Missing Stitches, Chapter One

If you live in America, go vote! If you’ve already voted, get a nice coffee.

Prologue

Since, the moment that these creeping things started to crawl upon their earth, I have hated them. Slow, stupid, bumbling things. Always at war with each other, always hating their own kind for the shallowest of reasons. Even the ones directly touched by their Creator are gray, drab things.

My own children would have shined, would have dominated the universe.

But, as they’re already bent on self-destruction, I’ll make use of them.

Possessing these creatures turned out to be a far simpler task than I ever anticipated, which opened my mind to all sorts of new possibilities. If I can possess one, perhaps I can gift one, the way their Creator does.

I’ve watched this one for a while. The third brother, not gifted like the two that came before him. His pride has been hurt, and he’s angry. He’s angry that his brother died, angry that his country was invaded. There are more selfish angers. And, of course, there is fear. I can always rely on fear. And so, when I began to whisper to him, he was ready to listen.

“If Samuel had no male heir, you should have been the one to inherit. Instead, he snubbed you and chose his daughter. What right does Samuel have to pass you up? It’s only because she is a mage. She and her common born, Montelarian husband, are more worthy in Samuel’s eyes than you. And now, they’re going to outrank you. That filth, the brother of the man who killed Issac, will be your king. You’ll be expected to bow to him, and his daughters.”

“This is the way of things,” I told him, “in a world run by mages.”

He’s been good enough to remove himself from his family. He’s gone to his country estate on his own lands. This is where I want him, sitting by the fire, sipping brandy, and going over financial records for his lands. Brooding, telling himself what a good landlord he is.

I slipped inside of him. It caused him some pain, I suppose, enough that he dropped his glass and cried out.

“Hush,” I whispered, “you’ll be glad I’m here.”

“What?” he cried.

“I’m going to help you. All of your life you’ve been neglected. Your brothers have always been favored because they were mages.”

“What’s happening?” he screamed.

“I’m helping you,” I said. “They were gifted, not because they’re better, or more worthy than you, but because the one you call your Creator is cruel. Picking and choosing people to bless at random, setting them above His other creations. You’re going to help me fix all of that. And in return, you’ll have power above all, more than you could possibly imagine.”

“Power,” he whispered. He was calm, then. He rose to his feet and nodded. Like a good little puppet.

“Yes,” I answered him. “We must start by killing your brother, and his daughter.”

Chapter One

Lenore Mestonie stood at the prow of her Uncle Lewis’s ship, the SOS Albatross. It was the flagship of her country, made of dark stained wood with billowing blue sails. It was a fantastic ship, the pride of her uncle. But she wasn’t interested in it.

She was looking for the silver gate, the Great Gate. The gate that led to her city, Septa. She felt as though she was starving, so desperate was she for the sight of it.

In her arms was her firstborn daughter, Eleanor. They shared the same blue eyes and cream-colored skin. But while Lenore had the dark curly hair that was a recognizable Mestonie trait, Eleanor had the light blonde hair of her father.

“Keep looking, little princess,” Lenore said, pointing toward the horizon. “We’ll be home soon. Not soon enough, but soon.”

A chorus of yipping alerted her to the arrival of her hound, Shepard, and her puppies. The baby dogs had inherited much from their wolf father and bore no resemblance to their mother’s brown fur and floppy ears. Instead, their gray coat was darker but not by much. Their ears would likely perk up over time, but for now, they flopped down comically as they bounced around in play with each other.

Shepard came to her master’s side and leaned against her. “Oh, are the babies tiring you out?” Lenore asked, scratching her ear.

“They are certainly tiring me out,” said her husband, Victor, as he joined her. “Worse than our two, these dogs.” He was holding Eleanor’s twin sister, Loralie, upside down to make her giggle. She looked even smaller than she was when her father held her. He was a large man, taller than any other on the ship. He’d allowed his blond hair to grow while they’d visited Montelair, and even now it flopped over his face. Loralie more closely resembled Lenore, with the same curly hair and button nose.

On Victor’s shoulder was a brown rat they called Korzhik. He had recently suffered a bath from Ramona, the family nurse. He looked much fluffier but seemed obsessed with washing the scent of soap out of his fur.

“You have been standing here all morning,” Victor chuckled. “You know you can’t get us there any faster by staring.”

“I know,” Lenore replied, “I’m just eager to be home.” She set a hand on her belly. She hadn’t yet started showing, but she knew it wouldn’t be long. “I can’t wait to tell everyone that we’re expecting another baby.”

