Tolkien Already Did That

Fantasy is the oldest recorded genre. We, as fantasy writers, are part of a great brother/sisterhood that dates back to the first ever recorded story, Beowulf. Centuries of Fantasy writers stand behind us.

This means that everything’s been done already, mostly by Tolkien.

This is terrible! How are we ever to say anything original when we know there’s nothing original to say?

Actually, it’s really rather freeing. If we understand that everything has already been written about, then we can move past that. There’s nothing we can do about it, anyway.

Here’s what we can control.

Here’s how we get past the legacy of our genre, that is both a blessing and a curse.

Different Points of View

We don’t always need to hear the tale told from the point of view of the hero. Or the hero’s bestest buddy, either. What about the hero’s lover, parent, child, puppy, enemy. Why don’t we tell the story from the point of view of the villain?

Different Country

I learned this from Writing Excuses, and it has resonated with me. Most fantasy is written in a medieval European setting. We don’t talk a lot about anything outside of England and France. I based my countries, so far, on Italy, Russia, Japan and The Middle East in  general. I’d love to see more fantasy based on Ireland, Africa and India.

Your magic structure

This is what really grabs me in a fantasy story. What can your magic do?

While I like an all around magic, where just anything is in the realm of possible, I also think it’s a little lazy. But I’ll go nuts for something like Mistborn, where magic is controlled by different metals. Or Avatar, The Last Airbender, which uses martial arts to great effect.

But wait!

Just when we would say that it’s all been done, a new subgenre comes at us like a superhero. Steampunk! The dawn of the industrial revolution blended with magic! Honestly, I am just falling in love with this, and I think everyone else should be, too.

If all else fails you, your voice won’t

I am a firm believer in a writer’s voice. It can’t be copied, it can’t be taught, it can only be achieved by writing until it comes out. Your voice, your word choice, tone and what you focus on, is what makes your writing unlike any other writer’s work since the dawn of time.

Here’s the best news; you don’t have to learn anything. You just have to write honestly.

 

East of The Web

This is a pretty basic market, and one that’s going to be added to the market list. East of The Web is looking for any new story that you would like to share.

Genre- Open

Word Count- Anything, so long as it’s still in the ‘short story’ range.

Payout- Not listed.

The artwork on this site is amazing, I have to say. It’s really inspired me to step up my cover art for my own short pieces.

Here, as always, is your link to the full submission guidelines.

For more

 

Would Your Book Pass The Bedchel Test?

Do you know what the Bechdel Test is? I only heard of it recently, which makes me sad as a feminist.

The Bechdel test, named for the cartoonist Alison Bechdel who came up with it in a comic called Dykes to Watch Out For, consists of three rules. If a movie didn’t follow these three rules, the character in question wouldn’t go see it.

  1. The movie must have at least two female characters.
  2. They have to talk to each other,
  3. About something other than a man.

I thought this was silly, until I made a chart of all the movies I like that don’t pass that test. I’d like to share that with you. If you don’t see a movie on here, please keep in mind that I am being honest and I won’t add a movie on here if I haven’t seen it. I also have not listed all the movies I’ve ever seen, I would  be here all day. This is a list of the movies I’ve watched over the past 12 months, that are fairly well known.

Movies that Pass

The Hunger Games

Catching Fire

Mockingjay Pt 1

Frozen (Disney got a win)

Thor

Star Wars, Episode 7

Maleficent

Descendants (I have two pre teen daughters, don’t judge me.)

Mona Lisa’s Smile

Scream 1,2,3

Paranormal Activities 1-5

Dogma

Movies that don’t pass

Captain America

Iron Man 1,2,3

Avatar

The Avengers

Independence Day

Star Wars, 1-6

All Three Batman movies from the recent trilogy

Jersey Boys

All the Indiana Jones movies

All the James Bond movies

All the Men in Black movies

Jakob The Liar

Patch Adams

All 7 Freddy Kruger movies

Star Trek, 2009

Star Trek, Into Darkness

Yes, Stan Lee can be blamed for a lot of list two. We all know he was a sexist asshat, despite being a brilliant writer. He’s still an asshat.

