The best books I’ve read in 2025, so far

It’s Summer, it’s July. As you’re reading this it’s the Fourth of July which I am not celebrating. I’m just coincidentally making ribs and watching fireworks today.

Hopefully, I’m also catching up on my reading. Because according to Goodreads, I am eight books behind where I should be to reach my goal for the year.

Boo.

This is even more of a tragedy because the books I have read this year have been great. Today, I’m sharing my roundup of the top ten best books I’ve read this year. Some came out this year, some didn’t. But all are books I read for the first time in 2025. And of course, we’re starting with number ten and working our way up.

Inspiring Creativity Through Magic by Astrea Taylor

I did a whole review of this book. It was a wonderful overview for both creatives and magical practitioners. If you’re a witch or a creative, this book is certainly worth a read.

Who Holds The Devil by Michael Dittman

This was such a fun book to read. I also reviewed it here.

The characters were delightful, and the story was eerie. And, it’s set in my hometown. Fun all around.

Everything is Tuberculosis by John Green

I’m going to do a full review of this book soon. It’s a great example of writing compelling nonfiction. More on this to come.

Incidents Around The House by Josh Malerman

As a horror fan, I loved how creepy this was. The story was immersive, touching, and infuriating in the best way possible.

As a writer, I loved the formatting and style choices. It was a bold move, writing the whole thing without proper punctuation. But it paid off.

Witchcraft for Wayward Girls by Grady Hendrix

Everything Hendrix writes is amazing. This one was no different. I can feel the discomfort of the main characters. I can feel the fear and the fury. Even reading this in my living room in winter, I felt the humid Florida Summer on every page.

Never Flinch by Stephen King

Every Holly book just keeps getting better. I’ll be talking about this book in more detail next week. But in short, Holly is hired as a bodyguard by a feminist icon who’s being hunted by a religious zealot. Meanwhile, Detective Izzy is hunting a serial killer who’s murdering innocent people to drive those he considers to be truly guilty mad. I love it.

Horrorstor by Grady Hendrix

I was on a Hendrix kick earlier this year. And I listened to Horrorstor while keeping house and doing far too many things that required my hands and eyes.

If you get a chance, listen to this one as an audiobook. It was a fantastic time.

Also, if you’ve ever felt something deeply disturbing lurking beneath the fake plastic of a big box store, you’ll love this story.

Sunrise on The Reaping by Suzanne Collins

I talked about this book. Everyone talked about this book. Bookstagram wouldn’t shut the hell up about this book. And frankly, I understand why. It was amazing. I had to read the whole series again with this new insight into Haymich’s game. And it was exactly what the series needed to fit everything together.

I just wish there were more books to come. But Collins has said she doesn’t plan to write anymore in this world. Which is a shame, because I can think of several novels I’d love to see off the top of my head.

The House of My Mother by Shari Franke

Let me warn you now. I do not suggest reading this book unless you’re in a good place mentally.

I imagine most people know about Ruby Franke and the horrific abuse her children suffered at her hands. Shari is the oldest of these children. She is also her sibling’s champion.

This book is Shari’s story in her own words. And it is heartbreaking. But also incredibly inspiring.

We Used To Live Here by Marcus Kliewer

Finally, We Used To Live Here was easily my favorite book of the year. The story, which is about a young couple who buys a house only to have a very unwanted visit in the middle of the night, is terrifying. It messes with you. It makes you rethink everything you think. And it makes you start counting the windows in your home.

I love a book that makes me start wondering if I’m losing my mind. Well done.

So now it’s your turn. What are the best books you’ve read so far? Let me know in the comments.

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Why Incidents Around The House Works

Released in June of last year, Incidents Around The House is an interesting book. It’s a fantastic example of a modern horror novel, and I read it in a matter of days. If I’d had nothing else pulling at my attention, I’d likely have read it in a matter of hours.

Incidents Around The House is a story of a girl named Bela and her family. It is told from Bela’s point of view, in a stream-of-consciousness manner that ignores silly things like grammar, paragraphs, and sentence structure. It is simply the story told from the point of view of a little girl, exactly as she would tell it. And while that was off-putting at first, it wasn’t long before I couldn’t have cared less.