Victor grinned. He pulled her and Eleanor close with one arm and kissed her. “And we won’t be on the run, with this pregnancy. We have peace with Montelair, and we will be home. I won’t have to worry every second that you’re in danger, for once.” He glanced around the deck, and added, “I do notice, however, that Anthony seems to have abandoned you.”

“I sent him below deck to pack,” Lenore replied. “I can’t imagine I need to be guarded while aboard the ship.”

A flash of silver caught her attention in the distance. “There it is,” she said, breathing a sigh of relief. In the crow’s nest, a sailor was shouting the news. Soon Captain Lewis and his daughter, Lady Harper, were on the deck.

Lewis, Lenore’s uncle on her mother’s side, was a barrel-chested man who looked more like an old sea captain than a nobleman. His beard was trimmed but longer than Septan fashion. He wore cotton to keep him warm at sea. His face showed the wear of years in the ocean winds. His daughter, Harper, was taller than him by a hand, with a messy bun and a thick wool coat over her shoulders. She wore breeches, unlike any of the other women aboard. She seemed to be in the process of scolding her father.

“No, I don’t think it was warranted at all,” she said. “That woman devoted her life to The Creator, and you bloody well made her cry.”

“I wouldn’t have had to if she’d listened when I asked her to stop fussing over me,” Lewis said. “Daughter Coriander looked over me, and she didn’t fuss.”

“That’s Elder Sister Coriander now. I’m sure she’s going to have something to say to you when she finds out about your behavior. In fact, I imagine she’s going to kick your bum up beside your ears.”

“I am your papa!” Lewis said, “And you’ll not be telling the Elder anything. Unless you want your mama to hear about your pants wearing ways.”

“Uncle,” Lenore said, “we’re nearly home. Are you excited?”

“Not particularly,” Lewis said. “I’ve come home to the Great Gate hundreds of times, Niece. Mostly what I do when I get there is find a new reason to get back on my ship.”

“He’s not allowed fatty meat anymore,” Harper said. “He’s replacing it with being a prat at everyone.”

Lenore stifled a laugh. “I’m going to go check on Tabitha and Lucy,” she said. Leaving Eleanor with Harper, she headed below deck.

Her room on the ship was small, but space on board was always at a premium. The bed was made already, with a thick blue comforter and white satin pillows. Tabitha and Lucy were packing Victor and Lenore’s belongings from the built-in drawers into a trunk.

Tabitha quick eyes darted over to Lenore when she entered the room, not bothering to bow. Years of friendship had put an end to such things. Her wife, Lucy, was a good head taller than her, with a sharp nose. She as well didn’t bow but gave Lenore a quick nod.

Sitting with them was the Montelarian Princess, Victor’s niece, Anna. Several weeks of good meals and good care had been enough to put some weight on the child. It hadn’t yet taken away the haunted look in her eyes. After the childhood the girl had, Lenore wasn’t sure it would ever go away.

From the open doorway, leading into the next room, Lenore could see Anthony, her bodyguard. His long, curly hair was pulled back into a ponytail, leaving his scarred neck exposed. He was going over his bags and gave her a brief nod when he saw her.

“I didn’t think we had that much to pack,” Lenore said. “Didn’t most of our things burn up in the explosion?”

“We’ve only just started,” Tabitha said.

“I’m packed,” Anna said.

“Good,” Lenore said. “Thank you, Anna.”

Ramona, the royal nurse, came bustling in just then. She was a portly woman, dressed plainly in a cotton gown and simple shoes. “Where are the babies?” she asked.

“On deck with Victor,” Lenore said.

Ramona threw her hands up. “I’ve got to get them dressed!” she cried. “Does no one think to tell me these things?”

She hurried out of the room again.

“We’re about to go through the Great Gate,” Lenore said. “Anna, would you like to come see?”

“Are we?” Lucy asked, getting to her feet. “Great, I can’t wait to get off this ship.”

“Oh no, you’re staying here,” Lenore said, “Anna’s already packed.”

Lenore took Anna’s hand and led her upstairs, leaving Tabitha and Lucy to mutter over the packing.

Back on deck, Ramona was fussing over the cotton dresses the girls were wearing. “I can’t believe this is how we’re presenting them to their grandparents,” she said. “Lenore, you and your brothers never wore cotton.”

“We were in a war in Montelair,” Lenore said. “I think Mama and Papa will understand.”

