Tag: writing advice

Discussing Long Quiet Highway

Published in 1993, Long Quiet Highway is the fifth book by Natalie Goldberg. Just in case you don’t know, she is the iconic writing teacher and author of Writing Down The Bones, among other amazing books about writing. This one, though, is not technically a book about writing. It’s a memoir. But, like all of her work, it sent me right to my notebook.

So today, let’s talk about Long Quiet Highway. How it’s different from her other books, and what I learned from it.

Long Quiet Highway starts with the story of Natalie as a child. Her parents were immigrants. She grew up in New York before they moved to the suburbs.

Natalie describes her childhood as being cloistered. Dull. To me, it feels cloying. Safe, fun, and full of little pleasures. Her parents clearly loved her and supported her. But there was little art in her life. There was little to wake her up, to make her feel alive.

This is used as an introduction to a teacher who woke her up. That encouraged her to listen to the rain. To experience it.

As an adult, Natalie taught high school. Or, maybe middle school. I’m honestly not sure which, and I don’t think it matters. While she was teaching the same bland curriculum she herself had learned, she felt lost and dull. Asleep. That’s when she decided to quit her job and join a Zen commune.

Because I guess that’s a thing you can do?!

For years, Natalie learned meditation and Zen from several teachers. Until she met one that changed her life, Katagiri Roshi.

He’s changed mine as well. But we’ll get to that.

The focus on the subject is solid

Through the book, it can feel like the story sort of rambles. One minute, Natalie’s talking about a train ride she took with a friend. The next she’s talking about learning Zen. Then we’re at a diner ordering a soda.

It’s only when we step back and look at the story as a whole that it makes sense. That we realize that every step was going in the right direction, we just couldn’t see the end of the path yet.

This was a fantastic way of memoir writing. Rather than going in strict chronological order, we skip around. It allows us to become completely immersed in the true subject of the story without even realizing it.

Even when she’s not talking about writing, she’s always talking about writing

I mentioned earlier that Long Quiet Highway is not a book about writing. It is about Natalie’s life. But here’s the thing. Natalie’s life is about writing. She writes passionately. She teaches writing. She exudes writing. This woman writes like the rest of us check social media. So when she talks about her life, she is talking about her writing.

In this way, much can be learned about the habit of writing from this book. Write when you’re happy. Write when you’re sad. Write when you don’t think you can possibly get yourself up off the ground. Fuck it, write from the ground, then. Write when you feel inspired and when you feel dull. Write when you’d much rather be eating chocolate.

Just keep your hand moving.

This is the best advice I’ve ever gotten about writing. Don’t worry about it being good, at least not at first. A lot of your first draft is going to be shit, no matter how many books you’ve written and how many you will write. Trust me, I speak from experience. I have published 12 books, and my rough drafts are still terrible. Hell, my second drafts are also bad. It’s only by the third draft that the story becomes anything I might consider letting someone else see.

And that’s okay. The purpose of a first draft is simply to exist. So if you’re still trying to complete your first piece, but you’re worried it isn’t good enough, it is. Just keep your hand moving.

Her work makes me want to live

I’ve mentioned before that reading Natalie Goldberg always makes me want to write more. More than that, it makes me want to live more. To do more things and to do them deeply.

Never before have I experienced a person who so deeply experiences every part of their life. She talks in such detail about going to get a croissant. Of riding the train.

Goldberg’s work makes me want to sit outside and feel the sun. To write about the rain, the people arguing in the parking lot outside of my window, and the cupcake I bought at a festival.

She also makes me want to travel. To go out and explore the world. To take a long trip alone or just a different route home.

The legacy of a teacher

Finally, I want to talk about how teachers can touch the lives of people they will never meet.

I am not a Buddhist. I am not a Zen student. I practice meditation, but more in a witchy way than a Zen way. And I certainly never met the famous teacher Katagiri Roshi.

And yet he has touched my life in a profound way. Because Natalie Goldberg was his student. And she wouldn’t have written Writing Down The Bones if it hadn’t been for his teachings.

Because of this, Goldberg was able to touch my life. I have learned so much from her work, and I continue to do so. Someday I want to actually work with her, attend one of her workshops. But for now, I have her words, and am one of the many students she’s inspired.

And Natalie is only one of Katagiri’s students. His kind, supportive teachings have touched countless lives.

I highly recommend reading Long Quiet Highway. As well as any of Natalie’s books. If you want to be a writer, or get into mediation, or just experience life more, this book will help you do that.

It will help you wake up.

Paper Beats World is a labor of love. If you love what I do here, please consider liking and sharing this post and leaving a comment. You can also support me financially on Ko-fi.

Spooky season is coming, and it’s time for some creepy reads. Check out my horror novel Quiet Apocalypse, about a witch trapped in her apartment during a dark winter storm with a demon devoted to ending the world.

Or check out my horror short, The Man In The Woods. A man tries desperately to protect his granddaughter from the mysterious man in the woods. But his fear only grows when a new housing complex is built too close to the woods.

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I’m a Christian Witch. Here’s how it impacts my writing

Writers have a weird job. We sit down and make up things that never happened, then write them down on paper to entertain people. We might try to tell some truths about things along the way, but mostly we’re playing pretend on the page.

That’s a weird thing to do, when you think about it. Which is maybe why everyone wants to psychoanalyze writers. Especially horror writers, I’ve noticed. It’s almost like people think you’re weird if you make up stories about people getting brutally ripped apart by otherworldly creatures or psychos in masks.

What’s wrong with people?