That being said, I would consider this to be an interesting and experimental choice. And one that could have backfired terribly. But it didn’t. Instead, Incidents Around The House was one of my favorite books of the year so far. So let’s break it down and see why it works.

There was no need to convince anyone that bad things were happening

Often at the start of a horror novel, especially a haunted house novel, a lot of time is wasted. Our main character has to convince themself, and possibly others around them, that yes something deeply ominous and dangerous is in fact happening.

In this book, there was none of this. Bela, our main character, knows that something is wrong. And she doesn’t waste any time trying to explain this to her parents. She’d rather her parents not know about ‘Other Mommy’. So we’re able to skip a lot of the tedious, “Why won’t anyone believe me?” nonsense and get right to the “There’s literally something hunting our child,” part of the story.

There’s a great lesson for writers in this. You can skip the tedious parts of a story. You can skip the bits we’ve all seen before. You can skip the boring bits. Because if they’re boring to you, they’re boring to the reader.

Now, is your story going to be nonstop action all the time? Of course not. You’ll build ambiance and character. You need time to set the scene. But you can do this in interesting ways. Certainly, Incidents Around The House does this, introducing Bela and her parents over breakfast while Other Mommy looms in the background.

The sense of despair is great

Throughout the story, Bela and her family turn to one person after another for help with the Other Mommy. Over and over they’re betrayed, turned away and abandoned.

We can feel the frustration in the parents, even though they aren’t the main characters. Even better, we can feel the confusion and helplessness of poor little Bela. She’s realizing, maybe for the first time in her young life that not only do her parents not have everything under control, but most adults don’t either.

This leads to an isolating, choking sort of feeling. One that we feel right along with poor Bela and her parents. It’s horrifying, and quite well done.

This is something I struggle with, personally. Taking away all options from a character. Giving a character hell. But that’s what leads us to a riveting story. It’s certainly what drives me to finish a story. Not just a desire to know what happens, but a need to know how in the hell the characters get themselves out of this mess.

The story played on justifiable fears

Often when writers write children, outside of children’s literature, the characters don’t feel like children. They feel like little adults.

I am astounded by how much Bela feels like a child. And this truly increases the horror of the story. Because this is not a child-friendly story. This is a story that deals with some adult situations. Situations that I wouldn’t want any child to have to experience.

And that is, of course, the point. It is scary to imagine a child going through things their adults can’t protect them from. This allows the story to be ‘real world’ scary instead of just fictionally scary.

Horror always works best when it’s an allegory to something we’re actually afraid of. Most of us don’t fear a demon coming out of our child’s closet to get them. We are scared of them being in danger and not knowing how to help them.

The experimental art form didn’t get in the way of the story

Sometimes when a story’s told in an unusual way, it feels forced. It feels like there was more interest from the writer in experimenting with this new form than in telling the actual story.

And this particular format was a hard sell for me. I don’t want to say I’m a grammar snob, but I am. So if this story hadn’t grabbed me so quickly, so completely, I would have been too uncomfortable with the unstructured structure.

But the story came first. The format fits well with the story being told and allows Bela to truly be center stage.

All in all, Incidents Around The House was a masterclass in creeping horror. It inspired me to try some out-of-the-box formatting with my work. And it certainly inspired some uneasy moments.

As a matter of housekeeping, I will not be posting anything next week because I will be at Nebula Con and it’s my birthday. But we’ll be back with our regularly scheduled post on June 13th.

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The End of Haunted MTL

The publishing world is ever changing. What was a thriving online market yesterday could well be bankrupt tomorrow. A publishing company that was an unquestioned pillar can crumble. A beloved author can seemingly go out of her way to destroy her reputation.

And a beloved horror review site can shutter.

Sadly, Haunted MTL is no more. And, I might as well rip this band-aid off now, there will not be another season of AA.

I might write the story in book form, if anyone is interested. I was certainly going somewhere with the story.

I started working for Haunted MTL in 2019. I’d already published several novels by this time, but this was something different. This was an actual writing job.