“Well, maybe the king will,” Victor said, “Her Grace might not be as understanding when she sees her granddaughters in common cotton.”

Anna looked startled. “Is cotton not all right? What about wool?” She was dressed in a dark red wool gown, with silver buttons down the front. Her boots were Montelarian leather with fur lining. She wore a rabbit furred hat now that they were out on the deck.

“You look perfect, Dear,” Lenore said, putting a hand on the younger girl’s shoulder. “You’re a princess. Anything you do is noble.”

Monroe, the chief of Septa’s ambassadors, joined them on deck. He looked flustered, which turned to irritation when he caught sight of Anna. “Princess,” Monroe said. “Your brother and uncle tasked me with looking after you. How am I to do that if you don’t stay where you tell me you’re going to be?”

Anna put her hands behind her back. “But I was with Mistress Tabitha,” she said.

“Yes, but I didn’t know that, did I,” Monroe stated. He sighed and looked up at Lenore. “How will you ever look after three of these?”

Victor, who was wiping dirt from Eleanor’s nose, said, “We employ a nursemaid. We also live in a palace full of servants, with my in-laws. I am sure we will manage as many babies as Lenore and I can have.”

As they pulled into Septan waters, the naval fleet came into view. Uncle Lewis, as commander of the navy, moved to the prow of the ship to greet them. Lenore stood beside him after setting Eleanor on her hip.

Lewis gave her a proud smile. “Look at you. The first female heir to the throne, coming home to the city that loves her.”

“I don’t know if my city loves me,” Lenore said, “but I sure love her.”

“I have missed Septa as well,” Victor said, pulling her close.

“Really? You didn’t want to stay in Montelair?” Lenore asked.

“No,” Victor replied, “It was good to visit my motherland, but this is my home.”

The ship pulled into the dock. Sailors hurried to set up a plank for them to disembark. Lenore’s father, King Samuel Mestonie, waited for them. He was a tall man, with no more than a dusting of gray in his dark hair. He was dressed plainly, in black breeches and a blue jacket with embroidery at the hems. But for the silver crown on his head, he might have been any Septan man.

Lenore wanted desperately to run to her father and throw her arms around his shoulders. Since the last time she’d seen him, she’d fought in a war, commanded a military hospital and nearly been blown to pieces several times. She wanted to be a child again, with her father there to watch after her.

Too much time had passed since she was a little girl though. Too many things had been said, and not said between them, for her to run to him like that again.

Instead, she walked to the end of the plank and bowed to him.

“What’s this?” Samuel asked, “Bug, I haven’t seen you in months! Come here.” He reached out for her and pulled her into a tight hug. “I was starting to get worried I wasn’t ever going to see you again,” he whispered.

“I’m fine,” Lenore said, a little stiffer than she meant to. “I’ve missed you too, Papa.”

Eleanor, caught between the two of them, started fussing. This caught Samuel’s attention. “I have missed you as well, my tiny darling,” he said, taking her.

Victor came to the end of the plank with Loralie. “There’s little Lori,” Samuel said, reaching out for her. “Victor, you look well, son. Come, let’s get home so that we can catch up.”

They boarded the waiting gondola. Lord James, the founder of the Dead Eye archers, stood next to the poler. His broad shoulders fit strangely over an otherwise narrow frame. He gave Lenore and Victor a nod, but then returned to scanning the crowd with wary eyes.

It was common practice for commoners to collect to see members of the royal family return home. Lenore had expected it.

What she hadn’t expected was for the people to be angry to see her.

All along the boardwalks, people jostled to see the gondolas and shouted insults. Some people waved greetings, but this seemed to infuriate the others. Several fights broke out as Lenore watched.

“What is this?” Lenore asked.

“There’s been a bit of trouble,” Samuel said. “We’ll talk at the palace.”

“I thought you said things had calmed down,” Victor said. Someone threw something at the gondola. Victor clenched his fist, bringing up a magical shield. A rotten egg hit it, breaking and falling into the canal waters.

“This is calmer,” Samuel said, grimacing.

Their gondola pulled up to the front of the palace. Anthony stepped onto the dock to assist Lenore. Just then, a young man ran from the crowd toward him. His hair was a mess, and his clothes were stained and rumpled as though he’d been wearing them for days. A guard grabbed his arm, but Anthony yelled, “Let him go, I know him.”

The boy stumbled toward him. Lenore had hopped from the gondola herself. “Anthony, who is this?” she asked.

