Tag: Writing

Why aren’t you writing?

Writing for most of us starts as a passion. It’s something we love, something that brings joy to our lives. I started writing stories as a child, scribbling down my imagination play.

These days, writing is still a passion. It’s still something I get very excited about. Time spent writing is still fulfilling, still fun. It’s still the best way I know to get my feelings out, entertain myself, and get the demons out of my head.

So why, then, do I feel like I don’t want to write?

Not all the time, of course. Most of the time I want to write so much that I actively forgo other activities to write. I used to play video games, for instance. Used to. Writing and reading are the best ways I can think to spend my time.

And yet there are still times when I want to do literally anything other than write. If you’re a writer, I bet you feel the same way sometimes.

This isn’t ideal. Anything that makes you want to avoid the thing you love most of the world is not great. But to avoid the desire to avoid your writing sessions, we need to figure out why you don’t want to write. And to help you with that, I have five questions for you to ask yourself.

Do you not like your current project?

Sometimes we don’t like our projects. Usually, this happens in the middle of a rough draft for me, and for a lot of other writers. The story feels boring here. It feels like starting at point A was a ball, and getting to point C will be fantastic. But point B is shitty and we feel shitty writing it.

When you feel like this, you want to consider what you’re writing. Is it dull? If so, then maybe you should change it up. Make it more exciting. Because I’m sure we all know as readers that books bog down in the middle. But there’s no reason to accept this as a matter of course. Middles of books can be great fun to read and write. And this will help a lot if you find that you don’t want to write what you’re writing right now.

Remember, if you’re not having fun writing, the reader isn’t going to have fun reading.

Have you made writing into a chore?

When you write for a (alleged) living, it’s easy to feel resentful towards your work. I have a real problem with this. I have this innate hatred of anything I’m supposed to do. This often seems like a kiss of death for things that I love. If I adore a show, there’s no way to ruin that love faster than to decide to review it.

Which isn’t to say I don’t love reviewing things. It’s just that as soon as it turns from something I do for fun and something I do because I have a deadline I’m irritated by it.

But if I let that dumb rebellious you can’t tell me what to do attitude win, I would never do the thing I love most in this world. I would never write work I’m proud of and share it with all of you.

We all have an inner child, but we also all have an inner teenager who wants to slam our bedroom door and play loud music while our parents try to reason with us. The problem is that, in most cases, our parents were right and we should have listened. The other problem is that now that we’re adults and working for ourselves for the most part, we have to be the parents to our inner teens. And the best way I’ve found to do this is bribery.

Bribe yourself to get started. Promise yourself a new book, a trip to your favorite coffee shop, or your favorite bag of chips if you’ll just sit down and get started on the project. I’m sure you’ll find, like I do, that once you get your ass in the seat you don’t need that reward anymore. The writing is always rewarding after we get over that rebellious hump.

Are you tired?

These next two questions might sound the same at first, but they’re quite different. Being tired is a shorter-term malady.

Which isn’t to say it shouldn’t be respected. Maybe you’re tired today. Maybe yesterday you wrote a whole bunch. Or maybe you didn’t get a lot of sleep last night. Maybe you had a few days that asked more of you than you had to give and now you need to rest.

Never put your health in jeopardy to get words on the page. If you need to rest, then rest. The work will be there when you get back.

Are you burned out?

Burnout isn’t the same as being tired. It’s like the difference between a cold and a flu. Burnout is going to take much longer to recuperate from and will take more serious treatment.

I wrote a whole series about writing burnout a few years ago, that you can check out starting here.

The first thing to remember when feeling burned out is that it is morally neutral. You are not lazy. You are not failing. You have been doing too much for too long and in our society that’s almost unavoidable.

Being burned out might require more time away from your desk than you like. I know I hate it. I feel like I’m falling behind while everyone else is running ahead of me. And it sucks.

But you’ve got to give yourself grace.

There are going to be things you cannot put down. You have to do your day job. If you have contractual obligations, you have to meet them or ask for an extension. You have to care for your family, your pets, and yourself. Not in that order. If your writing isn’t the sort of thing that you’re working on a deadline for, then put it aside for a while.

