Finish the year soft

2026 is winding down. And right now, I’m seeing two things on my Instagram feed. One is the yearly battle over when it’s appropriate to put up your holiday decorations. The answer to that is that you’re a damned adult and can decorate whenever you want. I personally don’t put anything up until Black Friday, and holiday music doesn’t start until I see Santa at the end of the Macy’s Thanksgiving Day Parade. But you do what brings you joy.

The second thing I’m seeing is ways to finish 2026 strong! Start training for that marathon, finish that book, clean your whole house! Hell, paint the house!

That was actually the sort of post I almost wrote today. Then, I realized something.

That’s not the way I want the end of my year to look. I don’t want to finish November with this grindset mindset bullshit.

I want a soft end of the year. I want 2026 to end in warmth, joy, and rest. I want to enjoy time with my family. I want to read by my Christmas tree. I want to wrap gifts, watch Christmas specials, write cards, and go to Christmas plays.

And it’s sorely needed. I didn’t finish reading a single book in October. I haven’t baked anything aside from those sugar cookies that come pre-shaped. I’ve been getting up too early, going to bed too late, and barely taking a moment to breathe in between. That’s not how I want to spend my holiday season.

Honestly, that’s not how I want to live my life. But let’s deal with that in January.

So today, let’s talk about how we can really slow down and show up for ourselves for the rest of 2026. Together, let’s build a better plan.

Step one: Cut out and reschedule

I started by taking a look at all of my projects. Because, of course, I’d originally scheduled the hell out myself. I have an author event at my local library. I was planning to write 50,000 words in November. I was going to publish volume two of Station 86. (Sorry, if you were waiting for that one.) I had a list of anthologies and contests I wanted to enter. I have short story committee commitments.

The first thing I did was greatly lower my word count goal for the rest of the year. I want to write 500 words a day, with days off for spiritual reasons and the holidays. I am pushing back the launch of the next Station 86 volume. In fact, I’m not even planning that until January. I also decided not to submit anything for several anthologies.

I kept what I wanted. I’m still doing whatever the short story committee needs. I’m still writing posts here and on Weird Wyrlds. I’m still working on my latest manuscript, just not as much. I’m still submitting stories. But I’m not putting so much on myself that I’m not able to enjoy the act of writing.

Step two: Plan the fun

What do you love about the holidays? Personally, I love so many things! So I sat down and made a list of must-dos for the holidays. Not chores. Not cleaning. Not family obligations. Things I want to do.

I want to do Christmas and Yule crafts.

I want to go see plays.

I want to go on coffee dates with the Darling Husband.

I want to go to antique stores in town and do gift shopping.

I want to decorate the house and make my pets wear Christmas sweaters. And I want to post pictures of them in their sweaters for all of you to enjoy.

So, I’m scheduling those things the same way I would normally schedule my chores and writing tasks. You know what’s on my list today? Write 500 words in the novel, write and schedule this post, fold some laundry, and start my Christmas cross-stitch.

Schedule the things you want to do. Make appointments with yourself. Make plans with friends. Plan movie nights complete with festive snacks. Put it all on your planner, complete with fun stickers and smiley faces.

Step three: Invest in yourself

Holidays are expensive. We spend so much on gifts, food, and decorations. But I want to recommend that you spend some of that holiday budget on yourself as well.

It doesn’t have to be a lot. But you should be able to enjoy the holidays.

For me, that looks like craft kits and books. It looks like good coffee. What does it look like for you? Whatever it is, it’s worth it for you to experience joy.

Step four: Practice the magic word

Of course, the magic word is no. And let it be your mantra. If you don’t want to do something, and you don’t have to do it, say no.

Obviously, we can’t stop everything. We still have to go to work. We still have chores. I personally don’t want to stop everything. I want to write. I love writing. But I don’t need to exhaust myself.

So if you don’t have to do something, and you don’t want to do something, say no. No, thank you; no, not this time. No, as a complete sentence.

No, I don’t want to host a bake sale.

No, I don’t intend to drive three hours to see a relative I don’t like.

No, I won’t be participating in this gift exchange with people I don’t like that much.

No, I won’t send out cards to people I barely know.

No, I won’t take on that extra work project.

No. Ask me again in January.

Alright, now it’s your turn. How are you going to finish this year, soft? Let us know in the comments.

Want a collection of Christmas short stories that range from magical to terrifying? Check out my book, Twelve Little Christmas Stories.

My experience with Livways notebooks

This is not a sponsored post. These are simply my opinions regarding a writing-related product I purchased that I thought you might be interested in. I will always tell you if I have a sponsored post.

Instagram has my number, let me tell you. Especially this time of year. I was getting constant ads for this Livway index notebook. It was bloody expensive for a notebook, retailing at $40 before we even consider shipping costs. Even as someone who used to buy Moleskine notebooks in her bullet journaling days, this was a pricey notebook.