I loved my time writing for Haunted MTL. I met so many amazing writers and made friends with several. There is nothing better than writing friends. I got to see horror movies that I might never have seen. Some I wish had never assaulted my eyeballs, like Antichrist. Some I loved very much, like Silent Night and Pooka. I conducted live tweet events during American Horror Story and Dexter, and got to talk to fellow fans all around the world.

Being a critic was a fantastic experience. If you want to be a good writer, one important exercise is to dissect a piece of work that you have strong opinions about, good or bad, and consider why it either works or doesn’t work. As a critic, that was exactly what I did twice a week. And I even got paid for it.

I was also invited to participate in several charity anthologies, which is always great. We conducted storytelling events through the years, writing short stories together. Including several years of Christmas and holiday horrors.

We did podcasts. We did events. We once read A Christmas Carol together and posted it. It was a laugh.

It was too good, maybe, to last.

I will miss Haunted MTL. I will miss the sense of writing camaraderie. Of being on staff. Of being part of a team.

But even as I mourn, I know it’s time to move on. As I said at the top, the publishing world is ever changing. And so even as this spooky door closes, another will open.

If you find yourself in this sort of situation, I’m so sorry. But remember, setbacks like this don’t necessarily reflect on you. Sometimes projects don’t work. We are artists, and art is subjective. Sometimes we’re going to do our level best and still not succeed. All there is for us then is to dust ourselves off, have a little cry, and write another story.

Then another, and another.

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Why Who Holds The Devil Works

In December last year, I was privileged to attend a local writer’s event at my library. Many of the authors, including me, gave small talks during the event. You can read my talk here.

Another author who spoke was Michael Dittman. And the story he told about his book was enough to have me rushing over to his booth at my first chance to grab a copy.

When I got there, I had just one question. Is the witch a good guy? Dittman laughed and said yes, she was.

So I bought the book, Who Holds The Devil. And I am so pleased I did. It was a wonderfully fun read.

Published in 2022, Who Holds the Devil is the story of a man named Aaron. He’s a quiet man who works as a researcher/ghost writer for authors and is healing from a bad divorce. One morning, his quiet healing is interrupted when the city tears down a massive tree and takes out part of his brick wall in the process.

At first, Aaron only wants to get his wall fixed. But he soon finds himself beset by a horrific spirit determined to possess him.

The main character is relatable

The main character, Aaron Moody, is going through some stuff. He’s been through a divorce. He’s being jerked around by his employers, taken advantage of. His hard work is being dismissed. He’s sad, frustrated and angry. And then a bloody tree is taken down improperly and busts up his stone wall.

From the start, he’s just a regular guy who finds himself in a terrifying paranormal situation through no fault of his own. But when the time comes, he runs towards danger and not away. He was, in my opinion, a fantastic guy to root for.

We need to see more animal friends in adult fiction

Aaron doesn’t have a cat himself. But he does occasionally get visits from his neighbor’s cat, Mr. B. As I’m sure you can imagine in a book about demons and witches, Mr. B does become an important part of the story.

I don’t know why more books for adults don’t have animal characters. They’re always great. They always add something to the story.

The witchcraft makes sense

As a practicing witch, I love a story that includes realistic witchcraft. Which isn’t, of course, to say that anyone in the real world can steal someone’s voice while sitting in a coffee shop. But the studying feels real. The laying of sigils and the use of protection magic feel very real.

Always a good thing. And since I don’t think Dittman is a witch himself, it suggests that he did his research.

I loved reading about a place I’m so familiar with

While this might not apply to everyone, it will for sure apply to anyone who is from my little town or Pittsburgh. It was so fun reading about places I have been. I have lived near Institute Hill. I’ve even walked up it, God help me. I recognize places described in this book because I’ve lived in these places since childhood. At one point, I was literally walking down Main Street while reading (a terrible habit but one I’ve never gotten over) and realized the character and I were in nearly the same place. And that was freaking cool!

This book is the perfect example of writing what you know

All of that brings me to the best lesson you, as a writer, can take from Who Holds The Devil.