It will be there when you get back. And so will your readers.

Are there more important things you need to be doing?

Finally, I come to the worst question. Because it involves adulting, and it’s the reason why this post is so late. I didn’t have time to write it this week when I usually do. I had obligations at my day job, then I had to go to a doctor’s appointment. Then I had to go get blood work done because of the doctor’s appointment. Then I had to run errands for Easter on Sunday. Then I had to fight with my bank over something. I woke up with the will and desire to spend an hour at my desk working on my current rough draft. What I didn’t have was the time.

I had to be a grownup yesterday. Today, I have to be a grown-up again write contractually obligated work, and clean my house. I have to be an adult, even though I want to write my story.

Sometimes your creative writing is going to have to take a back seat. Sometimes there are other priorities that you just cannot ignore. You have to take care of yourself. You have to mind the business that pays you. You have to care for your family and your living space.

The important thing here is to separate what needs to be done, what probably should be done but can wait for another day, and what doesn’t need to be done at all or could be delegated to someone else. I would never skip writing to dust, sweep, wash the windows, or vacuum. I might have to skip writing to do dishes or wash clothes. It’s about what needs to be done, and what doesn’t.

So that’s it. Now, I want to hear from you. What do you think is the best question to ask yourself when you’re not writing? Let us know in the comments.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting us by liking and sharing this post. You can also support us financially on Ko-fi.

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Adding new characters so people don’t hate them

If you’re writing a series, you’re going to find that your cast changes over time. This makes sense and is realistic in real life. If your MC is learning, growing, and changing then people are going to leave and come to their lives. They might move, go to school, change jobs, or get a new neighbor. Maybe a family member needs to come stay with them for some unexplained reason.

Sometimes this is great. Some fantastic characters have been added later in a series. Using some TV examples because they’re the best known, here are some later added characters I loved.

Patrick from Schitt’s Creek.

Kimmi from Rugrats.

Ben and Chris from Parks and Rec.

Alex from Chuck.

Natalie from Monk.

Chris from 30 Rock

Jessie from Burn Notice.

All of these characters were great additions to their respective shows.

But not all characters added later in a series are great. Some are Godawful. And the examples of that are downright cringy. Think of Dill from Rugrats, Suzie from Space Cases, Scrappy Doo, and the much despised Bobby from Brady Bunch. This horrible addition trend is so well understood, that it was mocked by the Simpsons in their eighth season.

So how do we do it right? How do we add to our cast without creating a Poochie? Well to me, this involves a series of do’s and don’ts.

Do add something to the story that was missing

Most of the characters in my ‘good’ list fall under this rule. Patrick added a straight man (comedic straight) to a pretty zany cast. Kimmi gave Chucky someone who admired him in Rugrats. Alex gave Casey a softer side that he needed in Chuck.

Do you have a character that is a little too silly? Too responsible? Too damn irritating? Give them a character that has the opposite qualities to balance them out. If your story is just a little too dark, add a character that can give levity.

Do give them a believable and sensible reason to be there.

How did this new character join your cast? Did they move? Okay, why did they move?

Kimmi’s a good example of this. She and her mom joined the cast after the Rugrats went to Paris. Her mom was working for the antagonist, fell in love with Chaz, and moved back to the States with him. That makes sense. Well, not in the real world. But in the lovely fictional world in which a school teacher can afford to keep her family in a house in the suburbs.

As a bad example, we can look at Scrappy Doo. Why is he hanging out with his uncle? Why did we never meet his parents? Why doesn’t he ever go home?

It needs to

Do make sure they fit the style and overall theme of the show

We all know that fiction content tends to have a certain vibe. Some shows are warm and cozy, some are more dark. For this example, let’s consider The Good Place with The Boys. In The Good Place, everyone seems to be a little messed up, but essentially decent people.

Compare that to The Boys, where no one seems like an essentially decent person except the two main characters, Hughie and Annie. And even they, if they were plopped into The Good Place, would seem far too dark and messed up to belong there.