What kills me is this; why doesn’t every movie pass this test? Is it really that hard to have two women in a book talk about something other than boys? I had to add some movies that were specifically known to be ‘feminist friendly’ to fluff that first list out.

Why? Why is it really so hard to ‘include’ women, when we are fifty percent of the population? Why do more than fifty percent of movies fail this test?

Now, I like all of the movies on the bottom list, don’t get me wrong. But, ladies and gentlemen, hear me loud and clear;

Representation Matters

I’m not the only person who’s said it, and I pray I won’t be the last. To have just one woman shown as a real person instead of background eye candy, it sends the message that this is the exception. Sure, Black Widow is badass, but we sure got Pepper Potts reminding us how women really do live to take care of men.

And don’t tell me those kinds of movies don’t sell. We’ve got Katniss, who is freaking awesome, her sister who’s just as awesome, and Joanna, and President Coin. The cast is pretty balanced with awesome women and men. Seems like those movies are doing just fine in the box office.

As writers we don’t always consider ourselves part of the ‘entertainment industry’. We should, because a lot of those movies up there were books first. Even the ones that weren’t were screen written.

And so, as one member of the entertainment industry to another, let me ask you, would your book pass the Bechdel Test?

God Bless the Fantasy Fans

I speak about fantasy fans from two points of view. On the one hand, I write fantasy, and some of the Annie Wilkes level stories frighten me. But I’m also a fantasy fan, and if I ever get to meet Tamora Pierce I might embarrass myself.

So when I say that fantasy fans are the best fans, I’m totally biased. But I can live with that. Though I will also note that a lot of the things I want to talk about today could also apply to science fiction fans. I write, read and watch that too, though.

Fantasy fans are voracious.

Fantasy series are long. The books are big and there are usually a lot of them. Most fantasy fans know that it’s going to be a year or more between books.

We don’t care. And no matter how many books get written it will never ever be enough. If an author creates a world we love, there can never be enough. I still want to read about the Shire, Tortall, Hogwarts, all of them. Please, keep them coming.

We will nit pick you to death.

Do you know how many kinds of different swords there are? I don’t have a specific number, but I’ll tell you if you’re kind of sword doesn’t fit the world around it. For instance, if your world setting is sort of Middle Eastern and your MC is slashing about with a broadsword, I’m going to call you on it.

I will also notice if you mess up your own rules, which is why it’s important to keep track of what you’re doing. I will believe any rules that you make so long as you do.

And we will be picky about it.

We are kind of crazy.

I am not going to lie to you, fantasy fans are a little nuts. We love fantasy. We play games like D&D and White Wolf. We read as much as we can, and play fantasy video games. Some of us take things a bit too far, I’ll admit.

Look, for some of us, your stories are what we’ve got to be happy about. Maybe we don’t make friends easily, or we just live really stressful lives. My life has never been an easy one, and I accept this. But fantasy books have made me smile on days I wouldn’t have thought it possible.

So sometimes we go a little nuts at cons, or send way too much fan art. (Disclaimer: this does not give a reader the right to stalk you. You call the cops about that nonsense.)

We are loyal

When you’ve got a fantasy fan, you’ve got them until the last The End and beyond. Look at Tolkien’s fans, they’re some of the most die hard fans you’ll find.

We will show up at cons dressed like our favorite characters. We’ll create the best and worst artwork you’ve ever seen, write fan fic that will amaze you and make you shudder. We’ll get into fights over our favorite characters, wear their symbol, and love you all along.

I am proud to be a fantasy writer. I am also very proud to be a fantasy fan. How about you?

 

Astrophil Press

Are you sitting on a novel? Maybe something you finished, but just haven’t found the right agent, publishing company, font, time of the year, coffee mug or whatever other excuse you’ve got to not have sent it out yet?

Here, send it here.

Astrophil Press knows no genre, so if you don’t write spec fic feel free to submit anyway.

Genre- Poetry and prose. Basically, anything you want to throw at them.