Through this book, it’s clear that Dittman is writing about things he knows. Things he has experience with. He knows how to research a novel. It’s clear he’s had to deal with our courthouse and knows the weird puzzle box of a building it is. He knows this town. He might or might not be in the process of stealing his neighbor’s cat.

All of these details are real. And so it helps us to follow along with the story when it becomes unreal. When the demons start crawling out and infecting people’s minds, it’s scarier because it feels like it could happen.

This is what writers mean when we say ‘write what you know’. We are never saying that you should only write about things you have experienced. While you might have some fantastic stories, that would probably kill most fantasy and sci-fi unless you’ve got a pet dragon or a spaceship in the backyard. But you can include things you do fundamentally understand, and then build the fiction around that.

All in all, there’s a lot to be learned from Who Holds The Devil. It was a delight to read, and I would recommend it to all of you. And if there’s a book, movie or TV show that you’d like me to pick apart to see why it works, let me know in the comments.

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My local bookstore closed

For my entire life, there’s been a bookstore on my local Main Street. It was called Book Nook. And, being who I am and doing what I do, I loved that place.

It had old-fashioned wood-paneled walls. Shelves that smelled more like an old library than a shop. As a child, my favorite part of the store was the spinning rack of bookmarks.

Did anyone else have this weird bookmark obsession as a child? Fancy bookmarks were everything I wanted in this world. These days I just use any nearby scrap of paper. That’s a little sad.

Man, that place never changed. I used to beg my mom to take me there anytime we were on Main Street. At the time, Main Street was a place we were a lot. She worked at several different restaurants over the years. We lived in three different apartments tucked above stores. There was a little five and dime where I marveled at the fancy pens that looked like crystal. We ate at Burger Hut and the Hot Dog Shoppe. We used to have Woolworths until it burned down when I was a child, but I remember sitting at the counter and having milkshakes.

I remember the fire, too. The way the smoke coughed upwards in the sky and terrified me. I worried that it would come for us as well. I think I’m still a little afraid of that.

The five and dime is gone. The Woolworths is gone. Any number of other little shops are gone. The Unicorn Gift Shop, several antique stores whose names I’ve forgotten, a frozen yogurt place. There used to be a classy little bar where I watched presidential debates during the first Obama campaign, drinking Long Island ice teas with the campaign director in my town. Now it’s the classy little wine bar where I go to enjoy a glass of chocolate-flavored wine and read. Life moves on, tearing itself down, burning itself out, building new days and lives and stores upon the memories and ashes.

But not Book Nook. Man, that place never changes.

As a kid, I went there to buy Goosebumps and Babysitters Club books, series I loved equally. As a young woman, I waited outside the door for them to open the day the last Harry Potter book came out. The storekeeper there that morning was both confused and, I think, annoyed to have some overly excited woman in her early twenties waiting at her door. Apparently, this was a new experience for her.

I had my first book signing there when Broken Patterns came out. A copy of the book sat in the front window for months. They even hung up a poster from Starting Chains.

For months. To the point that it faded.

That place never changed.

That was a great experience. A young mom came in, clearly with just barely enough money to get her daughter a book. I gave her a copy of mine and she was thrilled.

I hope she’s doing alright.

I’d pop in from time to time. Sometimes I’d find great things. The author’s extended version of The Stand and American Gods. I impulsively bought some hardcover books that I still love to this day. Strange The Dreamer and An Absolutely Remarkable Thing.

But I didn’t get the sequel to either book there. They never seemed to get them in.

As other stores came and went, Book Nook stayed. Its new releases dwindled. Its stationary options did too, until they went away entirely. So did the bookmarks.

There were no cute impulse buys at the counter. The same counter with the same register that had always been there. Instead, there was a display of lottery tickets. And they clearly made money from the lottery tickets. Once during a book signing, I watched an elderly woman come in and proceed to purchase a scratch-off ticket. She scratched it with no joy, then bought another and another. She kept going for quite some time, scratching tickets with absolutely no emotion on her face.