So, as much as you’re trying to bring something new and different to your universe, you don’t want them to be so different as to feel like they don’t fit into the world you’ve already created.

Don’t force this character to take up too much space

Now, we’ve reached the don’ts. And this first one is a doozy.

If you’re adding a new character, you don’t want them to necessarily take over as the main character. So they shouldn’t be treated as such. Yes, they should have some storylines. Yes, they should take up space in the world. Yes, they should be important to the plot. But they shouldn’t be the new focus, to the detriment of other characters.

A great example of this done wrong was Rugrats. Dill took over too many of the storylines. Now that there was a baby who needed looked after and cared for by the rest of the cast, every story had to be about him in some way. Before, each episode told a story of one baby, or the assembled cast facing a problem. Now all the problems were about dealing with Dill. Or they were exacerbated by his presence.

Honestly, did Stu and Didi never actually watch their kids?

Don’t take the place of existing characters

This one is a personal issue with me. And it started young. I’m likely dating myself here, but when I was a kid I loved the show Space Cases. It was kind of like Voyager, but with a younger crew. A ship was lost in way outer space, carrying two adults and a group of teens. Scifi hilarity ensued.

My favorite character was Catalina. At the end of season two, she was replaced by her best friend Suzee, who until this moment most of us thought was an imaginary friend.

And I never got over that.

Of course, if you’re writing anything that requires actors, you’re sometimes going to have to replace people. I had a few actors leave my podcast between seasons one and two.

Some of the characters I recast. Some I simply wrote out and didn’t replace. But if you’re writing for TV, you can’t always just replace an actor.

(Yes, sometimes it can be pulled off.)

Then there are examples like Space Cases, or Charmed, where an actor leaves and their position is simply taken over by a new character. And that’s a jarring situation.

If you’re writing a book series, you don’t have to worry about actors leaving. So you do not ever need to shoehorn a new character in to take the place of somebody else. So, you know, don’t do it.

Don’t add a character just because they’re cute

Alright, you all knew this was coming. That’s why I saved it for last. I have some words of revulsion for the Scrappy Doo, Dill Pickles, and Cousin Oliver sort.

We do not need a character added just for the sake of being cute young and new. We don’t need it. If you find yourself writing a new baby, a new puppy, or a new adorable pet sidekick to keep things interesting and fresh, stop right there. Your story doesn’t need it, and it won’t be the saving grace you think it would be. That stunt has worked once and only once, and that was on Sailor Moon.

I hope this post has helped you. And I hope I didn’t trash-talk a character you loved. If I did, please let me know in the comments. And if there’s a later addition character I didn’t reference that you think deserves some love, please let me know about them too.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting the site on Ko-fi.

And don’t forget that Nova, book five of Station 86 starts on Monday! And yes it does have one later series addition, a survivor from Station Central. See you then.

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It’s not important until you make it important

There’s a person I follow on all social media. Her name is Molly, the art witch. I love her. I want her to be my auntie. 

I’ve learned so many wonderful things from her about art, expression, finding joy in life, and witchcraft. One of the best things I’ve learned from Molly is this. Nothing is sacred until we say it is. 

Now, she was talking about grimoires and other magical tools. And this was great news for me as a beginner witch who was being far to methodical about my grimoire. It was incredibly freeing, realizing I could have a grimoire that didn’t look anything like the books I grew up seeing on Charmed. I’ve since crafted three full grimoires, and have two active ones for my continued learning.

But I didn’t come here today to talk about grimoires. I can if you want me to. Let me know in the comments.

Today, though, I want to talk about something else. Tuesday was the ninth anniversary of Paper Beats World. It was a terribly important day for me, filled with big positive emotions. Do you know what I did?

I went to work, because I had to work that day. 

I have launched ten books and three seasons of podcasts. I’ve had a handful of mini milestones in my writing career aside from those. And on most of those days, I have done just about the same thing.

I’ve taken some pictures, posted them on social media, and gone to work. 

What in the hell am I doing? 