But eventually, I was worn down. The book just looked so classy. It looked like it was just screaming for detailed novel and world-building notes. I had lovely fantasies of using these fold-out pages to keep bird’s-eye views of my WIP, and all sorts of other lovely things.

So, I caved. And I’m sorry to say, I actually love the damned thing.

Before we continue, you do not need this notebook to write! You don’t need any specific notebook for your writer’s notebook. You can write in a cheap college-ruled notebook just as well. You can keep notes on your tablet, on your phone, on takeout napkins. Get you a good long CVS receipt, you can write a whole story on one of those. But if you’ve been considering this notebook, and you want to invest in it, let’s talk about it to see if it’s worth your hard-earned money.

It’s sturdy

I am rough on my supplies. If I’m carrying a notebook, I tend to get hard covers. I have been known to accidentally break book spines, rip off covers, spill coffee or candle wax, or rip out pages. I’m forever shoving my notebook in my bags, carrying it around to the kitchen or backyard. So I really need something that’s going to survive me.

The Livways notebook is doing just that. The pages are thick, and the cover is sturdy. The rings are good quality. I’ve had mine for several months now, and it’s holding up to all of my abuse.

I also like the rings. They aren’t the aggressive snapping sort you usually find on a three-ring binder. (Anyone else real gunshy around those things?) They open and close fairly easily. Not once have they opened by accident. Love that.

It’s adaptable

What I need from a writer’s notebook changes. Sometimes I’m writing a review of a TV series. Sometimes I’m working on a very complex novel with a lot of moving parts.

I like the fact that I can move things around, remove pages I don’t need anymore, and add more room in sections I need.

The different size inserts are nice, too. Especially the accordion pages. I haven’t done this yet, but I plan to write out common writing formulas there, like the MICE quotient.

You don’t have to just use their supplies

Because it’s really just sturdy cover and pages, there’s no reason why you can’t add in whatever you want. Collage pages, scrapbooks, pictures. I put a decorative clip on the front of mine to hold some decor and a pen. I always appreciate products that work well with others.

It’s super classy-looking

Finally, and this matters least of all. But it just looks classy. It looks like a notebook that should be bursting with creativity. I love having it with me; I love having it open. Most of all, I love writing in it. It makes me feel like an artist. I love when things are functional and beautiful.

Overall, I’m glad I got the index notebook. I’ll probably get another one for my book of shadows. It’s durable, useful, and beautiful. If you’ve been looking at it and wondering if it’s worth the money, I think it is. And if you’re looking for holiday gifts for a writer or artist friend, this might be just the thing.

My book, Station 86 Volume One, is available now on Amazon! It’s got two dark sci-fi stories about murder and mayhem on the station of First Contact.

Why Backrooms worked

I had to tell my therapist about Backrooms. That’s the highest praise I can ever give a piece of fiction.

Happy Halloween! Or, Halloween Eve. Whatever, we only have two more days of spooky season to soak up. I am trying to fit in as much scary fun as possible into the next 48 hours.

I mean, I love a good spooky story anytime. But this is when there’s so much readily available content! All the good horror movies come out. Or, in the case of the movie we’re talking about today, they come out on streaming so I can finally watch them.

Today, we are talking about the film Backrooms.

As soon as I heard this movie was coming out, I was apprehensive. I’m sure you already know this, but the Backrooms is a whole thing on social media. Ever since the original video by Kane Parsons graced the internet, we’ve all been a little obsessed with the backrooms and liminal spaces. Everyone wants to expand on the world, be part of the story, and add to the lore. Some people are better at doing that than others. But it felt very much like one massive game of Round Robin that everyone was in on.

And no one killed anybody over it, so that was a step above Slenderman.

With this being such a beloved online story, I was very much worried that Hollywood wouldn’t do it justice. But then I found out that Parsons was co-writing it. That made me feel more optimistic.

Thankfully, my optimism was well placed. The movie was scary, dark, and quite well done. So today, let’s talk about why Backrooms worked.

It didn’t try to do everything.

As I mentioned earlier, and as you were probably already quite aware, there is a lot of Backrooms lore. Most of it’s written by anonymous users online. And I could very easily see the movie trying to shove references to every single popular Backrooms story or theory in there. That would have ruined the film, I think.

The story is simple. Our main character, Clark, goes in out of curiosity. His therapist, Mary, goes in to save him. Both get lost, in more ways than one. It’s simple, but this allows the eeriness of the place to penetrate through the story. Much like the backrooms themselves, it’s not cluttered. It’s so empty it echoes.

It respected the audience’s intelligence.

There is very little in this movie that’s outright explained. I think Mary’s motivations are a great example. We know that she lost her mother. We know that her mother had a mental illness that darkened Mary’s childhood.

We don’t know that Mary became a therapist to try to save people, like she couldn’t save her mother. But we can pretty much figure that out.

Not everything in a story needs to be spoonfed to the audience. You can just show what’s happening, and let them make their own conclusions. Backrooms seemed to understand this better than most movies I’ve seen.