It became a place that wasn’t fun to be in. Where I rarely if ever found new books I was interested in reading. The hours were erratic, so even if there was something there I wanted, I had a hard time coming in.

And it never changed.

Earlier this year, I received an email from the manager, telling me they were going to close and that I needed to come pick up my books.

Losing my local bookstore has left me with mixed emotions. They survived so much, hanging on through decades of Amazon encroachment and even the pandemic. But they never, ever changed. They never grew with the times. They did nothing to offer readers and buyers a better experience. They simply existed.

And now, they don’t.

I do not blame the store entirely. But neither do I blame competition entirely. Neither do I blame consumers entirely. But all three share a bit of the blame.

Myself included.

I could have been more patient and asked them to order the books I wanted. I could have scheduled more events there, even though the reason I stopped was that no one showed up to them.

But in the end, the issue lies with all three. We should shop small when we can. Big corporations should stop using such predatory practices. They won’t, but they should. And small businesses should put in the effort to grow and change with the times.

In the end, though, I don’t write this to blame anyone. I write this to mourn. No matter the reasons, my local bookstore is closing. The store I shopped in as a child is gone. And I hate that. So I just wanted to hold space for it today.

I don’t remember who said this, or even where I first heard it. But someone somewhere said that every piece of writing is a love letter or a eulogy. This was both.

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My review of Inspiring Creativity Through Magick

Writing and magic seem to go hand in hand. When I started my witchcraft practice, I was shocked by how many witches were also writers.

Well, not just writers. Singers, painters, dancers, actors. Witches seem drawn to art.

That makes sense to me. Writing has always seemed to me a tangible form of magic. To be able to experience other worlds while lying on your couch. To be distracted in stressful times and invited to another place or time. To hear the thoughts and musings of people long dead, but still here in ink and paper. To write something, and have it read by people all over the world.

That’s magic.

Many books have been written about writing from a magic perspective. I’ve read a few. But, I’ve never really talked about them here. I don’t know why. Maybe it’s because the witch part of my life still feels like something very private. I’m slowly getting over that. I even posted a whole Modern Witch review series on Haunted MTL. So I think it’s time to introduce you to my favorite writing books for witches. Because if there’s one thing that’s universal, it’s that we all want to be better artists.

Today, we’re talking about Inspiring Creativity Through Magick, by Astrea Taylor.

Published in 2023, Inspiring Creativity Through Magick is a firsthand guide to creating a fulfilling ritual around your art. It walks the reader through each step of the creation process, from inspiration to the final product. And it is delightful.

The book starts with a conversation about creative spirits. Muses, and the like. This was great fun, and I actually learned about spirits I hadn’t heard of before.

The thing I appreciated most about this part was the discussion of the unnamed creative spirits that many artists say they’ve come in contact with. Taylor even mentions Stephen King talking about his muse in one of my favorite writing books of all time, On Writing. There he talks about his muse being a short man with a cigar that might show up and start working his magic if King puts the work in and all the conditions are right.

Taylor also talks about Big Magic, another book I’ve talked about here. This book also talks about feeling as though the artist is a partner in the act of creation. We are all capable of tapping into the creative flow of the universe and inviting spirits that want to help us bring our creations to life.

And we know this is true. Every artist has those moments when it doesn’t even feel like we’re on the same plane of existence anymore. When the words are coming or the paint is flying with no effort. When all the pieces fall together, or that subplot now makes sense and is exactly what the main story needed, or the character says just the right (or wrong) thing at just the perfect time. When you write a poem that just smacks you between the eyes because it’s so true, and you hadn’t even thought of those words before they were in front of you on the page, somehow coming out of your own hand.

Clearly, this was my favorite part of the book.

We then delve into the step-by-step process of creating a finished art piece. Not the technical details, of course. This book is for all artists, after all, and that would be a bit much. Instead, it explores the basic stages of creation. The inspiration phase. The first pass phase where we create our rough drafts and start telling ourselves our stories. The edits, and revisions. And of course, the eventual release of the work out into the world.

This is wonderful for many reasons. First, sometimes it’s hard to feel the creative magic in the later phases. Writing a rough draft is all creation. Making something from nothing. There are no rules, we’re just throwing words on the page and seeing what sticks. But editing? Revising? Grammar checking? That’s not creative.