However, it’s true that a writer’s life and beliefs will inevitably influence their writing. Of course it will. No matter what you do, your personality bleeds through on the page. What you love, what you hate. What you hope for and what you’re afraid of.

Now, I’m not saying that Paul Tremblay has murdered anyone. No more than I’ve ever battled a demon while trapped by an ice storm. But I am saying that my personal beliefs do make their way onto the page. Sometimes it’s on purpose, but sometimes it’s not.

Let’s discuss.

If you don’t already know, I am a Christian. But not in a red hat, everyone’s going to burn in hell except me, way. I’m a bit more classic Christian. Feed the poor, care for the sick, love your neighbor, and flip over tables if need be.

I’m also a witch. Yes, you can do both. No, it’s not common, but it happens.

I’ve been fascinated by witchcraft since I was a kid. Charmed, The Craft, Practical Magic. I especially loved Willow from Buffy. I loved that she gained all this amazing power just from studying! Willow wasn’t born into witchcraft. This isn’t a legacy or a superpower for her. She chose it, studied like hell, and became as powerful as the Slayer.

So it’s no wonder that, once I finally started exploring witchcraft, I wanted my characters to explore it as well. I even included some actual spells I actually wrote in Quiet Apocalypse. In this way, I grounded the story in a bit of reality.

Yes, I actually do mean realistic. Because as a witch, I do believe in ghosts. But I also believe that ghosts aren’t the only thing that can get into your home and mess your life up.

However, I don’t usually believe in the chain rattling, blood coming from the walls, apparition sort of ghosts. No, the spirits I’ve encountered are a bit darker. A bit more clever.

My witchcraft experiences have encouraged me to write more about that sort of haunting. It’s less dramatic, but feels more real. At least, to those of us unfortunate enough to experience it.

Finally, both witchcraft and Christianity have made me see my writing as a sacred thing. A gift that I can use to make the world a better place. Or, at least make my life better.

Writing can be shadow work. I used it that way in Quiet Apocalypse. Writing can be a manifestation. Writing can illicit emotions or make people see the world in a different way.

Writing can change the world. At the very least, it can brighten someone’s life. I don’t ever take that for granted.

Witchcraft and magic have touched all of my writing. Woven is largely about the difference between religion and faith, and standing out in a world that wants to force you to fit in. Quiet Apocalypse is about the darker sides of magic fighting the light. And the thing is, this isn’t something I plan or don’t plan. It happens in the rough draft, and I decide to go with it.

That, I think, is the real moral of today’s story. Let the things that move you into your writing. Let the things that shape you into your writing. I could have written this exact same post about living in a Western PA steel town. Or growing up in a single-parent, single-child household. Or being a horror fan. All of these things shape who I am. So, of course, they shape the art I make.

Who you are should shape the art you make. And the good news is that this isn’t something you have to learn. Just let it come out.

Paper Beats World is a labor of love. If you love what I do here, please consider liking and sharing this post and leaving a comment. You can also support me financially on Ko-fi.

Spooky season is coming, and it’s time for some creepy reads. Check out my horror novel Quiet Apocalypse, about a witch trapped in her apartment during a dark winter storm with a demon devoted to ending the world.

Or check out my horror short, The Man In The Woods. A man tries desperately to protect his granddaughter from the mysterious man in the woods. But his fear only grows when a new housing complex is built too close to the woods.

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Why The Dead Husband Cookbook Works

I will do my best to avoid food puns in this post. But I might not be able to help it. Sometimes they’re just too tasty.

See, we’re starting already.

Released on the fifth of this month, The Dead Husband Cookbook is the latest novel from Danielle Valentine. If you’re just joining us, she’s written three novels so far that I’ve absolutely devoured.

Wow, two so far.

The Dead Husband Cookbook is about two women. One, Thea, an editor who’s hanging onto her career by a thread. She committed the ultimate sin of, gasp, revealing an author she was working for to be a predator. But she’s given a chance to redeem herself when a celebrity chef, Maria Capello, asks for her specifically to edit her brand new memoir. The memoir, which might, after years of speculation, put to rest the rumors of how her husband died.

So let’s break it down, like a good recipe. Let’s talk about what went into The Dead Husband Cookbook and why it works.

I loved the recipes

Through the book, we’re treated to some of Maria’s recipes. Now, I’m not as deeply into cooking as I am some other things, but I do enjoy it. I like a simple recipe full of things I can recognize and easily get at Walmart. I like making a recipe with the tools already in my kitchen.

I have managed to not buy an immersion blender for thirty-nine years, and I’d like to keep it that way.

All of these recipes are like that. Well, maybe not the one for duck. I’ve never seen duck at a grocery store here in Western PA. But then, I’ve never looked for one.

I got the e-book version of this book, just to make sure I can hang onto the recipes and try them. This made me feel immersed in the story. I, like Thea, will try my hand at making Maria Capello’s meatballs. Mine probably won’t taste the same either.

But it’s these little details that make reading a book not a passive experience. You get to become part of the story in a small way. That’s fun.

This feels like a book within a book

I am always a sucker for stories with additional documents in them. Journal entries, a VHS someone found tucked behind the guest room dresser, old medical records. And in this case, a manuscript that Thea is editing. As a reader, it breaks up the flow of the story in a good way. We feel like we have as well found something illicit. Something we’re not supposed to read or see, but now we’ve got our hands on it.

As a writer, this is also fun. It’s a way to experiment with different writing styles and formats. Even with different voices, as the pov of found content is different from our main characters. This leaves you open to all sorts of fun experimentation. And if the writer’s having fun, the reader will too. And Valentine was having fun when she was writing Maria.

