Good storytelling cannot

While often the grammar in a Creepypasta isn’t the greatest, the writing mechanics are still there. Some great examples can be seen on the Youtube Show, Are You Scared? 

All of the other parts of telling a good story are still in play. Foreshadowing, word usage, descriptions, dialog. None of these can be forgotten in any story. No matter how informal the type of story. 

KISS (keep it short, sweetie.)

Finally, Creepypasta stories work best when they’re short. There are some exceptions, like the aforementioned Rap Rat. But most of these stories can be read in under fifteen minutes. 

First off, this is nice because most of us don’t have time for a long story all the time. And while I do love an epic fantasy story, sometimes I need a bit of short-form entertainment during my break. 

More than that, though, a short story doesn’t have as much time to show the zipper on the back of the monster. I wrote a post long ago about brevity being the soul of horror. I don’t want to rehash all of this. Suffice to say that shorter stories have more of a gut punch. And the best Creepypastas are the ones that keep it short. 

Have you tried your hand at a Creepypasta? Let us know in the comments, or leave a link to your story. 

How to start writing dark fantasy

Dark fantasy is certainly having a moment. Shows like Witcher and Wheel of Time, both of which I talked about on Haunted MTL, have gotten more fantasy fans interested in the creepier, more sinister side of the genre. And I love it. Not that I don’t enjoy the lighter side of fantasy. I wrote a whole series that could hardly be considered dark. Honestly, that’s just because I haven’t gotten to it yet. 

Yes, fantasy that is all about magic and adventure and dragon friends is awesome! But there is so much more that we can do with the genre if we’re willing to explore the shadowy side. 

Just in case you’re not sure what I mean by dark fantasy, another great example is the Spiderwick Chronicles. In here we see much of what I’d consider dark fantasy. We see the fai acting with malicious intent. We see dark magic slipping a young woman into a coma. We see characters who are menaced, rather than enchanted, by the fantasy world. There’s a lot more monster-slaying than finding fairy rings, is what I’m saying.

If you want to write some dark fantasy, here are some suggestions.

Details and world-building

A cornerstone of good fantasy is good world-building. And a dark fantasy is no different. But of course, the details of a dark fantasy world are going to be a bit different. We’ll see more danger, of course. More places our characters fear to tread. More people you don’t want to come across. Think of Miss Peregrine’s School for Peculiar Children. Yes, at the start the children are in a magical place frozen in time. But soon enough they find themselves mucking through dark allies, filled with monsters and men who want nothing more than to crush their heads against the pavement.

Don’t shy away from the gore

Speaking of pavement head crushing, any good horror story is going to have some moments of gore. That’s just a hallmark of the genre. 

I don’t love stories that rely on it. If there’s not an underlying terror, then all the blood and broken bones in the world aren’t going to do more than turn my stomach. But I do expect to see a little bloodshed. 

The best horror is based on reality

Horror that revolves around otherworldly creatures is great. I love a haunted house story, and I love a sentient demonic house even more. But the best horror story is the one that has a basis in real life.

Carrie was about more than a killer prom queen. It was about a young woman bullied at school and suffering abuse at home. Amityville Horror is about a house set on killing its inhabitants. It’s also about a family with money worries. These are things we can relate to, which makes the horror that much more satisfying. 

This can be a little trickier with dark fantasy, which is by definition not based on reality. But remember that characters are people. And people are generally scared by the same things. As Stephen King put it, we’re scared of the Bad Death. That’s pretty well universal, even if you are an elf. 

Anything that can befriend you can also kill you

I’d like to take this moment to point out something in fantasy that has always bothered me. Fairies are often seen as whimsical little friends, who might play a little prank on us from time to time but have our best interests at heart.

If you know anything about fai lore, you know that’s bullshit. They might be befriended, but they’re more likely to steal you away, take your babies, poison you, or otherwise mess up your day. 

The same can be said for mermaids. 

Any creature has a dark side. Any creature can be seen as either benevolent or malevolent. Think of fantasy creatures as dogs. Most of the time they’re our great little companions who sleep at our feet and keep us company while we type blog posts. But under the right circumstances, they’ll take a hand. 

If the good creatures exist, so do the dangerous ones

Finally, there is this. Fantasy creatures we like tend to get a lot of attention. But if they exist in your fantasy world, so do their darker counterparts. So do the banshees, the evil magic users, the werewolves, wendigos and vampires. Light casts a shadow, and you don’t get one without the other. So when creating your fantasy world, remember to write in the shadows as well. 

Fantasy and horror complement each other in many ways. A touch of one can make the other stronger, and often is unavoidable. How much you decide to let the darkness in is, of course, depended on how gruesome you want your fantasy story to be. 

What is your favorite dark fantasy? Let us know in the comments. 

If you would like to support Paper Beats World, you can do so on Ko-fi. 

Market, Monster Waiting in the Woods

Okay, one more horror anthology, then I’ll give it a rest, I swear.
This one is called Monster Waiting in the Woods. This, boys and girls, is for grownups only. They want dark, atmospheric stories for adults. No happy endings required.

Genre- Horror
Due date- September 1
Payout- $25.00
Wait Time- A decision will be announced November 2.
Word Count- 2,000 to 8,000
Rights-1 year exclusive rights, but if you contact them, they will consider letting you reprint it elsewhere.

Full submission guidelines can be found here.

Any luck with this or any other markets? Let me know, and I’ll post it on the monthly brag board, on the last day of the month.

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