It very much is. Honestly, I find that I’m far more creative in the second and third passes of my stories. It doesn’t feel as immense anymore. I have a better idea of what I’m trying to say, and how I utterly failed to say it the first time. So I can fix this bit here, and rewrite that part there. I know what doesn’t work, and now I can figure out what does work. And this is a process that is clearly explained in a far better way than I ever could in this book.

It’s also wonderful to have this breakdown of steps, especially as a beginner. Looking at a finished project, it’s impossible to see all the work that went into it. And if you’re starting at the other end, looking at a blank page, the thought of turning that blank page into a whole book is incredibly overwhelming.

Breaking this process down, step by step, is more manageable. And it’s something I still do. Today, I’m not writing a book. I’m just writing this scene or this chapter. I don’t need to worry about the edits or the rewrites. Or even the next chapter. All I need to worry about is writing this page right now.

One thing I will say is that Inspiring Creativity Through Magick does feel like a beginner book. If you’ve been creating art for a long time, it might feel redundant. I already knew the steps of creating, I didn’t need them drawn out for me. So there might be parts that a more experienced artist finds a bit boring.

Overall, though, this was a really useful book. I think every artist can take something useful and uplifting away from this book. Whether you’re a witch or not, it’s well worth a read.

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My top ten favorite books of 2024

The year is nearly over. And while the events of 2024 might have sucked (it sucked so hard) I read some great books. Like, some really great books.

So let’s focus today on the good books and not on the horrible life and world events.

Here are the top ten best books I’ve read this year. It was a tough decision. I was shocked that Rift didn’t make it, even though I loved that book. But here’s what made the cut.

Also, if the book in question is a horror book, assume that I reviewed it on Haunted MTL. Just in case you want a more in-depth perspective on one title.

You Like It Darker by Stephen King

I can’t believe a King book made the list at the bottom! Don’t worry, he’s coming out with a new Holly book next year, and I’m sure that one will make it higher.

I did a whole review of this one on Haunted MTL. But the short version is this.

You Like It Darker had stories for long-time King fans, like a follow-up to Cujo. But it also had some fantastic stories that any new reader will love. My favorite of the bunch is Danny Coughlin’s Bad Dream.

A Well Trained Wife by Tia Levings

This is not an easy read. But it was so impactful. Here’s a link to my full review. But if you’re struggling with an abusive religion or an abusive marriage, this is the book to remind you that you are not alone.

Hekate by Courtney Weber

If you’re interested in witchcraft, or if you’re already practicing and want to deepen your understanding of the goddess of Witchcraft, this is a must-read.

Bad dreams in the night by Adam Ellis

If you’re not already following Adam Ellis on Instagram, do it. These stories were eerie, clever, and fun to read.

Hide comic by Kiersten White

This was a year of comic books for me, starting with Bone and ending here.

Last year I read Hide and loved it. When I found out there was a comic version, it seemed like a great read. And, it was. Whether you’ve read Hide the novel or not, you should check this graphic novel out.

Two sides to every murder by Danielle Valentine

If you’re a big slasher or true crime fan, like you know I am, this is a book for you. It had all the quaint and gorey charm of a good horror movie, with a modern feel.

The Hacienda by Isabel Canas

I read this book in January, and I haven’t shut up about it since. It’s a fantastic little ghost story with a love story built in. And, of course, a witch priest. Love it.

Three simple lines by Natalie Goldberg

I thought this would be a book about writing haiku, and in a way it was. But it was also about traveling to an unknown country and experiencing everything that had to offer. And, it turns out I needed to read that. Some of you might know I had to take a trip by myself out of my hometown alone for the first time in 16 years. But I had courage. Because if Natalie could go to Japan alone, I could go to another city alone.

So thank you, as always, Natalie.

Horror Movie by Paul Tremblay

This book was brilliant. It was so well thought out. The writing was so clever. It was so meta. The punchline was completely unexpected. I loved every second of it.