Maria is creepy as hell, but not for the normal reasons

I loved the character, Maria. As someone who’s spent way too much time in medical waiting rooms, I’m familiar with the celebrity chefs she’s based on. The Pioneer Woman, Martha Stewart, The Barefoot Contessa, Rachel Ray. They all give off this air of near perfection. Like Maria, they appear smiling, joyful, endlessly energetic and endlessly working to feed others. I am a rabid feminist and I still sort of want to be that. I want to be the woman who saunters into a gorgeous, well-lit kitchen and throws together a fabulous meal without getting a single stain on my expensive blouse.

But I think we all know that these women are performing. They’re acting. And under that character, they’re real people. People with a whole range of human emotions and access to many sharp knives.

Maria isn’t scary in the way the killers from Never Flinch or Mexican Gothic are. She’s more like President Snow. She has the power, the money, and the know-how to destroy anyone she wants. She also has the will to do so. And she’ll sleep well that night.

Thea is very relatable

Unlike Maria, Thea is a relatable character. She’s struggling in a very Millennial way, trying to care for her family and her mother. She doesn’t know how to talk about what she needs to other people. She doesn’t know how to stand up to anyone at the start of the book.

But she’ll stand up for other people.

I also loved how much of a mom Thea is. Early in the book, she notes that Maria’s granddaughter has impeccable table manners. She’s not impressed, she’s concerned. That kid sat at the table and ate with a fork without spilling or interrupting seven times with incomprehensible questions? Nope, doesn’t pass the vibe check.

I also loved her constant irritation at having no internet connection. Look, I can’t do my work without the internet either. I have three tabs open just to write this post. She’s not irritated because she can’t scroll through Instagram before bed. She needs to be in communication with the people who depend on her and do research, damn it! Let the woman access Zoom.

The tension is thick

I was nervous as soon as Thea stepped into Maria’s house. It felt like she was stepping into a killing bottle. A well-appointed one, an expensive one, but a killing bottle nonetheless.

It started when they took her phone. Then her keys. Then she couldn’t get out through the Wi-Fi.

I don’t think we realize sometimes how accustomed we’ve come to being able to communicate with others. We can casually chat with people all over the world. I haven’t seen my best friend face-to-face since December. We talk all day long.

As soon as Thea arrives, though, she can’t contact anyone. Not just anyone. She can’t communicate with her boss, who is looking for an excuse to fire her. She can’t communicate with her team, who are waiting to make crucial publishing decisions on a short deadline. She can’t communicate with her husband and daughter.

Setting aside the horror part of this horror story, that is an anxious situation. Not being able to reach people who might need us, who usually do need us, is stressful.

As always, horror works best when it’s grounded in reality. Most of us will not be trapped in a killer chef’s house. All of us have felt stressed out because someone might need us, and can’t reach us. So when that layer of physical danger is layered over this emotion that we are familiar with, it feels so much more real.

I adored The Dead Husband Cookbook. Aside from everything else, it was a grown-up horror. It was a scary story that felt real to adult experiences. It relied on real fears and anger that real adults feel. All in all, it’s another hit from an author who hasn’t missed yet.

So now I want to hear from you. Did you read The Dead Husband Cookbook? Let us know what you think in the comments. And if there’s a book you want me to pick apart to see why it works, let me know that as well.

Paper Beats World is a labor of love. If you love what I do here, please consider liking and sharing this post and leaving a comment. You can also support me financially on Ko-fi.

Spooky season is coming, and it’s time for some creepy reads. Check out my horror novel Quiet Apocalypse, about a witch trapped in her apartment during a dark winter storm with a demon devoted to ending the world.

Or check out my horror short, The Man In The Woods. A man tries desperately to protect his granddaughter from the mysterious man in the woods. But his fear only grows when a new housing complex is built too close to the woods.

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Why The Bewitching Works

Released on July 15th, The Bewitching is the latest book from Sylvia Moreno-Garcia. If you don’t know who that is, where have you been?

It’s the story of three women battling dark entities and evil workings. A story that spans decades and miles to tie Mexican witchcraft with New England witchcraft. It’s about blood, greed, and power.

In this book, we meet Alba, a restless young woman who wants to escape her family’s farm with her dashing uncle. We also meet her great-granddaughter, Minerva, a college student suffering from burnout while working on her thesis. Finally, and my personal favorite, we meet Beatrice Tremblay, a young writer in love with her college roommate who mysteriously vanishes one cold, dark winter night.

I loved every second of it. So let’s take the story apart and talk about why The Bewitching works.

Every time I talk about Moreno-Garcia, I have to talk about her settings. When reading one of her stories, you can feel the places her characters live in. In Alba’s parts, we walk on a family-run Mexican farm, plucking chickens and sewing patches on rowdy children’s clothes. When we’re with Beatrice, we can feel the constrained and manicured lives of female college students during the Great Depression. Minerva’s parts feel like a campus town in the summer. All but abandoned.

We see this and feel this because each character feels these things. It’s in the small bits of internal monologue. An itchy collar on a dress. Meeting your dance date in the lobby of your dorm. The trees rustling, the sunlight turned green coming through their leaves.

It’s the smallest details, told matter-of-factly, that make this possible. The characters talk about what they’re experiencing with their senses as though we must know what that feels like. And we do.

A major theme in Moreno-Garcia’s books is romance. Love stories. In Bewitching, the theme is more about lost love. More than that, losing the opportunity for love. The almost romance that will never be. That sort of thing.

This is something I think most of us have felt. The unrequited crush. The relationship was just never timed right. Or the love that was taken from us by the tragedy of one sort or another.