Deadline- April 10

And that’s really it. There’s no outline for word count, nor do they discuss royalties or rights on the submission page.

Here, by the way, is your link to the submission page. I have to say, I’ve never submitted a novel by submashable before, but it’s cool.

Gracie

Gracie wasn’t anything like the kids I usually deal with. Most kids that get dropped in my lap are seeking foster homes for terrible reasons. Abusive parents, drug addict parents, dead parents. The kids come in shell shocked and broken. Some are screaming obscenities and ready for a fight over anything. Some can’t string two words together they’re so worked up. The worst just sit quietly and accept wherever I send them, as though nothing’s going to ever be good again so it couldn’t possibly matter. Those are the kids that really worry me.

Gracie was different. For one thing, she wasn’t taken from or abandoned by her parents. She just appeared in our waiting room one day, in a neat pink dress with a nice brown coat and matching suitcase.

Candace, our secretary, said that she’d walked right in all by her lonesome and sat herself down.

“Are you looking for someone, Sweetie?” Candace asked.

“No, Ma’am,” Gracie said.

“Where are your parents?” By this time, a few of us caseworkers had come out of our offices to see what was going on.

Gracie just looked at all of us, with those big hazel eyes of hers, and said, “They had to go away for awhile.”

Well, what other place did a child have to go when her parents went away but the foster care office?

There was a lot of calling back and forth to the police in all the surrounding areas, checking to see if anybody was missing a young female with brown hair and hazel eyes. All she could tell us was that her name was Gracie. She didn’t know her address, her parent’s names, what school she might go to, or if she had any relations who might be looking for her.

While we were all trying to find information on her, Gracie sat on her chair as though content to wait. We all prayed she wasn’t allergic to anything when we fed her some lunch.

Finally, after it had been established that no one in the tri state area was missing her, I called an emergency foster family, the Clarks.

Mr and Mrs showed up right away. Mrs. Clark was a big woman, and she gave Gracie a big hug right off the bat, and said, “You’ve had some day, haven’t you?”

“You can come stay with us until your mom and dad come back, okay?” Mr. Clark asked. He was an older gentleman, graying on top like his wife. They were old hands at the whole foster parent thing.

Gracie left with them, holding her suitcase in one hand and Mrs. Clark with the other. I, as the caseworker assigned to this mess, thought that all I had to do at that point was locate her parents.

After two days of fruitless searching, though, Mrs. Clark was back with Gracie walking calmly behind her. Mrs. Clark was not so calm.

“I’m sorry, but I cannot keep this child in my house for another minute!” she cried.
“What happened?” I asked, sending Gracie into the waiting room and getting Mrs. Clark into a chair.
“There’s something wrong with her!” she cried. “Yesterday, Todd took her out on his boat and he fell out! Nearly drowned.”
“Wait, so he almost drowned right in front of her?” I asked.
“Yes!” Mrs. Clark said. “And she just sat in the boat, the whole time. Didn’t say a word, during or after.”
“The poor thing was probably in shock,” I said.
“I think she’s a little demon. I haven’t had a full night sleep since she moved in,” Mrs. Clark said.
“What’s she doing that’s keeping you from sleeping?” I asked.
Mrs. Clark stopped, and was silent a moment. “She whispers things,” she said.
“She what?” I asked.
“Never mind. I won’t have her back in my house,” Mrs. Clark snapped, and stormed out of my office before I could say another word. I jotted myself a note to move the Clark’s off of my good foster family list, and went to talk to Gracie.

She’d sat herself down in the same chair as before looking around the room as if nothing was wrong. I sat next to her, and said, “How you feeling, Gracie?”
“Okay,” she said. She opened her suitcase and took out a cloth covered sketchbook.
“You want to talk about what happened with Mr. Clark? It must have been scary.”
“Not really,” Gracie said. “I had a life vest on.”