Mister Magic by Kiersten White

The fact that Mister Magic made number one on my list should not surprise anyone. This book wrecked me. I mean it led me down such a journey, I can’t begin to tell you.

If you are suffering from religious trauma, read this book. If you just want a beautiful, dark horror story, read this book. If you’re breathing, read this book.

Well, that is it for my top ten list and it for the year. But don’t worry, I’ll be back next Friday to start another year of reading, writing and struggling against the forces of evil.

See you then.

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Stories Save Us

This is a speech I gave during the Stories We Share Event at the Butler Library event on December 27th. Several lovely people suggested that I publish it. So, here you are.

Hi there. My name is Nicole. I write stories about dragons, ghosts and spaceships. Sometimes I write about the ghosts of dragons on spaceships. And, like most people who are at least mildly funny, I have been through some hard life events.

Don’t worry, this isn’t all depressing, I promise.

I was raised by a mother with a lot of chronic health issues. This meant I spent more time in my childhood than I should have in waiting rooms, doctor’s offices, or just keeping myself occupied quietly so my mom could rest.

I passed the time by reading. Chronicles of Narnia, Goosebumps, Laura Ingells, Babysitter’s Club. These stories kept me company in dark places. I escaped into Secret Gardens and attic rooms enhabited by Little Princesses.

As an adult, I fell in love with and married a man who also has chronic health issues. Because of course, right? And again, books have come to my rescue. Stephen King, Philippa Gregory, Tamora Pierce, Kiersten White and Grady Hendrix keep me company through scary days.

Now I do more than read these stories, I write my own. And in the past few years, while almost everyone has fallen on hard times, it’s sometimes felt foolish to keep writing fiction. Indulgent, and insensitive even. A writer I’m very fond of named Matt Wallace, who wrote the Savage Rebellion series, said that marketing right now feels like standing outside of a burning building and yelling at the people coming out, “Hey, you wanna buy a book?”

But the answer is yes, yes I actually do want to buy a book and read it. I want stories.

Stories can save us. And they do this in two ways. The first is of course that they’re entertaining. It’s fun to read. And while you can’t run away from your problems, you can take a break from them. Maybe you need some time in Narnia, or a haunted house, or a world where sewing is magic. Because after we take that time, take that break in a book, we come out a little bit stronger. Maybe that gives us the clearer eyes we need to look for the helpers that Mr. Rodgers told us about. Maybe it even gives us the strength and courage to be the helpers.

Here’s the other thing that stories do for us. They tell us that we are not alone. Fear can make us feel like we’re the only ones suffering. That no one else understands the pain we’re going through. But that’s not true. We’ve all had those seasons in life where we’ve gotten a scary diagnosis, tried to leave a dangerous relationship, fought an addiction, moved far away from everything familiar, or worried about how we’re going to pay rent and get groceries, and keep the electric on. We’ve all said goodbye to people we never wanted to say goodbye to, or had something violent and terrible happen to us that we neither deserved or saw coming.

Neil Gaiman said this about writing Coraline. “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.” But we knew this before Gaiman. The author of Beowulf knew this and wrote about monsters and dragons that the great hero faced. These stories comforted and guided our first ancestors. They helped them cope, heal, and find the courage they needed.

We are not going to fight literal dragons. We aren’t going to face Voldemort, or a sentient haunted house, or a series of unfortunate events orchestrated by a school friend of our dead parents. But we are going to fight our own dragons. And a lot of the time we win, and live to see brighter days.

What worries me, is how many people can’t remember the last time they read something for pleasure. Most of us spend a lot more time doom-scrolling than resting our hearts in fiction. If that’s you, find a book you want to read today. We are standing in a library right now. Find a book to take home with you. Take half an hour, ten minutes, hell five minutes, and read a story you love. Maybe it’s something you read as a child, or maybe it’s a new book. Maybe it’s wildly out of your age range. Look, when I’m stressed I reach right for Beverly Cleary so I’m not going to judge.

Make the space for you to have joy, no matter how bad your day is going. Because we all need to remember that dragons can be beaten.