This makes the pain of the characters relatable. And it’s something I don’t think we see enough of in fiction.

There are plenty of meet-cutes. (Bleh). Plenty of slow burn, will they won’t they sort of stories. Even plenty of loves taken too soon. But they got to the love part first.

Losing someone who was never really yours is a different sort of pain. It’s strange, still trying to shift through feelings that were never fully grown. Strange to explain to people why you feel how you feel. Because it’s not the loss of a life or a loved one. It’s the loss of what could have been, and now never will. This is something that is explored in heartbreaking detail in this book.

Finally, I have to talk about the witchcraft in The Bewitching. Because, just in case you didn’t know, I’m a practitioner. There’s a lit spell candle on my desk as I write this.

Much like in Silver Nitrate, another book by the same author, the witchcraft in this book makes sense. I loved the practitioners in Alba’s village, selling protections and trinkets. It feels real. I loved Ginny’s automatic writing being used to contact her mother. I loved the cryptic warnings and tarot cards. And I especially loved the explicit explanation of intent in this book. Because I can tell you from experience, intent is the most important thing in witchcraft. No spell works without it. But I have worked magic with nothing but my intent and words on a page. Candles, crystals and herbs are all well and good. Iron and bowls of blessed water are lovely. But nothing matters more than intent.

I’ve mentioned before that Sylvia Moreno-Garcia is either a practitioner or did all the right research. Either way, the witchcraft in The Bewitching gets this witch’s seal of approval.

If you haven’t read The Bewitching yet, go do it. If you have read it and loved it as much as I did, you have great taste. I recommend reading Lucy Undying by Kiersten White, Mexican Gothic by Sylvia Moreno-Garcia, The Hacienda by Isabel Canas, or Quiet Apocalypse by me. Each one has a witchy or historical vibe that will certainly keep you up at night.

Now I want to hear from you. Did you read The Bewitching? If so, what did you think of it? Let us know in the comments. And if there’s a book or movie you want me to pick apart to see why it works, let me know that as well.

Paper Beats World is a labor of love. If you love what I do here, please consider liking and sharing this post and leaving a comment. You can also support me financially on Ko-fi.

Spooky season is coming, and it’s time for some creepy reads. Check out my horror novel Quiet Apocalypse, about a witch trapped in her apartment during a dark winter storm with a demon devoted to ending the world.

Or check out my horror short, The Man In The Woods. A man tries desperately to protect his granddaughter from the mysterious man in the woods. But his fear only grows when a new housing complex is built too close to the woods.

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Some things are supposed to take time

I love a cup of coffee.

Yes, I am a cliche. I’m a writer and a Millennial woman. Of course my veins are full of espresso instead of red blood cells.

I make it each morning in a French press, one of the slowest and low-tech ways to possibly make coffee. I start with Cafe Bustelo grounds and a pinch of salt. (Listen to me. I said a pinch!) Then I put in a bit of cinnamon. I boil water in a kettle I’ve had for years, dressing and feeding the pets while I wait for it to sing. Then I pour the water into the press and give it four minutes to steep. The whole process takes an average of fifteen minutes.

It is the best coffee I’ve ever had. And it’s not the only thing I make that takes time. I make eight-hour roasts and garlic confit. While I have quite a strong relationship with my microwave, my favorite things take time.

Writing takes time. Writing books takes time. Sometimes, far more time than we, as writers, want it to. Publish or perish seems to be the name of the game, especially in the indie writing world. I feel like I’ve always got to have something new coming out. There’s a never-ending pressure.

Oh my God, it is such horrific pressure. When you make your passion your career, it’s a special kind of hell. One completely of our own making. Because it’s not just about creating anymore. It’s not just about writing anymore. It’s about building a backlog. About building a career.

This pressure has been killing me this year. Squeezing me until I can’t breathe, but I sure can be wracked with sobs. I published my latest novel in May of last year. And, I’m sorry to say, I will probably not be publishing anything until at least 2027.

That might be a miracle.

I’ve been writing. Not as much as I want to. But I’ve written two rough drafts for the final book in the Station 86 series.

I’ve written two rough drafts and thrown them out. Because they were just, just terrible.

Some things are supposed to take time.

Right now, I’m writing the third draft of a dark fantasy book. One that I hope to get an agent for, so I haven’t talked much about it. I have worked on this book for years now, in between drafts of Station 86 and AA. It is a passion project. I love it. I hope that someday soon you’ll get a chance to love it as well.

No one is waiting for this story. Well, the universe might be waiting for it. But I don’t have a handful of fans waiting for it. I do have a handful of fans waiting for the last Station 86 book.

I hope.

So when I work on the Station 86 book, the stress is there. The pressure is there. Time is ticking away, and every day means Station 86 fans might forget, give up, or simply move on.

This is the fear that’s been nipping at my heels. While I frankly have enough fear keeping me up at night. But for my sake, and the sake of my writing, I am trying to let go of this fear. It doesn’t serve me.

Writing takes time. Good writing takes time. And sometimes it takes walking away and taking a break to come back with the passion and creativity a project deserves.

I told you that to tell you this. If you’re a fan of Station 86, stick with me. This series is so very important to me, and I’m going to keep working on it until I give it the ending it deserves.

If you’re a writer who feels like you’re not moving fast enough, take heart. Good writing takes the time it takes. You’re not early or late.

And fans will wait. I know it’s hard to believe. To listen to faith over fear. But consider how long you’ve waited for the next book in a beloved series. Tamora Pierce published Tempest and Slaughter in 2018. The sequel is maybe coming out this year, but we don’t have a concrete release date yet. That hasn’t stopped me from checking monthly for updates.

