Ten kinds of books every writer should read

Before we begin, I just found out that Natalie Goldberg put out a new book in July. How did nobody tell me? And she wrote a whole book about haikus?

Don’t worry, reviews are forthcoming. Just as soon as I read them.

Today, though, I want to talk about a different kind of book. Ten different ones, to be specific.

Some of the best writing advice from Stephen King is to “Read a lot and write a lot.” Alright, fair enough. But what should we read?

There are many lists of books writers should read to be better at our craft. And while that’s great and all, these lists can be highly subjective. My original plan for this post was to write a list of books I think every writer should read. But there again, my list was highly subjective. I always suggest Dance Macabre, but that book isn’t going to do shit for you if you write historical fantasy.

So what we have instead is a list of ten kinds of books every writer should read. Feel free to fill in the blanks yourself.

Books everyone loves

The ever-popular books are popular for a reason. Well, sometimes. Sometimes things are popular just because they’re popular. But even then, it doesn’t hurt to know why everyone in your internet circles can’t shut up about a book.

Books everyone hates

Sometimes you hear about a book for very different reasons, because no one can shut up about how bad it is.

Reading a bad book can be incredibly educational. You learn all the things not to do. This is easier with a laugh track though, if you can get it. A great example of this is the Behind The Bastards episode where Robert reads a book by Ben Shapiro.

(Take a bullet for you, Babe. IYKYK.)

Books in your genre

This one’s a no-brainer, right? And if you’re writing in a genre, you’re probably already a fan. No one had to tell me to read Stephen King and Anne McCaffrey. I just wanted to.

Books as far removed from your genre as possible.

This is the one that seems to throw people. But we don’t learn to write just by reading our own genre. We learn by reading widely. We also open ourselves up to unexpected joy. For instance, I have no interest in writing historical fiction. But I read the hell out of Philippa Gregory.

A brief understanding of other genres can greatly help your understanding of your own. And there’s always a chance you’ll be inspired by it. While I’m not likely to write historical fiction, I might write a historical fiction slasher.

That’s a pretty good idea.

Books that teach you about writing

I love books that teach you about writing. Mostly because I love to hear other writers talk about writing.

Even if you don’t agree with all of the advice, it’s great to get someone else’s perspective on the craft. Some of my favorites are On Writing, Elements of Style, and anything Natalie Goldberg writes.

Books that teach you about anything else

Anything you learn can feed your writing. I mean anything. I’ve toured coal mines my whole life (I live in Western PA) and this has influenced my writing. You can see it even in my fantasy work, like in Starting Chains.

Read about history, science, and politics. Read about anything that sparks interest in you. I often find I don’t even try to intentionally write about things I learn in my books. I just do it. The book I’m writing right now is going to have a character who likes bugs because I like bugs.

Learn about anything that brings you joy.

Books that teach you the history of your genre

I mentioned Dance Macabre earlier. It’s an overview of the gory history of horror.

I’m sure it isn’t the only one like that. And I’m equally sure that there are books that go over the history of other genres. I just haven’t found them yet.

Understanding the roots of your genre is imperative. Even if you don’t love the classics (and some of them are dry AF) it’s important to know them.

I’ve read Dracula. I’ve read Frankenstein, Dr. Jeckle and Mr. Hyde, Beowolf, The Oddessy, and Lord of The Rings. Some of these these were fantastic. Some were a learning experience. None of them were ever a waste of my time.

Short story collections

Every story has something to teach us about writing. Short stories are a different form of storytelling than novels. So if you want to write short stories, and there are many reasons to write short stories, it stands to reason that you’d want to read enough of them to see how a smaller plot and smaller cast are achieved.

Poetry collections

Writing an eloquent, beautiful line is a joy. Conveying an emotion that seems brand new and also impossible to deny. Like dust brushed off a desk flutters in a sunbeam, dancing fairies who might have attracted the muses if we weren’t so intent upon our cleaning.

You can picture that, can’t you? I certainly hope so.