I think for the longest time, I’ve been expecting other people to make a big deal out of these days, these milestones and achievements. But that’s a lot to put on anyone. My darling husband is as supportive as they come, and even he didn’t do much more than congratulate me. But really, what else was there for him to say? 

Especially as indie writers, our successes seem lackuster. Our books come out to little fan-fair. Instagram didn’t turn pink when AA came out. No one was waiting outside a book store to snag a copy of Quiet Apocalypse before they went to work. 

Please understand that this isn’t a pity party. Nor is it me talking down about myself or other indie authors. Most of the content I was most excited for this year didn’t have a massive party when it launched. Silver Nitrate came out, no one was dressing up as film monsters and waiting in line to get their copy. Old Gods Of Appalachia is about to start season four. We aren’t seeing a bunch of stoked fans dressed up as dead miners. Instead fans of these things, myself included, simply got the book. We listened to the podcast. We celebrate the stories that we love by consuming them, then posting pictures of the covers on social media and raving about how cool the story was. Quietly.

The point is that no one is going to celebrate your successes as much as you do. These days don’t have meaning, unless we make them have meaning. And yeah, it’s kind of hard to make them have meaning, even if it’s something you’ve waited years for. 

I had to go to work on Tuesday. I actually got sick and had to leave work, spend the rest of the day on the couch on Tuesday. But most launch days, the world just has no intention of stopping. There’s still pets that need cared for. Laundry, dishes, day jobs. These things do not and will not go away. 

But we are achieving things, damn it! We are launching books, we are signing contracts. We are getting our first good reviews and holding the copies of our books for the first time. We as indie writers are winning all the time. And damn it, I’m going to take more time to celebrate those wins. 

So sometime soon I’m taking myself to my favorite coffee shop. I’m getting a Fall coffee, and sitting down with my laptop to look over my own site. To revisit the memories, advice, lamentations and everything else I’ve poured nine years of work into. After all, I start this blog while I was still working on Broken Patterns. It is a very real documentation of my entire writing career. 

This is how I’m making this anniversary sacred, how I’m making it special. And I’m vowing now to never pass up another opportunity to celebrate a writing win again. 

So how about you? What do you do to celebrate your writing milestones? Let us know in the comments. And I’ll see you again next week. 

Don’t forget, Preptober is officially just a month away. I have a brand new updated for 2023 version of my Preptober Planner available now on my Ko-fi shop.

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The best writers in films

Last week, we talked about ten of the best fictional writers on television. Which of course got me thinking about some of my other favorite fictional writers. The writers portrayed on the big screen. Because of course, people love talking about what they’re passionate about. And what writers are passionate about, more often than not, is writing. 

Today, I’m bringing you the top seven best portrayals of writers in movies. Some of them are funny. Some are scary. And some made me bawl like a baby. But all of them are great examples of flawed people trying to do the same thing we’re trying to do; craft stories.

Secret Window

Starring Johnny Depp and based on a short story by Stephen King, Secret Window is the story of a writer named Mort Rainey looking for some peace to write his latest book. This quiet is destroyed by a man named Shooter, who insists that Rainey stole his short story. Rainey desperately tries to prove that he didn’t commit plagiarism, while Shooter stalks him through town.

I honestly think being accused of plagiarism is scarier than being accosted by some hayseed in a wide-brim hat. I adored this movie. And I thought the ending, unlike some of King’s other endings, was truly satisfying. 

Orange County 

Starring Colin Hanks and Jack Black, this is the hilarious story of a young writer named Shaun, desperate to escape his dysfunctional family. He goes through a series of hilarious hijinks with his brother and girlfriend, trying to get him into a writing program at Stanford. 

If you’ve never seen this movie, it’s a great time. And of course, it discusses the very real issue of whether or not to attend higher education. 

The Shining

Of course, I was going to be talking about this one. It’s not the first Stephen King story on this list, and it won’t be the last. It is, perhaps, the most famous. 

Do I even need to summarise this story? Jack and Wendy, and their son Danny, spend the winter at a hotel as caretakers. This is every writer’s dream, and Jack is a writer. He thinks he’ll spend the whole winter writing his novel while making some easy money.