Being a caseworker and not a therapist, I had no idea what to say to that.
I called Mrs. Flemming. She and her husband were new foster parents, and I hadn’t seen much of them yet. But she came into the office all energy and color with a bright red coat and curly blond hair that was all over the place.
“Oh, aren’t you just a doll!” Mrs. Flemming cried upon seeing Gracie. “Do you want to come stay at my place for a few days?”
“Yes, thank you,” Gracie said. She seemed quite calm, taking Mrs. Flemming’s hand and leaving with her. They looked picture perfect leaving the office.

With Gracie out of the office, I returned to my search for her parents.

Someone had the news on in the background. While I called police offices, hospitals and mortuaries, Candace and some of the others were crowding around. I looked up while on hold. “What’s going on?” I asked.
“There was a shooting in Ohio,” Candace said, her eyes wide.
“Just like that one in Colorado a few days ago,” said Jim, one of the other caseworkers.

“People thing it might be the same group.”
Had there been a shooting? I hadn’t noticed, being so wrapped up in the mystery of Gracie. “When was that?” I asked.
“On the ninth,” Candace said, looking back at the tv.
I thought back. The ninth was the same day Gracie had wandered into the office.
I decided it was time to widen my search.

Two days later, I’d managed to do nothing more than mildly annoy a few police offices in Colorado who where quite busy enough without trying to track down missing parents. As I searched for a rock I hadn’t looked under yet, Candace knocked on my office door.
“Mr. Flemming is here, and he’s got Gracie with him,” she said.
No one ever comes into the office with their foster kid to tell us what a delight they’ve been. So it was with dark expectations that I admitted Mr. Flemming into my office.
The man was young, and as bright as his wife. Or, at least he seemed like he must be on a good day. This was not a good day for him. He was unshaven, his shirt had a coffee stain on the front and he looked like he hadn’t slept the night before.
“I’m really sorry to barge in on you like this,” he said.
“Don’t worry about it,” I replied. “What’s on your mind?”
“Monica’s had, well, an accident,” he said. “She was in the attic, getting down this big doll house. We’ve got a ladder going up there, and on the way down she fell. The dollhouse landed on her.”
“Is she okay?” I asked.
“She’s still in the hospital,” Mr. Flemming said. He sat on the chair in front of me, wringing his hands. “It’s just, it’s so weird, you know? She was telling me before that she was having these nightmares about falling, or hurting herself. Actually, I have too. Ever since, well ever since Gracie came to stay with us.”
Before I could say anything he tossed his hands in the air and said, “I know! I know, it’s not like she’s doing anything. She’s been so polite, so well behaved. It’s just that, Monica was really the one who wanted to do this. Now, she’s in the hospital, and I can’t take care of a little girl and her at the same time.”
“Alright, I understand,” I sighed.
Mr. Flemming almost ran out of the office, leaving Gracie in the waiting room again.
I took a deep breath before going out to sit with her. She was drawing in her book when I joined her. It must have been cold outside, because even sitting next to her made me feel cold.
“You okay, Gracie?” I asked.
“Sure,” she replied. “Mrs. Flemming fell, not me.”
“That’s true but it’s no fun seeing someone get hurt.”
She shrugged. “Do I have to go somewhere else now?” she asked.
“Just until your mom or dad show up,” I said. She was taking all of this too well. I was sure she was going to explode sooner or later.

The next available family was the Marshalls. I figured they’d be a solid bet. They’d adopted a little boy last year who’s mom had overdosed. Mrs and Mr showed up with little Ralph in arm.
Ralph was one of my favorite happy ending babies. He was a little over two years, and recovering well from the addictions he’d been born with. The Marshalls were doing a great job with him.
Gracie gave Ralph an apprehensive look as Mr. Marshall knelt down in front of her. “I hear you’ve had a string of bad luck, girl,” he said.
“I guess so,” Gracie replied, holding her suitcase with both hands.
“Well, don’t worry,” he said, holding his hand out for her to shake. “We’re gonna look after you now, and I have very good luck. Would you like me to carry your suitcase to the car?”
“No, thank you,” Gracie said, but she followed them out of the office without complaint.