I have a list of authors I check on upcoming releases for each month. That list includes Grady Hedrix, Stephen King, Danielle Valentine, Sylvia Moreno Garcia, Kirsten White, Paul Trembley,Tamora Pierce, Natalie Goldberg and Marcus Kliewer.

Some of those authors publish books yearly. Some don’t. I still check because their work is important to me. So if I’m willing to check for their work, why wouldn’t I think others might check for mine?

Why wouldn’t someone check for yours?

Like a good cup of coffee or a soul-nourishing roast, stories take time. Let yourself have the time you need. No matter how much time that is.

And yes, I promise that the last Station 86 book is coming.

Paper Beats World is a labor of love. If you love what we do here, you can support us by liking and sharing this post. You can also support us financially on Ko-fi.

Spooky season is coming, and Quiet Apocalypse is the cold, dark treat you need right now. Check it out here.

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When is the best time to make plans?

It’s the end of July. August creeps up to us with soft feet, barely making a sound as Summer clings on. Fall starts to ever so slowly make herself known.

This time of year brings out the poet in me.

August brings with it back the back-to-school season. This is often a time used for making plans and goals by people whose lives revolve around a school schedule.

For someone like me, who only knows if school is in or out if the yellow buses are making their rounds, this isn’t a time of year I start doing a lot of planning or goal setting. I set goals at the start of the year, breaking them down and modifying them by quarter.

Then sometimes something happens that makes me throw the whole damn plan out and start over. More on that soon.

There are many schools of thought as to when the best time for goal setting is. And as someone who really, really likes her planners, I love this. I love just about any excuse to sit down at my desk with my calendar and bullet journal, and dream on paper about what I can accomplish in a given period. It’s magical. There is my dream, my goal out in front of me. Now let me lay myself mile markers. Let me prepare so that I can bring this dream to life.

So today, I thought it would be fun to take a look at some of the most popular times to set goals and make plans. Let’s look at the pros and cons of each. And we’ll end with what I think is the very best time for goal setting.

New Years

Let’s get the obvious one out of the way first. New Year’s Day, New Year’s Resolutions.

I love this one, personally. Generally, December 26th every year is spent in the pages of my brand new planner, making goals and plans for the year to come.

There’s a lot of social momentum in this. Many of us are surrounded by people who are also making goals for the year. And it’s inspiring to have everyone on this same page, the first blank page in a book of 365.

But there’s a downside to this. First off, most people who set New Year’s Resolutions don’t keep them. So if you’re following that crowd, it might well lead you right back where you were. And you don’t like it there. That’s why you were trying to leave it.

There’s also a lot of pressure at this time of year to make goals. Which isn’t always a good thing. It’s also not a great time of the year for things like seasonal depression. Or, I don’t know, taking up running if you live somewhere where it’s still snowing.

So if you love planning in January like I do, awesome! If not, it’s okay to hit snooze on the whole thing.

Spring

Funny story, the new year used to be thought of as a Spring activity. Which makes a lot of sense to me. The weather’s starting to warm up, lots of cute things are having cute babies. And my seasonal depression has started to melt into Original Flavor depression.

Spring can be a great time for goal setting. Not everyone is doing it, so you don’t feel all of that social pressure. And if your goals include things that require you to go outside of your house, that’s a much more pleasant experience.

Of course, if your goal is to spend more time writing or learning a new skill, Spring might be a fucking awful time for that. After all, what’s more miserable than trying to sit at your computer while the birds are chirping and the iced coffees are calling. So plan your planning accordingly.

The start of a new school year

If you’re a teacher, a student, or have a student living in your house, this is a great time of year to make goals. Your routine just got a lot more structured. Or, at least, the structure changed. You’ve got different responsibilities, and often a lot more of them.

Even if you don’t have anyone schoolbound in your life, the start of a new school year can be a fun time to plan. All the good stationery is out in the stores. And there’s a sense of something starting. Something changing.

Back to school is also really busy. And for some people, this might well be the worst time to start making goals. It’s awfully hard to find some quiet time to make plans when you’re figuring out schedules, making carpool agreements, and being guilted into volunteering for school activities. It might be better to have plans and goals in place before the madness starts, not while you’re already getting used to packing lunches and coordinating football practice again.

Quarterly

There’s an argument to be made that making plans for a whole year at a time is maybe not the best way to handle things. And the older I get, the more this makes sense to me. Things change. Things we don’t see coming just come right on anyway without our consent.

For instance, I didn’t know in January that I was going to be caring for a husband recovering from a stroke and moving my house.

Making plans for three months can be easier. While the unexpected might still knock you on your ass, it won’t mess up your year-long plans. Because you didn’t have any.

Quarterly goals are also smaller than yearly goals. At least they’d better be. And this can feel far more attainable. It’s much less intimidating to break down goals. Consider writing a book.

After all, that’s what we’re originally here to talk about.

Writing a book is a massive, intimidating goal. Most of us can’t write a book in a year. Especially when we have so many other obligations. So it’s easy to look at that massive goal, that massive task, and feel overwhelmed.

Kind of like looking at a house that needs packing and feeling overwhelmed.

But if we break down everything into what can be done in three months, that feels more manageable. I can’t write a book in three months. But I can write a rough draft. Or I can commit to writing every week for a certain amount of time.

Anything is easier if we break it down.

There’s only one real downside to this goal-setting method. You might find yourself forgetting the bigger picture. Seeing the trees and not the forest.

In short, you might start to think small.

Thinking small for a while is great. Especially if it helps you get started. But we shouldn’t be thinking small long-term. There are too many big, beautiful things that we can do. And we should give ourselves the space to do them.