Of course, that amount of quiet and isolation is often the last thing a writer needs. It’s also the last thing a struggling alcoholic needs, especially when his spirits are replaced by, well, spirits. 

Dead Poet’s Society

(Note. This movie deals with teen suicide.)

A good teacher can make all the difference in a young person’s life. Especially the life of a young artist. Such is the case with John Keating, played by Robin Williams. He inspires a group of teenage boys to not only read poetry but to care about it. To care about their own writing as well. Keating reminds them, and us, that a poem is not a dry dead thing. It is a moment in time, an emotion, a spark, captured in words on a page. 

It’s a passionate movie about living for what makes you feel alive. 

Moulin Rouge!

Yes, I do love this movie, and not ironically. Is it a good movie? No, not really. Is it a really fun movie with a wonderful soundtrack and a fun main character? Yes, yes it is. 

Christian is a writer looking for work. He wants to write a play for a dance club called the Moulin Rouge. Its star is a woman named Satine, who is dying of consumption. Through his writing, Christian makes her last days magical. Even as he struggles to protect her from the evil Duke. It’s full of music, wild characters, and absinthe. It is, I think what a lot of us thought the writing life would be like, full of drugs and interactions with wild artists. Spoiler, it’s actually full of coffee and editing manuscripts while turning down social invites because you’re on a deadline. 

Misery

This will be the last time I talk about Stephen King in this post, I swear. But you know I had to talk about Paul Sheldon, Annie Wilkes, and Misery. 

Starring James Caan and Kathy Bates, this is the terrifying tale of an obsessed fan who saves her favorite author from a car crash. All is going fine until she finds out he’s going to kill off her favorite character. Then, things get not fine real fast. 

On one hand, I love the thought of having someone obsessed with my writing. On the other hand, I hate the idea of having someone that obsessed. Either way, it’s a dark and gruesome tale, told well. 

Also, Kathy Bates is a queen. 

Finding Forrester

This is easily my favorite movie about writing of all time. It stars Rob Brown and Sean Connery. This is the tale of a reclusive writer who is, frankly, an asshole. Through a series of events, he starts mentoring a young writer named Jamal. 

A lot of topics are discussed here. Racism, of course. Poverty, and how it impacts the opportunities of young people. When it is and is not okay to approach a famous person. In the end, though, it’s a story about a friendship built on a common passion. A passion for writing. If you’ve never seen it, go watch it right now. It is incredible. 

Now, I want to hear what you think. What is your favorite movie about a writer? Let us know in the comments. 

Paper Beats World is free to read, but it’s not free to make. If you can, please consider supporting the site on Ko-fi. 

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I made a planner for Preptober

It was the fourth of July. Then I blinked, and now it’s halfway through September. 

I love this time of year, and I hate how fast it seems to go. My to-do list right now is packed with tasks and events. Next week is Banned Books Week, the holidays are starting. We’re starting recordings for the next season of AA soon. It’s a busy time when all I want to do is warm up a pot of apple cider and read about cult leaders on my back porch.

And now, Preptober is in two weeks! Clearly, I need a plan if I’m going to get everything done.

So, I made a planner. And I thought you might like it too. So, I put it in my Ko-fi store for a dollar.

Preptober planner

The Preptober planner is six pages plus a cute cover page that will guide you through simple tasks each week. By the end of October, you’ll have a plan in place for how you’re going to write, when you’re going to write, and what you’re going to write. I’ll be printing out one for myself and getting in some planning time in October. 

Probably with some warm apple cider. 

I hope you’ll join me. It’s a great way to ensure you succeed in writing your novel, and it helps support Paper Beats World.

And I hope you’ll be here next week for Banned Books Week. We’ll have extra content galore because the stupidest thing anyone can ever do is ban a book. 

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My favorite Skillshare classes for writers

If you spend any time online, you’ve seen an ad for Skillshare. Every Youtuber I watch is working with them. And all that pitching got to me. I’ve had a subscription to Skillshare for almost a year now.