It had been days, and I was running out of places to look for Gracie’s lost parents. Worse, my in box was getting full. Gracie was sad, but there were a lot of sad kids. I added her name to all of the missing children lists I could find, and got back to work.
In the first hour, I dealt with one infant being surrendered, a boy who’d gotten into some legal trouble that was too much for his parents to deal with, and another who’s mom was drinking too much.
The next few weeks went by in a flurry of catch up work. I was only vaguely aware of the rest of the world. I’d even forgotten all about Gracie, in fact, until Mr. Mitchell showed up in my office first thing in the morning with Gracie in tow. “How can I help you?” I asked.
“You ought to tell people, if you’re going to place a child with behavioral issues with them,” Mr. Mitchell said. He looked furious. “You put my family in danger, I deserved to know!”
“Do you want to tell me what’s going on?” I asked. “Because Gracie hasn’t exhibited any dangerous behavior. We would have told you.”
“She burned Ralph’s hand on the stove!” he cried. “The kids were playing in the living room, and Sammy took a load of cloths down to the basement. While she was down there she heard Ralphie screaming. She came upstairs and he was sitting on the kitchen floor, with the burner on and his hand all burned!”
“Where was Gracie?” I asked, crossing my hands on my desk.
“She was still in the living room, drawing in her book like nothing was going on!”
“So at what point is this story going to explain to me how Gracie burned Ralph’s hand?” I asked.
“She made him do it. He’d never gone anywhere near that stove before. She whispered in his ear, just like she’s been doing since she got there!”
“I’m sorry, what?” I asked.
“I just, never mind,” Mr. Mitchell said. “We’re not keeping her. I’ve got to meet Sammy and Ralph at the hospital, excuse me.”
He stormed out, not even looking at Gracie as he passed.
I cursed under my breath as I started into the waiting room. Before I reached Gracie, though, Candace said, “Turn up the tv,” in a hushed voice.

I looked toward the television mounted on the wall. There was a hospital, I wasn’t sure which one. But people in black were running through it with guns.
“Turn that off,” I said, “there’s a kid in here.” No one seemed to want to listen to me, though. Not knowing what else to do, I took Gracie into my office, and shut the door. As I led her into the room, I was struck again by how cold she felt.
“Well, it’s kind of a crazy day, isn’t it?” I asked her.
“I guess so,” she said.
I tried to call a couple of foster families on my list, but no one was picking up. Gracie sat in the chair in my office, drawing. She hummed a bit, but I didn’t recognize the song.

Finally, I left her in my office for a moment to go see what was going on.
Candace was crying at her desk. She looked up when she heard me. “There were shootings all over the world,” she whispered. “Pittsburgh, DC, London, Tokyo. They got hospitals and schools. They’re saying on the tv that it’s all the same group.”
Another caseworker standing next to her desk said, “They could be anywhere.”
Well, that explained why I couldn’t get anyone on the phone.
I made Candace turn the tv off. We rounded up the caseworkers and kids in the building, and got everyone in the waiting room. We pulled out board games and used the coffee pot to brew hot chocolate. With the kids distracted, we discussed what we were supposed to do with them. It wasn’t ideal, but with no foster families available, we decided it was best to put them up at our homes for the night. Gracie would come with me.

She walked with me to my car, carrying her suitcase. “Is that heavy?” I asked her, “I can take it for you, if you want.”
“No thank you, I can manage,” she said. We climbed into the car, and I turned on the heat. I wasn’t sure whether it was the cool air or the news that made me so cold.
Gracie was the perfect house guest. Her manners at the hastily unburdened dinner table were lovely and she was content to watch cartoon movies. I didn’t dare turn on cable, for fear of stumbling across news footage of the shootings.
After she was all washed up and put to bed on the pull out, I went off to my room in the hope of getting some more work done before bed. I left the door cracked so that I could keep an eye on her.
The night was quiet. I guess my neighbors were too upset by the day to be making much noise. The only sound I heard was the scratching of my pen on paper.