We didn’t actually get answers, only assumptions.

Finally, I’m sure that some people watched Backrooms and were disappointed. This is true of every work of fiction; even Shakespeare had critics. But I imagine that some people are upset that their own pet theories about the backrooms have in some way been disproven.

If this is you, I have good news. This movie didn’t tell us anything definitive about the backrooms.

For some stories, that would be a huge problem. For this story, it’s kind of the whole point. The backrooms are not supposed to be understood. They’re supposed to be a mystery.

Yes, we do get an info dump from Clark. But he’s only telling Mary what he thinks is happening. He doesn’t have any facts to back up anything. We might think he’s right. We might think he’s wrong. But we know nothing.

I love this, because it’s the difference between telling a story and experiencing one. This allows the viewer to play along, turning a passive activity into a very active one. And when you’re active in the story, it becomes all the more impactful.

Have you seen Backrooms? Did I miss something important? Let us know in the comments. And I hope that you have a beautiful Halloween, Samhain, and anything else that you celebrate.

My book, Station 86 Volume One, is available now on Amazon! It’s got two dark sci-fi stories about murder and mayhem on the station of First Contact.

The last Station 86 book is going to look different (But I swear, it’s coming!)

I haven’t published a Station 86 book since 2024. And I’m sorry to tell you that I don’t even have a rough draft finished for the last book yet.

I’m working on it right now! Don’t worry, it’s coming. But it’s going to look a little different than the others. And, honestly, that’s why it’s taken me so long to write it.

Since I’ve never really done anything like this, I thought I’d share this experience with you.

See, I’ve written no less than three rough drafts for the last Station 86 book. And none of them have worked. They’ve all sucked. I hate them all.

At first, I thought I was just scared of finishing my longest-running series. I mean, I’ve been writing Station 86 for a decade or more now. Finishing it is going to be emotional as hell.

But after some thinking and soul-searching, I realized that wasn’t it. I love this story, but it’s done.

And that’s the issue. The Hollow Suits are all but defeated. So there isn’t much story left to tell. Not enough for a start-to-finish narrative.

But there are loose ends. There are storylines that have remained unresolved, that I’d intentionally left unresolved, because I was planning on resolving them in the last book. And now, here I am at the last book, with nothing but a collection of slightly connected stories that need resolutions. I can’t write a collection of slightly related stories just to give satisfying answers to all the little plotlines, while also finally defeating the main monsters in the series, can I?

Wait, can I?

Artists are always learning and evolving. Art changes. Consumer taste changes. And what was considered unheard of years ago is mainstream now. I mean, let’s look at some books that have thrown conventional wisdom out the window. Incidents Around The House was told almost entirely from the point of view of a child, with little to no punctuation.

The latest Paul Tremblay book has an interlude in the middle where Paul goes on a little rant to his readers.

Dozens of books are now written in present tense, like the Savage Rebellion trilogy. That seems run-of-the-mill now.

This is How You Lose the Time War was written entirely in letters passed between time travelers.

I loved all of these books! And lots of other people did, too. They work in part because their authors told the stories in the way they needed to be told, conventions be damned.

Now, I’m not Paul Tremblay. But I thought I at least wasn’t so hung up on traditions. Turns out I was. I’ve spent years trying to shove a square peg in a round hole because I was sure it should fit. To be clear, I wrote the last Station 86 book before Nova. Nova was supposed to just be flashbacks. I thought the reason why I couldn’t write the last book was that Nova needed to come first. And in part, I was right. I think Nova’s a great book.

I need to let this last book be great as well. I want to be like Paul Tremblay, not George RR Martin.

So, I told you all that to tell you this. If you’ve got a project that you’re struggling with, consider if it might benefit from some unconventional framing. Don’t force yourself to do things ‘the way they’ve always been done’. Write the book you want to write, in the way you want to write it. And if you’ve been waiting for the last Station 86 book, I’m sorry for the delay. It’ll be worth the wait.

My book, Station 86 Volume One, is available now on Amazon! It’s got two dark sci-fi stories about murder and mayhem on the station of First Contact.

Let’s talk about Book Goblin

Hey everyone. Um, I think we need to talk about something.

A popular writer on Instagram, Elisabeth Wheatley, recently announced that she’d rewritten several of her popular novels, taking out the spicy scenes. These scenes are now ‘fade to black’. Here’s a link to her detailed post about this decision. She says she’s doing this because she’s uncomfortable with oversexualization in our society, especially since the birth of her daughter. I want to highly recommend that you go read her own words on the situation before you start getting opinions.

Because my God, people have opinions. People are losing their damned minds in her comment section. They’re getting rid of her books. They’re roasting her on Threads. Let’s not do that. Instead, let’s have an actual discussion about this situation. Here’s what I think.

Now, I do need to start with some disclaimers. First off, my opinions are my own and don’t represent the opinions of any organizations I belong to.