Falling From Grace is coming in December

Once upon a time, I wrote a story about a boy who wove visions and a girl who spun light. About how, together, they changed their world for the better.

I love that story. But it had a few problems. Problems I only saw after writing three whole books about Devon, Lenore, Sultiana and Victor. All of my main characters but one were born into nobility and wealth. All of them were mages.

Now, that is all well and good. But it’s also a narrow view of the world. Most of us aren’t wealthy. I’m sure as hell not. Most of us are not gifted with such inherent talent that it cannot be denied, which I feel is the closest equivalent to mages in our world.

Some of us have to get by on working hard, saving money and learning skills.

So I wanted to write a story in the world of Woven about a regular woman. Maybe someone not gifted, or destined to do great things. A woman who chose to do great things instead, and shape the world around her through determination and courage.

This brought me to Grace.

You might remember Grace as the angry woman Victor left behind when he moved to Septa. And if you didn’t like her, I’m sorry. I never meant for her to be even a temporary antagonist. She had every damn reason to be angry. Wouldn’t you be if your boyfriend vanished and ended up dating some rich girl?

I needed to give Grace a chance to tell her own story. And in doing so, I told a little of mine as well. Because while I was writing this book, I was also discovering modern witchcraft.

Falling From Grace was first published in 2020. It was a terrible year for most of us, but at least Trump lost his election bid that year. But this time he won, and I think we need Grace again.

I think we need as many women and men as possible who are ready to fight against a mad king. We need witches, advocates and activists. And we need stories about them. So here is mine.

Preorder Falling From Grace here.

I loved writing this book. And I hope that you love reading it. It’s fun, sweary, irreverent and optimistic. I hope it inspires you to see some light in a dark time.

My review of Three Simple Lines

I have talked (a lot) about Natalie Goldberg and how much her work has taught me about writing. While she’s best known for Writing Down The Bones, she has many other books about writing, Zen, and how those things intersect.

Having read Writing Down The Bones, Thunder and Lighting and Wild Mind, I thought I knew what to expect from Three Simple Lines.

I was wrong.

Released in January of 2021, Three Simple Lines is a deep and reverent look at the art of haiku. To really explain this book, I think it’s best to start by describing what it is not.

It is not technically a writing manual. At least not in the same way Writing Down The Bones or Wild Mind were. This is not a collection of personal essays, followed by introspective writing advice and prompts. There are no exercises in this book.

Instead, Three Simple Lines chronicles two trips that Goldberg made to Japan to learn about two Haiku masters that inspired her work; Matsuo Basho and Yosa Buson.

Most of the book reads like a travelog. And honestly, with Goldberg’s deep and melodic writing style, I could read her description of a trip to the grocery store. So that alone was worth the price of admission. I loved her descriptions of exploring Japan. Especially the food.

This would have been an education by itself. If you want to write about travel, this is how to do it. I wanted nothing more than to hear everything about her trip.

But of course, that wasn’t all of it.

Learning how to write a haiku isn’t hard. You write three lines. They should add up to nineteen syllables. The standard belief is that the lines should be five syllables, then seven, then five. But most artists agree you can play a little fast and loose with that.

The soul of a haiku comes from the subject matter. A haiku should capture a moment in time, like a firefly in a bottle. Some people say that they should exclusively be about nature. But I’ve seen plenty that have moved me and had nothing to do with nature. The important thing is that it captures that moment and the feelings within that moment.

These descriptions seem simple, and they technically are. The difficult part is in the doing. This takes years and even lifetimes to master.

During Three Simple Lines, Goldberg talks about the lives of famous haiku masters. She also shares some of their most famous works. I am astounded by the slow pace of these artists. They seemed dedicated to their craft before all else.

This is especially astounding to my modern mind. I feel like I am so often focused on producing rather than creating.

Three Simple Lines is a blend of Goldberg’s story and the stories of these two haiku masters. If nothing else, this book will leave you inspired by the small, lovely craft of haiku.

And probably craving mochi.

If you love the story and want to support Paper Beats World, you can do so on Ko-fi.

Broken Patterns is now live! You can get it right now on Amazon.

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