“Princess, this is Heath. He is my son’s lover,” Anthony said.

“I tried to get a letter to you,” Heath sobbed, “but I couldn’t. I’m sorry, Anthony, I’m so sorry.”

“Sorry for what, Boy?” Anthony asked. “Stand up straight and stop babbling in front of the nobility. What’s going on?”

“It’s Adam,” Heath sobbed. “The Underground Path got him!” He broke into sobs and fell to his knees in front of them. “They tore out his guts in the middle of the square!”

Want to read the rest of the story? Missing Stitches goes live on Friday! You can preorder it now on Amazon.

Missing Stitches is now available for preorder!

The time has come. After two books and two months, we’ve reached the thrilling conclusion of Woven, with Missing Stitches.

An ancient sect is rising in Septa. One that might mean death for Lenore and her daughters.

Septa is on the verge of civil war. Lenore, Sultiana, Devon and Victor return to the city to face their uncle. But this danger is soon eclipsed by Brother Brennan, a disillusioned priest of The Creator who is determined to pull Lenore from her throne and put her in her grave.

With the princesses missing, and war raging in the streets, Lenore will have to call on every ounce of light she has to save her family and city.

With another amazing cover from Getcovers, Missing Stitches is the dark and thrilling conclusion to the story of a boy who weaves visions and a girl who spins light. In this one, I was really exploring my joy of terror in fantasy.

Missing Stitches will be released on November 8th. But you can pre-order it right now. (If you’re in the states, you might be in a celebrating mood that day. Or, you might be really fucking depressed and need something to take your mind off of the election.)

Of course, if you’re behind, you can get Broken Patterns and Starting Chains right now. I hope that you enjoy the story in its entirety.

The books that inspired me to write Woven

Writers are readers first. I have been honored to know and befriend many writers, and I have never met one who didn’t have a passion for books. Ask any of us about what we’re reading, or what our favorite books from childhood are, and watch our faces light up.

(I am currently reading Halloween Tree by Ray Bradbury. Tis the season.)

What we read shapes what we write. Because of course, we want to tell the sort of stories that we love to read.

There are exceptions, of course. I love some good historical fiction, memoirs and biographies of interesting people. But I have no desire to write one of those.

As a child, I loved fantasy, science fiction and horror. As an adult, that’s what I write. And there are three series in particular that inspired my fantasy series, Woven.

Likely, you’ve read these before. If you have, maybe you can see the inspiration already. If you haven’t read them, I cannot recommend them enough. Here now are the three series, what they taught me, and how they inspired me to write Woven.

Dragon Riders of Pern taught me to love dragons and see a place for myself in writing fantasy.

This might surprise you, but Dragon Riders of Pern was my first introduction to dragons. It shouldn’t surprise you, because this introduction took place when I was about five, being read to by my aunt. I immediately fell in love with the relationships between humans and dragons. And when I discovered dragons who were just as smart, if not smarter, than humans in the film Dragonheart, I was hooked.

Dragon Riders of Pern was also the first time I remember seeing a woman’s name on the cover of a book. At least, a fantasy book. I was fully aware that The Babysitter’s Club and Sweet Vally High were written by women. And I was already hooked on Ramona. I mean no offense to Francine Pascal, Ann M. Martin, and certainly not Beverly Cleary. They wrote great books that I loved as a child. But they always wrote about, well, children and teenagers. They wrote about the real world, and all the problems girls and boys got into. The people who wrote about robots and dragons and ghosts were, well, men. Stephen King, J.R Tolkien, R.L Stine, C.S Lewis. I loved them, but I had a hard time seeing myself among them. Anne McCaffrey showed me that I could belong in that world first.

Chronicles of Narnia taught me to write about faith.

Speaking of C.S. Lewis, I love him. I love the Chronicles of Narnia.

The story is fantastic, I cannot stress this enough. But it’s also faith-affirming.

Gently. And that is the important part here.

Chronicles of Narnia is not judgemental. It’s not the Left Behind series. It’s not one of the many books I read as an LDS child. It is a gentle story that teaches real morals about being a good person.

While Woven doesn’t have a strong religious component, it is a little bit about faith. Lenore specifically learns about celebrating your faith when it doesn’t celebrate you. She deconstructs and removes herself from the Church, but not the Creator.

Gee, wonder why I wrote about that.

Chronicles of Narnia gave me the inspiration to write about faith, as I experienced it, without worrying that I was going to be judgemental towards others.