Second, I haven’t actually read Wheatley’s books. I don’t like romance; we’ve established this. Spicy or not, I want dragons, ghosts, and sci-fi fun. Not meet-cutes and accidental love in arranged marriages. I am 100% following her for Book Goblin content. I love that character.

Third, I have only ever written one spicy scene in any of my books. And that one was meant to physically upset my male readers with the mental image of having someone’s tender man bits suddenly surrounded by sharp, sharp crystals. (Sorry, guys. To my male readers, did it work? Was that scene in Nova as upsetting as I wanted it to be? Let me know in the comments.)

Fourth, I am myself a Christian Witch. So I love Jesus, and take ‘As it harm ye none, do what thou wilt’ to heart. I have no moral issues with sex scenes or adult consentual porn in general. If everyone’s grown and having a good time, it’s alright by me.

All that being said, I am going to come to Wheatley’s defense here. Unless she posted somewhere and I missed it, she’s not endorsing other writers taking the spice out of their books. She’s not shaming other authors. She’s certainly not shaming readers who like spice. She is saying that she’s uncomfortable writing it, and her morality is pointing her in another direction.

This is something I honestly wish more people would practice. We all have our own moral compasses. For instance, I recently stopped eating beef. I don’t eat lamb or octopus either. Cows and sheep are too innocent and trusting. And octopuses are a bit too smart for me to feel comfortable eating them.

I am not saying you should stop eating beef. I’m not going to rail against the sins of Burger King or throw red paint on a McDonald’s CEO. I made a personal decision. Wheatley also made a personal decision.

However, I’m also going to come to the defense of some of the people criticising her. Right now there’s a push towards conservatism in our society. And that really scares me. Censorship scares me. I don’t like the thought of an artist censoring themselves because they’re afraid someone is going to disapprove. It feels gross. I’m worried that if we start down that path, the list of things we can’t write about is going to get longer and longer. Which means the list of things we can’t read about will get longer and longer.

I hate the puritanical restrictions on women especially. They say that we should hide ourselves, cover ourselves up. They say that we’re not allowed to feel sexy or enjoy sex and our bodies on our own terms. They view sex as something we endure, that we give to our husbands, rather than something that should be enjoyed by everyone involved. They compare us to chewed gum, licked cupcakes, linty duct tape.

Viewed through this lens, alongside the tradwife movement, I understand why people are very concerned about a well-known author removing sex scenes from her books.

In the end, though, I think the people who are angry aren’t really angry at Wheatley. I think they’re angry and scared at overall changes and bad actors within the community and the world at large. I don’t think that it’s about Wheatley’s choice specifically. And in fact, I think that she handled this situation very well.

First of all, she’s made it clear that if you want the spicy original versions, they’re still available. And if you bought the spicy version of the ebook and want the fade-to-black version, she’s apparently sending those out for free; you just have to email her. She’s not doing this to force you to buy the same book twice. She’s giving options. As I mentioned above, she’s not forcing her morality on other people.

I honestly love that she came out on Instagram and posted about this. She started out giving very clear information for her readers to either have the spicy version or the fade-to-black version of her books. She has not, at least as far as I’ve seen, responded to any of the hateful comments people have been leaving her. She said her piece, and left it at that. Good for her.

In the end, I think everyone’s getting a little too worked up. We shouldn’t be dogpiling on a woman just trying to live by her own moral compass. There are plenty of people out there who want to censor books. Who want to tell us what we can and cannot read, wear, and do. Let’s save our anger for them. They actually deserve it.

And if Elisabeth Wheatley sees this, I’m with you, Book Goblin. We don’t write the same genre. But we’re both just out here trying to tell our stories and live our lives. For Bookhalla, sister. For Bookhalla.

As always, I want to know what you think. Leave your (polite) thoughts below.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

Station 86 Volume 1 is coming! You can get your very own copy on October Second.

Why Scion Works

Is this post actually going to be on time? Oh my heavens, I don’t know who I am anymore!

Launching on September first, Scion is the latest novel by James Islington. He’s probably best known for his Hierarchy series, and this is his first science fiction book. I received an ARC from Saga Press. And it was a fantastic read.

Our main character is an assassin named Azure. He lives in a dystopian future where people have discovered how to live forever. Of course, that comes at a premium cost. So, rather than outlawing the practice, the people vote to make it legal to assassinate ‘Lifers’.

The allure of crowdfunding the legal assassination of a wealthy asshole is almost enough to make this book not so dystopian after all.

Azure is one such legal assassin. He’s one of the best at what he does, thanks in part to his extensive body modifications. So he’s surprised when he’s assigned instead to protect someone from assassination. He soon learns the reason he was selected for this task. And it’s life-altering.

So let’s break down Scion today, and see why it works.

The first scene is a masterclass

A scene should accomplish something. Maybe it’s to move the story along, give important information, or show us something about a character. The best scenes do multiple things at once. And the first scene in Scion is a perfect example.

We start right in with Azure penetrating the defenses of a target’s magnificent home. He’s face to face with a bioengineered monster and fighting for his life.