The best place to find this sort of writing is in poetry. Poetry is like a sketch of an emotion. It should make you feel like you’re standing in a certain place at a certain time.

If you can convey this in prose, you’re doing alright.

Comic books

Finally, I’d like to make the suggestion that you read some comic books.

Comic books, first off, have some fantastic stories. Especially the indie ones. Bone was fantastic. So was Transmetropolitan, The Boys, Maus, and Preacher.

Reading comic books lets you focus on the dialog. I read a lot of comics when I’m working on AA scripts because that’s all dialog. It was a great education. And, frankly, it was fun.

We are on day five of the PBW Anniversary celebration. Like this post and leave a comment to be entered to win a copy of Quiet Apocalypse. And I’ll see you back here again tomorrow.

If you liked what you saw here today, please consider liking and sharing this post. Or you can support the site financially on Ko-fi.

Broken Patterns is available now for preorder! You can order it now on Amazon.

The Middle Finger Project, the book, launches today!

And I already got my copy! It’s sitting on my desk quietly waiting for me to finish the book I’m reading now. I’m going to really have to focus on actually getting things done with this book sitting here. I cannot wait to crack into it.

IMG_20200211_111524_724Honestly, if you’ve been around PBW for any amount of time, you’re fully aware that Ash Ambridge is basically my Beyonce. Which isn’t to say she’s a musician that a lot of people fawn over. No, I mean in terms of inspiration. Her blog, also called The Middle Finger Project, inspires me with every post. And if you want to live, actually live, then she should be inspiring you.

I’m also pretty sure she’s my soul sister. She grew up in a trailer in PA, just like me. She’s a classy professional who really likes the word fuck, just like me. And she’s not about apologizing for any part of her life. I’m working on that.

What follows is some awesome experts and information from the woman herself. If you haven’t already gotten your hands on a copy of this book, go do it right now. Or read this, and understand better why everyone needs this book.

Then go get it.

Animals Who May or May Not Want to Pee On This Book

The rhino. (Seems like a total alpha male.)

Turtles. (Yawn.)

T-Rex. (Shitty reading arms.)

Any type of mollusk. (Jealous of my name.)

The Common Molly. (For obvious reasons.)

 

What the F*cking Thing Is About

  • Girl grows up in a trailer park in rural AmericaAmbirge
  • Mom = social anxiety, doesn’t leave house
  • Dad dies when girl is 14
  • Mom dies when girl is 21
  • Girl leaves small town. Goes to big city. Tries hard to fit in with people who paid real money for “nude” as a nail color.
  • Becomes disillusioned to discover nobody actually knows what they’re doing and the rules were made up by a guy named Ted who ate a cheeseburger for lunch and has a dog named Wedgie.
  • Leaves job. Rebels. Sleeps in car in Kmart parking lot.
  • $26 left. Lots of chicken nuggets.
  • Hears radio announcer. New music album available for pre-order. Suddenly realizes that value comes in many forms—not just in all of material things she never had—and art is worth paying for. And? It doesn’t have to be *finished yet* in order to be exchanged for future value.
  • Takes hidden talent—writing—and uses it to create an all-new job for herself.
  • Earns first $2,000 from backseat of car.
  • Uses it to kick start new life.
  • Makes first $103,000 that year, and then goes on to earn several million dollars from her art.
  • Learns lots of lessons along the way, like: You must be brave enough to cause problems. And: Sometimes you’ve got to be a bitch about money. And: Every good idea is offensive to someone. And: Selling yourself requires you to insist on your own brilliance. And: We must learn to become mothers to ourselves.
  • I NEED TORN DOWN SOULS TO READ THIS. I need them to see that they can do so much more than they think. And not just them, but anyone who feels like an imposter every single day of their life. Anyone who doesn’t know what else to do. Anyone confused about their career. Anyone who doesn’t have passions anymore. Anyone who feels like they’ve lost themselves. And anyone who is still really just an innocent babe inside, trying to find their way.