Circle of Magic taught me to write about tactile magic

Finally, Tamora Pierce’s Circle of Magic was the biggest inspiration for Woven.

Pierce once said that she was inspired by her mother and sisters doing handcrafts. She saw magic in creating cloth from string. This is something I agree with. I knit and crochet, and that’s always felt like a very attainable magic.

Great, grand magic is loads of fun. It’s fun to read about people who wave a sword and bring lighting down from the sky. So I wrote that. But it’s also somehow comforting to imagine magic coming from such a simple act and powerful act.

Now it’s your turn. What books inspired your current WIP? Let us know in the comments.

If you love this content and want to support Paper Beats World, you can do so on Ko-fi.

Starting Chains is available now on Amazon. Check it out.

It’s launch day for Starting Chains

Here we are, launch day for Starting Chains. And it’s hard to believe it’s real.

These relaunches have been a true labor of love. Woven is such an important series to me, and I’m thrilled that it’s getting the proper launch it deserves.

Just in case you haven’t read it yet, here’s the blurb for Starting Chains.

If you haven’t already pre-ordered, here’s a link to get Starting Chains right now in either e-book or physical book versions.

If this is the first you’re hearing of the relaunch, I am not doing my job right. But here is a link to book one, Broken Patterns.

And of course, because this is a rapid release relaunch, rest assured that book three of the trilogy, Missing Stitches, is coming soon.

Thank you all again. I hope that you love Starting Chains as much as I’ve loved reading it. They say to write the book you want to read, and that’s exactly what I did. Starting Chains is half Norse political intrigue fantasy, part Middle Eastern dark fantasy. And it is so much fun.

Stay tuned, there’s more to come.

Starting Chains cover reveal!

As promised, all of Woven will be launching before the end of the year. And today, I’m thrilled to announce that book two, Starting Chains, is coming on October 4th!

Today, we’re doing a cover reveal.

Isn’t that just gorgeous? Thank you, Getcovers for another amazing job.

The prelaunch is going live soon. I just had to pop in real quick and share this with you.

Talk soon.

And if you haven’t gotten Broken Patterns yet, it is of course available right now on Amazon.

And we’re live!

Today is the day! After almost a year and a half, Broken Patterns is once again available in ebook and print.

In Devon and Lenore’s world, magic is as common as turning a pot or fletching an arrow. What isn’t common is a man with thread magic. When Devon starts weaving prophetic tapestries, his royal family tries to keep it a secret.

But the family can’t stay in the shadows when Devon’s uncle is assassinated and he becomes second in line for the throne. Especially when he weaves a vision of destruction for the dragon lands.

The ebook is just 99 cents. Get it today and please leave a nice review if you like it. And if you don’t like it- why?

I am so excited to have Broken Patterns back out in the world. And I hope that you’re excited to experience the story of a boy who weaves and a girl who spins light.

Book two cover reveal is coming soon.

My review of Three Simple Lines

I have talked (a lot) about Natalie Goldberg and how much her work has taught me about writing. While she’s best known for Writing Down The Bones, she has many other books about writing, Zen, and how those things intersect.

Having read Writing Down The Bones, Thunder and Lighting and Wild Mind, I thought I knew what to expect from Three Simple Lines.

I was wrong.

Released in January of 2021, Three Simple Lines is a deep and reverent look at the art of haiku. To really explain this book, I think it’s best to start by describing what it is not.

It is not technically a writing manual. At least not in the same way Writing Down The Bones or Wild Mind were. This is not a collection of personal essays, followed by introspective writing advice and prompts. There are no exercises in this book.

Instead, Three Simple Lines chronicles two trips that Goldberg made to Japan to learn about two Haiku masters that inspired her work; Matsuo Basho and Yosa Buson.

Most of the book reads like a travelog. And honestly, with Goldberg’s deep and melodic writing style, I could read her description of a trip to the grocery store. So that alone was worth the price of admission. I loved her descriptions of exploring Japan. Especially the food.

This would have been an education by itself. If you want to write about travel, this is how to do it. I wanted nothing more than to hear everything about her trip.

But of course, that wasn’t all of it.

Learning how to write a haiku isn’t hard. You write three lines. They should add up to nineteen syllables. The standard belief is that the lines should be five syllables, then seven, then five. But most artists agree you can play a little fast and loose with that.