This is a great way to get the reader’s attention. It also introduces the reader to some of the advanced tech in this world. On top of that, it introduces us to Azure, his remarkable abilities, and his delightfully sarcastic personality.

Well done, all around.

The world is vast

We only see so much of Azure’s world. In fact, it feels like we’re just looking through a keyhole into a limitless universe. You just can’t see everything there is to see.

There is so much wild technology. So much culture, music, food, drugs, and people! And we just don’t get a lot of details about any of it.

The detail we do get is astounding. It alludes to a deeper, more complex world.

I love when authors do this. It’s something I’m trying to learn. You don’t have to give all the details when you’re worldbuilding. I mean, you can if you want to. Some writers really love that sort of thing. But if you give just enough detail, the reader’s imagination will usually fill in the rest.

The main character was likable.

I liked Azure. He was bitingly sarcastic, professional, and weirdly respectful.

All of this was strange for an assassin. But then, assassinations are legal. So maybe that helps.

I love that he’s kind and respectful, even when murdering someone. I love how well he stands up for his boundaries. He clearly cares about the people in his life, even if distantly. And he always wants to do the right thing.

Even if he’s murdering people.

I think it’s important for a character to have a set of moral standards they adhere to. Even if they aren’t exactly ones we agree to. And Azure has those moral standards. They make sense for the world he lives in and his place in it.

Well done.

The ending!

Finally, I want to talk about the ending, without giving it away. Because it’s interesting.

At the end of the story, Azure is faced with a choice. I think that readers might disagree as to which choice he should make.

I know which choice I would make. But, well, it isn’t as simple as that, is it?

It’s an ending that leaves the reader with questions. But good ones. It also leaves this world open. If Islington chose to write more in this world, I think he easily could. I also think he should. I’d certainly read it.

Overall, Scion was a fast-paced story that invites readers to play along and fill in the blanks themselves. It’s witty and fun. I’d certainly recommend checking it out when it releases on September first.

As though we need another reason to count down the days to September.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

Station 86 Volume 1 is coming! You can get your very own copy on October Second.

The weight of a woman’s pen

“I’m a writer. I don’t cook and I don’t clean.” Dorothy West.

When I was a kid, my grandmother had a hysterectomy. I don’t mean when I was a teenager. I mean when I was a kid, like ten. And my mother sent me to stay with her for a week during my Summer vacation to take care of her. When my mother had a hysterectomy a few years later, I took care of her, too.

My writing has always come after caring for someone or something. I’ve written while potatoes boiled, at laundromats, while in doctors’ waiting rooms and on the public bus. I’ve gotten up early to sneak in writing before anyone would need me.

I have always had weight on my pen. Weight that many women probably find quite familiar.

This won’t be news to most of you, but women’s aspirations are often put on the back burner. We work our passions while babies nap, while water boils and meatloaves bake. We are often the default caregivers of children, parents, and in-laws. So if we are to write, we’ll do so once everything else is done.

This happens to me all the time. As you might know, my Darling Husband had a stroke about a year and a half ago. He is physically and mentally disabled. He needs care, some days more than others. So writing often comes in stolen moments. I barely wrote the first year after his stroke; I just didn’t have the time or energy.

Men don’t seem to have this problem. Or, I should say, men are less likely to have this problem. Lots of modern men are good at this. If you’re a man and you do an equal share of the housework, make your own doctor’s appointments, take equal care of your kids and elderly relatives, and pick up after your damned self without needing a list, that’s awesome. You’re a competent adult, and we love to see it. I’m kind of assuming that if you’re a man and you’re reading this, you are in fact one of these competent adults because I generally assume my readers are wonderful people and I love you all.

Let me tell you, though, that is not always the case.

One of the most galling things about the division of homecare is hearing some (not all) creative men talk about their partners. And, I hate to say it, but the first one that comes to mind is my man, my hero, Stephen King.

In his book, On Writing, he talks about his wife, Tabitha. And he obviously adores her. He makes it clear that he was only able to write while they had three little kids and they were both working because she was picking up the slack around the house. However, he points out that she had writing aspirations as well.

Well, fuck that! Tabitha King is an author. She’s been a published author since goddamned 1981 when her novel Small World came out. And I only found that out literally five minutes before writing this sentence because I looked it up! She’s published eight novels! On Writing came out in 2000, at which point Tabitha had already published seven of her books. And he sure didn’t mention that!

Stephen wrote novel after novel while working full time and doing a shit ton of coke. She wrote novel after novel while working, raising children, caring for a house, and dealing with her coke-addicted husband. Not to mention being incredibly supportive of his career. Put some respect on her damned name!

Over and over I hear men in the writing field talk about how much they depend on their spouses so they can write. I don’t often hear women say the same thing. Yes, some husbands fit that supporting role. But more often you hear men talk affectionately about how much their wives support them, without sparing a thought for how they can support their wives back.