The whispering started low, I was aware of it before I really heard it. Not for a second did I think it was coming from my neighbors. I stood up, trying to think it what could be making that dark, scraping noise. Then I heard my living room window open.
I ran into the room in time to see a thick, dark shadow slither through the crack. It darted towards the pullout where Gracie was sleeping.
I got there first, and scooped her up into my arms. Just then another shadow slipped into the room. Images were whirling in my mind. I was sure that the best thing to do would be to leap out of the window, or turn on the burner in the kitchen. Or, maybe just take a butcher knife and go visiting.

Gracie woke up in my arms. She was freezing, and it was little wonder. The room was so cold that ice was forming on the window, cracking the glass. I held her close, trying to think of a way to save her, trying not to hurt myself, just trying to breath.
“Mommy, Daddy!” she cried. She squirmed from my arms, stronger than any human child, and ran to the shadows. As she ran, they changed. Suddenly they looked not like shadows, but like a man and a woman, both well dressed and tall. Even like this, I couldn’t imagine they’d ever pass for human.
“Gracie!” they cried, bending down to pick her up. Their voices were like razor blades in my skin, I could feel blood dripping from my ears.
“Are you all done now?” she asked.
“For now,” the female one said.
The male looked down at me, and said, “Thank you for looking after her. She’s out little good luck charm.”
I wanted to weep at the sight of his eyes. I wanted to scream, pull my skin off, stab myself in the eye.
Just like that, though, they were gone. The last thing I heard was Gracie, her voice taking on the grating, scraping tone of her kind, calling, “Goodbye!”

If you liked this, don’t forget to check out Days and Other Stories, available on Amazon, Istore, and Gumroad.

Four Ways I Get My Kids To Love Reading

Look, I don’t brag a lot about my parenting skills. I’m a decent mom; the kids don’t miss meals, the do decent in school, and no one started any fires this week.

 

But there is one thing I did with my kids that I am really proud of. My kids love reading.

 

My older kid has had a favorite author almost since birth. First it was Eric Carl, then she moved on to Shel Silverstein. Now she’s discovering fantasy Terry Brooks and Pratchett. She’s read all the Harry Potter books and all the Series of Unfortunate Events. Her sister is really into James Patterson right now. (Yes, he does write kids books)

 

I know this is something parents struggle with,and I totally understand it. Kids are stubborn little pains- individual, independant and strong willed.  Here’s what we do to raise our next generation of readers.

 

(Click here to learn how I get my kids to love writing, too)

 

Screw reward systems

 

When did this start being a thing we bribe kids to do? I mean, no trip to the doctor is complete for my family without some froyo after, but that’s for me as much as anyone else.

 

But reading? You’re going to spend an hour reading a story about dragons, and you think you get rewarded for that. Uh, no. I pay money for the privilege you have there, don’t think I’ll pat you on the head over it.

 

Parental bitching aside, assigning a reward to reading attaches a feeling of a chore to it. What you’re saying to your kid is, “l know I’m telling you that this is fun, but even I don’t really buy that, so let me make it up to you.” Stop it.

 

Let technology win this round

 

Because it already has. I love my books, but I don’t know that I’ll ever buy another physical one. It’s so much more convenient to have e books. I even have picture books on my tablet! (You want to talk about a mommy save?)

 

Look, kids love technology. Hell, I love technology. This gives me the opportunity to have whole series right in my hands. I can get books for the girls in a second, before they get distracted by something else. I keep some short story collections on this thing for group reading in long lines. Also, my kids readers have a dictionary feature! So if they don’t know a word they can tap it and bam, there it is.

 

E readers also make it easier to follow my next bit of advice.

 

Model the behavior

 

I could say this about every other parenting thing we struggle with too. When my kid loses her temper and swears at her video game, I don’t question why, I know.

 

But when my my kids lost their shit when we found out there would be a new Harry Potter book, I also didn’t question why. They saw me do it. Just like when I insisted we had to stop on the way to the museum and buy Go Set A Watchman, then carried it around with me the whole time we were there.

 

I make time to read every day. They know that I’m reading, too, not just scrolling Pintrest. They see, and they have always seen, the joy I get from books.