Right now

This is the best time to make a goal. Today, right now. As soon as you’re done reading this.

Sit down and write down one big amazing thing you want to do. Now, write down the steps you need to do that thing. Then, start doing it.

It’s just that easy and just that hard.

You want to write a book? Make a plan, and start brainstorming today. You want to start your own company? Great! Make a plan today. You want to get healthy, adopt a dog, buy a house. Figure out what you have to do, step by step, and start doing it.

We all have things we want to do with our lives. And we don’t have to wait for the start of a year, a quarter, a month, or a new school year to start making our goals real. We can start right now, on a random Friday or Tuesday. Right now is perfect. Go get started.

So now it’s your turn. When do you do your best goal setting? Let us know in the comments.

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Falling From Grace is going wide! Click here to see all the places to get it.

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My thoughts on Nebula Con 2025

Last week I attended the 2025 Nebula conference virtually. And for something that only lasted two days, I am sure still recovering from it.

As always, I learned a lot. And while I was a little disappointed that there was only a day and a half of panels for online participants, it was still a worthwhile experience. And, for the first time, I moderated a panel!

Some of my recovery time might have been due to the social anxiety attack I had over that, but it was still fun.

Today I want to share with you some of the best lessons I learned this year. I never walk away from Nebula Con without learning something that uplifts me and helps me be a better writer. Hopefully, some of these lessons will help you as well.

Don’t take anything too seriously

Writing is a serious business that is populated by unserious people. Yes, working writers need to deal with dull and business-type things like marketing sales and pricing. Yes, to be a successful writer you have to treat the business side of things like a business. Like you have a product that you’re selling.

But you’re also making up stories about dragons, ghosts and spaceships. You’re still playing make-believe and putting it on paper. It should still be fun.

This is something that’s never forgotten at Nebula Con. If you’ve ever attended, then you know the running joke that we are, in fact, on a spaceship that we’re sharing with several fantastical creatures. For instance, space wombats.

It is a wonderful reminder that writing is supposed to be a little bit fun. Most of us started writing because we were voracious readers. Reading was the most fun thing we could think of doing. I spent a good part of my childhood, some might say too much, between the pages of one book or another. I was having fun. And I have fun when I’m writing. Even when it’s hard. It’s still supposed to be fun hard.

Writers are still some of the most fantastic people I’ve ever met

You know how sometimes you meet someone and you just click right away? That’s how I am with just about everyone I meet at Nebula Con. And I might be biased. Hell, I know I’m biased. But when you meet someone who speaks the same strange language you do, you feel like you’re a little bit more at home than you did before.

I was introduced to this queen

During the event, I attended a two-hour panel about career longevity. It was hosted by Becca Syme, author and career coach. And the things she said blew my mind.

Look, I’ve been around a bit. For someone to say something truly revolutionary for me is impressive. Because I’ve heard all the self-help and inspirational quotes before. Nothing’s been as motivational as her talk.

I don’t want to jack all her material, because you really should go check her out. I will only say that Loki comes into the conversation and it is life-changing. I now need to read all of her books and listen to all of her podcasts.

If you want to do something, go for it

Now, this is the main thing I wanted to talk about today.

I was invited to moderate a panel about cozy horror. To put it mildly, I was not prepared for this. I had never participated in a panel. Moderating the panel is like being the host. I was in charge of coming up with questions and controlling the flow of conversation. And most importantly, ensuring that we ended on time. All of this, and have my face on camera the whole time!

I don’t know if you’ve noticed, but I put out a lot of content that does not include my face.

So I was terrified. This was dramatically out of my comfort zone. But it was also something that sounded like a good experience.

It should be no surprise at all that it was, in fact, a great experience. The people on the panel were kind, funny and very talented writers. I had a fantastic time.

So if you have the opportunity, get out of your comfort zone. Do something you’re scared to do. Prepare for it, learn what you need, and do it. And if you don’t have the opportunity, make one.

Also, if you’ve never been to Nebula Con before, consider checking it out if you can. I, and the space wombats, will see you there.

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Missing Stitches is going wide on June 27th! Check out all the places it will be available here.

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Why Who Holds The Devil Works

In December last year, I was privileged to attend a local writer’s event at my library. Many of the authors, including me, gave small talks during the event. You can read my talk here.

Another author who spoke was Michael Dittman. And the story he told about his book was enough to have me rushing over to his booth at my first chance to grab a copy.

When I got there, I had just one question. Is the witch a good guy? Dittman laughed and said yes, she was.

So I bought the book, Who Holds The Devil. And I am so pleased I did. It was a wonderfully fun read.

Published in 2022, Who Holds the Devil is the story of a man named Aaron. He’s a quiet man who works as a researcher/ghost writer for authors and is healing from a bad divorce. One morning, his quiet healing is interrupted when the city tears down a massive tree and takes out part of his brick wall in the process.

At first, Aaron only wants to get his wall fixed. But he soon finds himself beset by a horrific spirit determined to possess him.

The main character is relatable

The main character, Aaron Moody, is going through some stuff. He’s been through a divorce. He’s being jerked around by his employers, taken advantage of. His hard work is being dismissed. He’s sad, frustrated and angry. And then a bloody tree is taken down improperly and busts up his stone wall.

From the start, he’s just a regular guy who finds himself in a terrifying paranormal situation through no fault of his own. But when the time comes, he runs towards danger and not away. He was, in my opinion, a fantastic guy to root for.