Even so, the weight on the modern woman’s pen isn’t as heavy as it used to be. Consider Shirley Jackson, one of the greatest horror writers of all time. We all know the sort of marriage she had. Imagine what she might have done if her pen were a little lighter. If she’d had someone to cook dinner and look after the children. What might we have seen from other famous women writers? How many more amazing works would we have if women didn’t have this extra pressure on their time?

This needs to stop. This pressure needs to be removed. We need our pens to be lighter. But if that’s to happen, we women need to start having some real conversations with our partners, and with each other. In that spirit, I want to speak directly to my fellow women right now.

If your partner isn’t sharing in domestic labor, it might be time to have a real conversation with them. That’s going to look different for every couple. But it’s better than doing all the work and growing resentful that your own dreams are being buried under laundry and vacuuming.

We also need to stop posting these dumb, weaponized incompetent videos of men. It just encourages other women to put up with bad behavior because ‘all men are like that’. The fuck they are. My husband is half paralyzed, and he still helps out around the house to the best of his ability. My roommate is twenty-four, and he does equal parts of the housework.

Now, let’s also talk about how we talk to and about ourselves and each other. We do not have to have perfectly clean houses. We don’t have to make meals from scratch every night. We don’t have to have everyone over for holidays, cook, clean, and be perfect hostesses. We can ask for help from our families. We don’t have to take care of everyone. We shouldn’t expect perfection from ourselves. And if you have friends or family members who expect that perfection from you, maybe that’s not your problem. Maybe it’s time to respectfully tell your mom, sister-in-law, or judgy friend to go to hell.

This is something I’ve really struggled with. Especially since my husband’s stroke.

This is about to get real real here, so please be kind.

For the first few months after my husband’s stroke, I barely slept, let alone wrote. He needed almost constant care. He couldn’t sit up, couldn’t feed or clean himself. I didn’t leave the house for more than fifteen minutes for months. I was scared to take a shower with the door closed. I was terrified to leave him alone.

People offered to help. To sit with him. To run errands for me. And I would just say that I was fine. I had it covered. Because I did have the necessary things covered. He was clean, fed, and cared for. The house was put together.

But I wasn’t writing. Hell, I wasn’t reading. I could barely let him out of my sight.

Then, I did something drastic. A friend needed a roommate. I needed help. So we moved in together. I let other people stay with my husband. I let other people cook and clean. We’re talking about hiring a housekeeper. I stopped doing every single thing for my husband, and only stepped in when he actually needed help.

More than all of that, I’ve come to accept that the house might just be a mess. And that’s okay. It’s not a moral failing. Right now as I write this, there’s a massive pile of clothes that need to be folded and put away. There are dishes in my sink. The lawn needs mowed. I’ll get to it, or someone will. My writing comes first.

It’s time to take some weight off our pens and see what we can really do.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

Station 86 Volume 1 is coming! You can get your very own copy on October Second.

Why I’ll probably never run out of content

This month marks the twelfth anniversary of Paper Beats World. Don’t worry, this isn’t going to be some long emotional nostalgic post that I cry while I write. That’ll be later this month. Today, I want to acknowledge something that is kind of my super power. It’s something I aspired to as a child, and I think I’ve achieved it.

I have yet to run out of content for this blog. And honestly, I don’t think I ever will. I also don’t think I’ll ever run out of ideas for books or short stories. I have rarely, if ever, looked at a blank page for long.

Did you ever read the mystery series The Cat Who by Lillian Jackson Braun? The main character, Jim Qwilleran, was a journalist. He prided himself on being able to write 1,000 words about anything. Reading these books as a kid (yes, I did have a weird childhood), I decided that’s something I wanted to be able to do, too.

More than that, though, I have a crippling fear of running out of things to say. But it turns out this isn’t a superpower anymore than writing is. It’s a skill, and it can be learned.

So here are the things I do to make sure I never run out of ideas. Some of them are actionable; you can start doing them today. Some are a bit more philosophical. Try one of them, try any of them, try all of them. See what ideas you come up with.

I write everything down

I’m one of those people who always has a notebook with me. And I write things down. Things that I notice, that are interesting or infuriating. Thoughts I have while reading, or riding the bus. I never assume I’m going to remember, because I can promise you I won’t.

My notes are never pretty. They are not usually very interesting. They probably wouldn’t make sense to anyone but me. But they often lead to observations that are later made into stories or blog posts.

I freewrite

Yes, I’m banging this drum again. Freewriting is the number one best thing you can do for your writing. It’s often in these unstructured times when I come up with some of my best ideas. Sometimes it’s a fix for a problem in my current novel. Sometimes it’s a brand new story idea or some revelation I want to explore more in a post. Sometimes it’s some deep emotional realization, but that’s another post for another time. The point is that there are often good things to be gained from letting your brain off the leash.

I hang out with people older and younger than me

My roommate is a Gen Z person. He helps me keep an eye on what younger generations are up to these days. I also talk to a lot of older people in my day job.