 

Let them read comics

 

Bone, Calvin and Hobbs, Wonderland, Gunnerkrigg Court. My kids read all of these things, and they adore them. They read Captain Underpants, too, even though I wasn’t a fan.

 

They read other things, of course. Tolkin and Pierce and all the other authors I’ve already mentioned. But they enjoy comics, they have fun reading them. Trust me, if they see reading as fun, they’ll get to the deeper works someday. If they don’t, well, there’s some really great shows on tv these days. We’re binge watching Grimm right now.

 

And, if all else fails, read them this quote by John Waters;

“If you go to someone’s house, and they don’t have books, don’t fuck them.”

 

 

 

Fantasy is in the details

Let’s assume you already agree with me when I say that writing good fantasy relies heavily on world building. I mean, would the Harry Potter series be half so amazing if the world built around the story wasn’t as detailed as it is? I don’t think so, and I don’t think I’m the only one who loved reading about trips to Diagon Alley. Would Mistborn be as interesting without the mist in the night, or the fact that green plants are a myth? No, it would not.

 

Writing fantasy details takes a lot of work. You want them to lure the readers in, but at the same time you don’t want them to detract from the core story. You also don’t want to spend all of your writing time working on the details. Here’s what I do.

 

The story comes first

 

Always. The story comes first before anything else. Yes, I loved Diagon Alley, but I wouldn’t have read seven books about it. Have a complete and awesome story before you start worrying about the details.

 

In fact, I usually don’t hammer out the details until the third draft. The first draft is all about the story, the second draft becomes about the plot and character arches, and I worry about the details in the third draft. Doing it any other way is like putting perfume on before you shower, it’s going to wash off. What if you spend an hour crafting this great scene where your characters are walking through a bazaar, talking about some crucial plot point, that you later cut? I’ll tell you what happens, you’ve created a darling that you now have to kill.

 

So as crucial as the details are, don’t worry about them until after the story is solid.

 

Root your world in realistic details

 

This aids in the suspension of disbelief, which is important when you’re writing a story about magic and dragons. Your reader is more likely to be accept the fantastic details in your world if you’ve given them a solid, realistic foundation.

 

There will be parts of your story that are completely unrealistic. Depending on your story food, clothing, weapons and environments may be distinctively different from the real world. For instance, let’s talk about transportation in Harry Potter. (I’m going to use Harry Potter as an example a lot this month. I’m re-reading it in preparation for the new one, so please bear with me.)

 

The magical world has all sorts of magical transportation. The Knight Bus, broomsticks, the ability to Aperate. It’s all very fantastic and fun. But when they have to get on a subway in London, it’s pretty much a subway in London. When Harry’s running through Paddington station, it’s just Paddington Station. For me, an American who’s only ever been to Canada, Paddington Station is a fantastical place. But to the people who live there, it’s just a place you go to get on a train. Even the Hogwarts Express, after you run through the brick wall to get there, is a train, and it acts like other trains.

 

When it’s done right, you don’t even notice it. But when it’s done wrong, it’s as jarring as a sour note in a familiar song. I don’t have a literary reference for this one, so I’ll point to movies instead. Here’s one that gets me. When someone gets hit on the head hard enough to knock them out, they’re not just waking up after that with a headache!  That causes some damage, you’re not shaking that off unless you’re Wolverine.

 

Use fantastic details to draw readers into your world.

 

This is the fun part. It’ spending a week moving furniture around and now you get to decorate the house. It’s baking gingerbread and now you get to ice it.

 

Here are some tips, that will draw your readers fully into your magical world.

  • Make them believable. For instance, the magical set up in Mistborn. It’s all based on metals, and there are very steadfast rules.
  • Make them desirable. Like the meals served in the Great Hall at Hogwarts. Look, I don’t know how the school cafeteria was like for you, but it was some nasty, spiceless food for me.
  • Make your readers feel like they’ve experienced this fantastic thing. Like dragon riding. That’s something that, unless you’re a Blue Angel you can’t really fathom that.

 

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