We need to see more animal friends in adult fiction

Aaron doesn’t have a cat himself. But he does occasionally get visits from his neighbor’s cat, Mr. B. As I’m sure you can imagine in a book about demons and witches, Mr. B does become an important part of the story.

I don’t know why more books for adults don’t have animal characters. They’re always great. They always add something to the story.

The witchcraft makes sense

As a practicing witch, I love a story that includes realistic witchcraft. Which isn’t, of course, to say that anyone in the real world can steal someone’s voice while sitting in a coffee shop. But the studying feels real. The laying of sigils and the use of protection magic feel very real.

Always a good thing. And since I don’t think Dittman is a witch himself, it suggests that he did his research.

I loved reading about a place I’m so familiar with

While this might not apply to everyone, it will for sure apply to anyone who is from my little town or Pittsburgh. It was so fun reading about places I have been. I have lived near Institute Hill. I’ve even walked up it, God help me. I recognize places described in this book because I’ve lived in these places since childhood. At one point, I was literally walking down Main Street while reading (a terrible habit but one I’ve never gotten over) and realized the character and I were in nearly the same place. And that was freaking cool!

This book is the perfect example of writing what you know

All of that brings me to the best lesson you, as a writer, can take from Who Holds The Devil.

Through this book, it’s clear that Dittman is writing about things he knows. Things he has experience with. He knows how to research a novel. It’s clear he’s had to deal with our courthouse and knows the weird puzzle box of a building it is. He knows this town. He might or might not be in the process of stealing his neighbor’s cat.

All of these details are real. And so it helps us to follow along with the story when it becomes unreal. When the demons start crawling out and infecting people’s minds, it’s scarier because it feels like it could happen.

This is what writers mean when we say ‘write what you know’. We are never saying that you should only write about things you have experienced. While you might have some fantastic stories, that would probably kill most fantasy and sci-fi unless you’ve got a pet dragon or a spaceship in the backyard. But you can include things you do fundamentally understand, and then build the fiction around that.

All in all, there’s a lot to be learned from Who Holds The Devil. It was a delight to read, and I would recommend it to all of you. And if there’s a book, movie or TV show that you’d like me to pick apart to see why it works, let me know in the comments.

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Starting Chains is launching wide on May 30th. Click here to see everywhere it will be available.

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Why Sunrise on The Reaping Works

So I just finished reading Sunrise on The Reaping. And it emotionally wrecked me.

Yes, I know these books are written for teenagers. I don’t care, they’ve had me crying in public more than once.

I happened to be carrying the book with me as I was running errands. One of those errands was to return the book safely to the library from where it came. But in one shop, the man behind the counter said, “Oh, that’s that new Hunger Games book, right? I heard that was coming out.”

And I said, “Yes, I just finished it.”

“Is it any good?” he asked, “Or is it just a money grab?”

“Oh no,” I said, as though those two things were mutually exclusive. “It’s very good.”

I know the accusations get thrown around often when an author comes back to a popular series and adds more to the story. And sometimes it’s a valid argument. Sometimes it’s even a warning of elder abuse.

IYKYK.

But I honestly don’t think that Suzanne Collins wrote Reaping because she was running low on cash. And frankly, even if she did, I’m not mad at it. Because even if she wrote this book for money, it was still a damned good book. So today, let’s talk about why Sunrise on The Reaping was such a good prequel. Aside, of course, from the many reasons why this series is great to begin with. I was obsessed with re-reading the series after I finished Reaping, and I’m shocked by how good it is. How accurate it is. I’m sure I’ll talk more about that later, but for today, let’s just focus on Sunrise on The Reaping.

The story made sense with the rest of the series

The story of Haymich’s Hunger Games fits thematically with the rest of the series. It felt like the rest of the books if that makes sense.

Most good writers have a voice. They have certain ways of phrasing things, word preferences, and pacing that cannot and should not be taught. It’s something we writers develop over time.

And it’s something that changes over time. Take for instance Stephen King’s Castle Rock books versus his Holly books. They have a different feel, don’t they? Not entirely different, but enough that it’s noticeable. This is partially because they’re very different series that deal with different subject matter and different sorts of main characters. They were also written decades apart from each other, of course. And that’s the really tricky part. Writing voices change over time. While that’s to be expected and is in fact a good thing, it can also be difficult if you want to go back and add something to your series later.

But Reaping feels very much like the rest of the series. It feels like a similar vibe, a similar voice. And that’s not an easy thing to do.

This world feels like it is filled with stories

One of the great things about the world of Hunger Games is that it feels like it’s full of stories. Katniss has one story, and it feels like an ending. But it’s also an open ending. There are ways that the story can continue.

And there are certainly ways it can expand in the past. I mean, we have how many Hunger Games between Katniss’s and Lucy Gray’s? And what about the war that started all of this? What about the calamity that befell the world to give us Panem to start with? And we haven’t even learned that much about the other districts. I mean, I love District 12 because it’s basically where I live. But there are twelve other districts we could learn about. I’d read a book about a victor from each one, personally. I also wouldn’t mind a book about District 13 and how it fell.

I have no idea if we’re going to get any of those books. I don’t know if Collins plans to write anymore in this world. But I hope she does. We’ve barely scratched the surface of this world she’s created.

It was a well-written story that built on all of the other books

As I mentioned earlier, this story built well on the rest of the series.

We already knew there was a reason Haymich was a drunk. Now we have every tragic detail. We know what it must have cost him, year after year, to work with kids bound for the games. We understand more why he had such affection for Mags, and why he has such a mixed series of emotions around Trinket. Above all else, this is what compelled me to go back and read the rest of the series again.