This is a gift. Different generations see the world through entirely different eyes. I learn things from people both older and younger than me all the time. And this leads me to realizations and lessons I’d have missed if I was only hanging out with people my own age.

For a while, I struggled learning things from people younger than me. I had a bit of a chip on my shoulder. I think that came from not feeling as though I’d established myself yet. I didn’t feel like I’d shown the world what I could do. Now that I’m 40, and consider myself to have at least a little bit of success, I’ve humbled my damn self a lot. And that’s only benefited me.

I keep up with the news

To a point. If I didn’t put some barriers on how much and how often I pay attention to world affairs, I might have taken a bath with a toaster by this point. But I do pay attention.

The state of the world makes me angry. It makes me scared. And it gives me things to write about.

Art imitates life. If you’re an artist, it’s your job to capture part of the world you live in and explain it in your art. There will be history books later that will give us facts and figures (and death counts). We are here to tell later generations what it was like to live these days. What it’s like to wake up, go to work, go grocery shopping, do the laundry and wash the dishes while ICE agents are kidnapping people and our ‘president’ is stealing everything not nailed down and picking fights with other countries like a drunk after happy hour.

I consume things that cause a spark in me

I watch a lot of YouTube. A lot of writing content, of course, and horror content. I love me a good three-hour-long deep dive into urban legends. But I also watch things that just catch my interest. I like watching Answers With Joe, for instance. I like Mickey Adkins, a therapist. I also like this woman who’s a mortician. And I’ve been following the manager of a legal brothel on Instagram for forever.

Interesting things are interesting. And a writer can be inspired by another shiny thing that catches our eye. We’re kind of like cats. Or people with undiagnosed ADHD.

I love learning about new things. Useless things that I will never have to know, but are fascinating. These all feed into my writing. And, frankly, my overall enjoyment of life.

I live

I am forty years old, and I have seen things. I have done things. I have experienced good and bad days. I go on trips, go to the doctor, cook food, and sing along to music in my kitchen. I watch good TV, listen to new music, and investigate new hobbies. I have endured horrors. I have lost people who were my entire world. I have met new people who stole away my heart. And I am always eager to experience something new. Preferably good ones, but we can’t always be so lucky.

Writers cannot write in a vacuum. Many of us fantasize about quitting our jobs and going on writing retreats. I’m tempted to say that if I didn’t have quite such a full life, I might write more. These posts might be on time more often, and I might publish more than one book a year.

But I don’t think I would. I think that if I shut off that valve of living, it would strangle the creative valve. Writing doesn’t come from just pure imagination. It comes from experiencing life. All the great, glorious, and gory moments together. Every tear I shed has worked its way onto the page. Every love, every laugh. My work is an amalgamation of things that scare and delight me. If we’re honest, I think we’re all like that.

So that’s it. That’s how I’ve yet to run out of content, and probably never will. Now, it’s your turn. What do you do to come up with ideas? Let us know in the comments.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

Why We Hexed the Moon works

Do you remember a few years ago, when some young witches on TikTok decided they were going to hex the moon? I remember mostly shaking my head at silly kids doing silly things because they were cooped up during Covid. Being a practicing witch myself and quite fond of the moon, I was mildly irritated. But in the end, I didn’t think the moon really cared that much.

Someone else remembered the moon hexing. That someone was Mollyhall Seeley. And rather than just shaking her head, she asked the question I think more of us should have asked.

What if the hex had actually worked?

We Hexed The Moon launched just a few days ago, on June 9th. I received an arc early from Saga Press. Unfortunately, Spring and Summer being what they are, I didn’t get to it when I meant to. But when I did get there, it was well worth the wait.

We Hexed the Moon is the story of four girls who have just graduated from high school. They’re looking down the barrel of the rest of their lives, and getting ready to go their separate ways come September. During a bored, hazy sleepover, they decide to hex the moon. Not for any reason except for something to do. And the Moon, well, she takes that personally. So she comes down to confront the girls.

Because that’s a normal thing to happen.

So today, let’s break down We Hexed The Moon, and see why it works.

Do you remember when your friends were the only family that mattered? When there were people in your life who were simply yours? Not related by blood, but related in every way that mattered?

Adults move away from that. We get married. We move away from our hometowns. We have kids. Life gets in the way. And suddenly we realize it’s been months or even years since we talked to the people who we used to see every day.

We Hexed The Moon is, before anything else, the story of four girls who are facing that down. Who love each other enough to not want to let go, but are realistic enough to realize they probably won’t have a choice. Hexing the moon is, to these girls, just another memory they’re trying to make together before life tears them apart. And if that isn’t relatable as Hell, I don’t know what is.

Of course, the real inciting incident of the story is when the Moon decides to come down to Earth and not go back. She appears, personified, in Jen’s bedroom.

And she’s funny as hell.

The Moon character is so bitingly sarcastic. She knows everything about everyone, because of course, everyone tells their secrets to the moon.