 

 

Bossypants, by Tina Fey

Image result for bossypants

Welcome to another edition of the Paper Beats World book club.  Here I talk about books I love that I think you’ll love too.  Some of them are indie books I was really impressed by.  Some of them are books I think every writer should read.  This month, it’s the latter.

Now, you should know that I think Tina Fey is literally the best person on the planet.  She’s hilarious, hard working, insane.  The best thing about her is that she’s honest, brutally honest about herself and others.  She’s also a brilliant writer.

The book is autobiographical, chronicling her life from childhood until sometime about halfway through the run of 30 Rock.  Again, Fey is very honest about herself.  She recounts, without flinching at all, things about her life that she was ashamed of, embarrassed by, and really freaking stoked over.

I would have loved Bossypants just because I love Fey’s voice.  I love to hear her tell stories.  But I learned so much about being a writer from her, and this book that I want to share with you.

Don’t let your gender stop you.

Comedy hasn’t always been a friend to women.  We aren’t slapstick, or vulgar, or any of the things that are supposed to be funny.  Except we are.  I think I’m freaking hilarious, of course, but let’s also consider Carol Burnett, Amy Poehler, Amy Schumer, Sarah Silverman, Kathleen Madigan, and a ton of others.  We are funny, and shocking, and capable of all the same things men are, (including writing our names in the snow.)

Men are smart, and capable of self control.  They are nurturing, and tender, and fully capable of writing ‘chick lit,’ romantic comedy, really anything a woman can write. Don’t let anyone tell you you shouldn’t write something because of your gender.

Do things before you think you’re ready.

I’m sure you’ve heard this one before, but it bears repeating.  Why does it bear repeating?  Most people still don’t believe it.  Start your book even if you think you’re not ready.  Write a short story, and send it off even if you think you’re not ready.  Start researching agents, start calling yourself a writer, even if you think you’re not ready.  You might create some really fantastic material, even before you think you’re ready.

Education is good, but hard work is better.

Fey went to the University of Virginia, where she studied drama.  It seemed pretty clear to me that it was her experience at Saturday Night Live that made her the person she needed to be to make 30 Rock, and Mean Girls.  I’m similar.  I took Journalism and Creative Writing.  But I learned writing by writing.  I wrote a book, then another one and another one. I finished two rough drafts before I ever wrote something I thought worth my time to edit. I’ve written 15 short stories this year.  I am a better writer today than I was before I wrote those 15.  So, yes, get an education if you can.  I’ll never tell anyone that an education is a bad idea.  But experience will always be better.

Friends that know you’re the type to work your ass off are even better.

Fey will be the first to tell you that she got some of the opportunities she did because of the work relationships she made on Saturday Night Live, like Lorne Michaels.  Do you think for one second anyone would have wanted to help her out if she’d been lazy, sloppy, hard to work with, or just an overall pain in the ass?  No, probably not.  Learn from that, people.  Be known as a hard worker, someone who’s willing to do what’s needed to get the shit done, and people will want to work with you again.  Those are the kind of relationships that open doors later in life.

  

And my personal favorite line from the whole book, by Lorne Michaels, “The show doesn’t go on because it’s ready.  The show goes on because it’s 11:30”

Man, this is my new motto for life. Oh, I don’t think this chapter is quiiiite right.  Who cares, it’s 11:30, time to go! I can’t get my hair to lay right.  Too bad, it’s 11:30.  Maybe if I give this manuscript just one more once over… Nope! It’s 11:30, and it’s time to go!  I’m not saying rush, or don’t take care during the editing process.  But don’t focus on perfection, because you will never think a story is perfect.  Others will call it perfect; parents, lovers and friends will praise it.  You will still see the imperfections.  Stop, it’s 11:30.

I highly recommend reading Bossypants.  I recommend even more listening to the audio version, because Fey reads it herself.  Really, there’s nothing better than hearing that woman read her own work.

Let me know what you think of Bossypants, or anything else you’re reading that’s rocking your world.

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