But this book also adds to Snow’s story from Songbirds and Snakes. It also adds to Bettie’s story and Wiress’s. In short, it expanded the world in ways that built up, rather than ignoring, the work that had been done before.

It’s not the first prequel that was satisfying

Speaking of Songbirds and Snakes, as well as work already done, that was also a good book. Much of what I’ve said about Reaping can be said about that one as well.

Having one prequel that was already a joy made me far more excited to read this one. Because, to me at least, it proved that Collins was still eager to write in this world, and still had more stories to tell. It’s said that the first chapter of your book sells your book, while the last chapter sells the sequel. That was certainly the case here.

It was clearly a joy to write

Finally, this might just be writer bias. But because the book is so well written, I have to assume that it was fun to write. Collins was passionate about writing it.

Writing takes time, as you’re probably aware. Time that could be used to do just about anything else. To put in the time and effort it takes to write a good book, you need to care about what you’re writing. It needs to move you, to pull you back again and again. Your passion for the story has to be enough to get through the exhausting days. The days when everyone else has needed so much of you. You’ve gone to work, made one to three meals, and cleaned and cared for loved ones both flesh and furry. On the days when it feels like committing yourself to one more thing might break you, you need to feel passionate about your story to make it happen.

That’s why I think Reaping was written with love. You can feel that Collins had something to say. Something she needed to say.

I hope she has more to say. And I hope that if you haven’t yet read Sunrise on The Reaping you get a chance to soon.

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My review of Inspiring Creativity Through Magick

Writing and magic seem to go hand in hand. When I started my witchcraft practice, I was shocked by how many witches were also writers.

Well, not just writers. Singers, painters, dancers, actors. Witches seem drawn to art.

That makes sense to me. Writing has always seemed to me a tangible form of magic. To be able to experience other worlds while lying on your couch. To be distracted in stressful times and invited to another place or time. To hear the thoughts and musings of people long dead, but still here in ink and paper. To write something, and have it read by people all over the world.

That’s magic.

Many books have been written about writing from a magic perspective. I’ve read a few. But, I’ve never really talked about them here. I don’t know why. Maybe it’s because the witch part of my life still feels like something very private. I’m slowly getting over that. I even posted a whole Modern Witch review series on Haunted MTL. So I think it’s time to introduce you to my favorite writing books for witches. Because if there’s one thing that’s universal, it’s that we all want to be better artists.

Today, we’re talking about Inspiring Creativity Through Magick, by Astrea Taylor.

Published in 2023, Inspiring Creativity Through Magick is a firsthand guide to creating a fulfilling ritual around your art. It walks the reader through each step of the creation process, from inspiration to the final product. And it is delightful.

The book starts with a conversation about creative spirits. Muses, and the like. This was great fun, and I actually learned about spirits I hadn’t heard of before.

The thing I appreciated most about this part was the discussion of the unnamed creative spirits that many artists say they’ve come in contact with. Taylor even mentions Stephen King talking about his muse in one of my favorite writing books of all time, On Writing. There he talks about his muse being a short man with a cigar that might show up and start working his magic if King puts the work in and all the conditions are right.

Taylor also talks about Big Magic, another book I’ve talked about here. This book also talks about feeling as though the artist is a partner in the act of creation. We are all capable of tapping into the creative flow of the universe and inviting spirits that want to help us bring our creations to life.

And we know this is true. Every artist has those moments when it doesn’t even feel like we’re on the same plane of existence anymore. When the words are coming or the paint is flying with no effort. When all the pieces fall together, or that subplot now makes sense and is exactly what the main story needed, or the character says just the right (or wrong) thing at just the perfect time. When you write a poem that just smacks you between the eyes because it’s so true, and you hadn’t even thought of those words before they were in front of you on the page, somehow coming out of your own hand.

Clearly, this was my favorite part of the book.

We then delve into the step-by-step process of creating a finished art piece. Not the technical details, of course. This book is for all artists, after all, and that would be a bit much. Instead, it explores the basic stages of creation. The inspiration phase. The first pass phase where we create our rough drafts and start telling ourselves our stories. The edits, and revisions. And of course, the eventual release of the work out into the world.

This is wonderful for many reasons. First, sometimes it’s hard to feel the creative magic in the later phases. Writing a rough draft is all creation. Making something from nothing. There are no rules, we’re just throwing words on the page and seeing what sticks. But editing? Revising? Grammar checking? That’s not creative.

It very much is. Honestly, I find that I’m far more creative in the second and third passes of my stories. It doesn’t feel as immense anymore. I have a better idea of what I’m trying to say, and how I utterly failed to say it the first time. So I can fix this bit here, and rewrite that part there. I know what doesn’t work, and now I can figure out what does work. And this is a process that is clearly explained in a far better way than I ever could in this book.

It’s also wonderful to have this breakdown of steps, especially as a beginner. Looking at a finished project, it’s impossible to see all the work that went into it. And if you’re starting at the other end, looking at a blank page, the thought of turning that blank page into a whole book is incredibly overwhelming.

Breaking this process down, step by step, is more manageable. And it’s something I still do. Today, I’m not writing a book. I’m just writing this scene or this chapter. I don’t need to worry about the edits or the rewrites. Or even the next chapter. All I need to worry about is writing this page right now.

One thing I will say is that Inspiring Creativity Through Magick does feel like a beginner book. If you’ve been creating art for a long time, it might feel redundant. I already knew the steps of creating, I didn’t need them drawn out for me. So there might be parts that a more experienced artist finds a bit boring.

Overall, though, this was a really useful book. I think every artist can take something useful and uplifting away from this book. Whether you’re a witch or not, it’s well worth a read.

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