She also has a touching maternal streak for, honestly, everyone. We see this the most when she’s confronted with the dead body of a young woman who had a drug addiction. She reacts with such tenderness for this person; it’s heartbreaking.

One thing I was a bit unsure of about We Hexed The Moon was the utter lack of punctuation. No one’s dialogue is in parentheses. And sometimes this run-on story structure made it a bit hard to tell who the hell was talking.

However, it also felt more like a story someone was telling you, rather than a book you’re reading. Like you’re sitting in a booth at the diner with Jen, Maycie, Goldie, and Harding, just one of them for just as long as it takes you to finish the story. So while I don’t entirely love the lack of proper sentence structure, it makes sense. Much like Incidents Around The House, it’s hard to see the story being told any other way.

In the end, I feel like this is the sort of book that captures a specific moment. A place in time we all had our own version of. It’s the friends we all had, that we all knew we were going to lose, no matter how much we assured each other that we’d be friends forever, going on one last amazing adventure.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

Why The Rainshadow Orphans Works

Written by Naomi Ishiguro and coming out on May 26th, Rainshadow Orphans was sent to me as an arc by the publisher. And honestly, I just speed read two really dark and disturbing horror novels. While they were fantastic, they were heavy! I for sure needed something light and fun. Thankfully, Rainshadow Orphans was there.

(If you want to read my reviews of these very dark books, check out Weird Wyrlds)

The story starts with Toshiko. She and her adopted siblings, Mei and Jun, live in Rainshadow City. Their goal is to seek revenge against the Lucky Crows, the gang that killed their Aunt Reiko. In the meantime, they want to steal enough from the elite of Rainshadow City to live a comfortable life that would otherwise be denied to them. But when Toshiko steals a dragon pearl from the Lucky Crows, she sets the whole city on its head.

This was an incredibly fun book to read that left me feeling lighter and craving bubble tea. So let’s break it down today and talk about why it works.

Excessively fun on purpose

Remember when you read young adult and children’s books, and they were fun? When the writer included characters or elements that were just for the fun of it? Why don’t adult writers do that more?

There are so many elements in Rainshadow Orphans that are just there for fun. Mochi, the family cat coming along on heists. Sun spirits who turn into squirrels to interact with the young prince Haru. And a machine that can make literally any kind of bubble tea you can imagine.

These are all fun elements. They bring levity to what could otherwise be a pretty dark story. I mean, this is a story about a corrupt city so bent on progress that the leaders don’t care about the lives of the people living there. That could be pretty messed up. It could also be the same shit we hear in the news every day. But adding joyful elements helps with the heaviness.

For such a chunky book, it’s a fast read

I mean, not that fast. This post is late, after all. But the pacing of the story goes fast. There’s always something happening. There’s not a lot of downtime. The characters are always off doing something dangerous, even if it’s just getting cake at a cafe.

Early in the book, it’s established that Toshiko and her family don’t really have a right to live in the city. They’re not citizens. So literally anytime they’re out in public, there’s an element of danger. Then, their faces are plastered all over the Lucky Crow’s most wanted list. This made the tension of the book sky high and thrilling. It makes you want to keep right on flipping pages.

All the characters are so endearing

I loved Toshiko from the start. I loved how much she, Mei, and Jun love each other. I especially loved Mei, with her cat, snacks, and full face of makeup, even when she’s not leaving the house.

I also loved Haru. He could have come off as a spoiled kid, but it’s made pretty clear pretty fast that his life is so lonely.

Every character in this book is endearing in their own way. You want to see everyone succeed, everyone be happy. Ishiguro manages this by showing not just each characters quirks, but how they interact with other people. How much they love other people, or seek to be loved by them.

This is something that shows each character’s real, well, character. How much they care about each other. How far they’ll go not just to protect each other, but to bring joy to each other.

Just when you think you know what’s going on

There were several moments early in the book where I was sure I knew the ending. Oh, I know what the robots are. Oh, these characters are going to fall in love. Oh, I know the plan for the city. And most of those times, I was right.

I found that out about two pages afterwards, because those weren’t the big reveals. They were small reveals that led us along a path to an ever more twisting tale. So if you start thinking you’re smarter than the author while reading this, hold up. I can promise you that Ishiguro knew exactly what she was doing. And she did it very well.

Rainshadow Orphans reminds us that even in the darkest times, we can thrive, not just survive. We can have our bubble tea and wintermelon cake, and stand up against all powerful regimes. We can see the magic in the world while fighting the darkness. It reminds us that yes, there are terrible and powerful people. There are fights to fight. But there are also grumpy cats, neighbors who help each other, and snacks. This is a lesson that we all need right now.

And thankfully, there’s more to come. Because Rainshadow Orphans was just book one in a trilogy. Personally, I can’t wait for the next one to come out, so I can travel again to Rainshadow City.

Paper Beats World is a labor of love. You can support us by liking this post, sharing it and commenting. You can also support us on Ko-fi.

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