The soul of a haiku comes from the subject matter. A haiku should capture a moment in time, like a firefly in a bottle. Some people say that they should exclusively be about nature. But I’ve seen plenty that have moved me and had nothing to do with nature. The important thing is that it captures that moment and the feelings within that moment.

These descriptions seem simple, and they technically are. The difficult part is in the doing. This takes years and even lifetimes to master.

During Three Simple Lines, Goldberg talks about the lives of famous haiku masters. She also shares some of their most famous works. I am astounded by the slow pace of these artists. They seemed dedicated to their craft before all else.

This is especially astounding to my modern mind. I feel like I am so often focused on producing rather than creating.

Three Simple Lines is a blend of Goldberg’s story and the stories of these two haiku masters. If nothing else, this book will leave you inspired by the small, lovely craft of haiku.

And probably craving mochi.

If you love the story and want to support Paper Beats World, you can do so on Ko-fi.

Broken Patterns is now live! You can get it right now on Amazon.

Ten amazing pieces of writing advice

I have done a lot of talking this week. But now, I think it’s time for me to take a break.

While writing often feels like talking to yourself all day, some of the best writing advice you can ever take is to listen. Listen to people’s stories. Listen to how they talk. And listen to the advice of people who have gone before.

So today, I thought I’d share ten of my favorite pieces of writing advice. These are from some of my favorite authors. Women and men who have inspired me through my career. I hope they do the same for you.

Be sure not to discuss your hero’s state of mind. Make it clear from his actions

Anton Chekhov

You can’t use up creativity. The more you use the more you have

Maya Angelou

In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person- a real person you know or an imagined person and write to that one.

John Steinbeck

Start writing, no matter what. The water does not flow until the faucet is turned on

Louis L’amour

Getting the first draft finished is like pushing a peanut with your nose across a very dirty floor.

Joyce Carol Oats

If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.

Stephen King

Don’t identify too strongly with your work. Stay fluid behind those black-and-white words. They are not you. They were a great moment going through you. A moment you were awake enough to write down and capture

Natalie Goldberg

You have to be careful as an author. You have to remember that you are not the protagonist’s friend. You are actually the enemy of the protagonist. The idea is to get the protagonist in as much trouble as possible and then finally get them out at the end.

R.L Stine

A bird doesn’t sing because it has an answer, it sings because it has a song.

Maya Angelou

Use all your seasoning sparingly. Do not worry about making your characters shout, intone, exclaim, remark, shriek, reason, holler, or any such thing, unless they are doing it for a reason. All remarks can be said. Every time you use a fancy word your reader is going to turn his head to look at it going by and sometimes he may not turn his head back again.

Shirley Jackson

So what do you think? What is your favorite writing advice? Let us know in the comments.

And don’t forget, we’re still doing a giveaway every day for Paper Beats World’s tenth anniversary. Like this post and leave a comment if you want a chance to win a free copy of Station Central.

See you tomorrow.

If you liked what you saw here today, please consider liking and sharing this post. Or you can support the site financially on Ko-fi.

Broken Patterns is available now for preorder! You can order it now on Amazon.

Celebrating ten years of Paper Beats World

I can’t believe we’re here, but here we are. Paper Beats World is turning ten next week.

Ten! We have been here for an entire freaking decade. Ten years of blogging, writing, showing up for myself and all of you.

It’s astounding. I used to not stick to anything. Do you know how many blogs I started before this? Two. I thought for sure this would be number three.

But we are here. And we are here because you are here. Because as astounding as it feels to me every day, you are here reading this.

Because of this, I wanted to do something extra special this year. After some thought, I decided actually to do three things. All three are for you because I cannot get over how thankful I am.

Bonus posts

I will be posting a blog post every day from now to August 30th. So stop by every day for some new writing advice and community.

Brand new microfiction

If you’re following me on Instagram or Threads, you’ll be able to check out a new microfiction every day, starting tomorrow. I meant to write some sci-fi and fantasy microfiction, but they all turned out pretty creepy. I hope you like them. I’m pretty proud of them.

Daily giveaways

Finally, I wanted to give you all a gift for sticking with me through the years. So every day, starting tomorrow, I’ll be doing a giveaway for either a book or my Preptober planner. All you have to do to enter is to like the post of the day and leave a comment.

Again, I just cannot thank all of you enough. And I hope you’re ready for ten days of celebrating.

See you tomorrow.

If you liked what you saw here today, please consider liking and sharing this post. Or you can support the site financially on Ko-fi.

Broken Patterns is available now for preorder! You can order it now on Amazon.

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