I’m not working with them. I’m not an affiliate, and I’m getting no money for this post. But I know that I’ve found myself subscribed to one service or another with little to no idea what I was supposed to do to it. 

If you as well have subscribed to Skillshare and are now a little daunted by the selections, I’ve got you. I’ve done a lot of the classes on the platform. So today I want to share with you the five best Skillshare classes that I’ve taken. 

Write an Irresistible Query Letter, Blair Thornburgh

I’ve struggled with query letters. I think all professional writers have that one part of the submission process that they just hate. It’s a toss-up for me, whether it’s query letters or blurbs.

Now that I’ve taken this class, blurbs are my least favorite. It made me think about my novel in a different way. And, even better, it gave me an easy-to-follow template to create a query letter that doesn’t feel like it was written from a template.

Writing Suspense: How to write stories that thrill in any genre, Benjamin Percy

Suspense isn’t a genre I write. But it’s an aspect of every well-written story. And this class, man, was so good. The exercises and explanations are just so helpful. I learned so much about story structure and giving clues through a story.

5 Techniques to Generate Creative Writing Ideas, Alison Stein

This class, my goodness. I wrote out so many pages of ideas for this class. And if I need new ideas, I go back to it. The class was entertaining, inspiring, and left me with a ton of blog posts. At least one of which I recently sold. 

Writing Flash Fiction, Hannah Lee Kidder

I love writing little flash pieces. They take little time and are easy to share on social media. Plus, they can be an emotional gut-punch when done well.

This class helped me do them well. If you’ve read a flash piece of mine and you liked it, thank this class. If you want to write flash pieces, take this class. 

Instagram Poetry, Alison Malee

Finally, this class was a ton of fun. I’m always looking for interesting new ways to show my art. And blending poetry with visual art is rewarding. It’s something that I like doing on a day off or in the evening while watching tv. Again, this class inspired me to do more of it. It also, I hope, helped me do it better.

So those are my top five Skillshare classes. What do you think? What’s the best class you’ve taken? Let us know in the comments below.

Want to get PBW posts two days early and ad free? Subscribe to us on Patreon.

You can also support Paper Beats World on Ko-fi.

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My favorite stationary for writing and bullet journaling

<a href="http://Image by <a href="https://pixabay.com/users/monfocus-2516394/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3297317">Monfocus</a&gt; from <a href="https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3297317">PixabayToday’s lovely art is from Monfocus.

After a long month of cleaning and organizing our whole lives, let’s take things down a notch today. Let’s talk about one of my favorite things and something you probably like too.

Let’s talk about stationary. 

Specifically, this is a list of the products I use to write rough drafts and keep my bullet journal. This isn’t a sponsored post, I don’t get kickbacks for any of these products. They’re just what I’ve found works best for me over the years.

LePen

I’ve talked about these pens pretty frequently. It’s because I’ve been writing with them for six years now. They’re beautiful, come in a ton of colors, and they write on almost anything. I don’t know what it is about a felt tip pen that makes me so happy. But it does.

These are great because I can use them for literally anything. I write rough drafts, write in my bullet journal and planner with them. They’re just one of those things I have to keep on hand at all times.

Good old composition notebooks

If you’ve read any fiction from me, chances are it started life as a rough draft written longhand in a composition notebook.

I mean like the old black and white marble covered ones we used to use in school. 

They’re cheap, let’s start with that. So I feel comfortable writing absolute shit in them. I also love that they’re hard covered, so I can more easily take them places to work on novels outside of my home. Easily the best notebooks to write rough drafts in.

George Stanley notebooks

I do enjoy something a little more long-lasting for my writer’s notebook, though. I stumbled upon one of these notebooks at Staples years ago. After using it for quite some time, I was impressed by the quality. The coil doesn’t come apart, the paper is thick, the cover is solid. I drag my notebook all over the place, as any good writer should. So I need a notebook that’s going to stand up to that sort of abuse. Yes, these notebooks are a bit pricey. But it’s the sort of thing I need to invest in.

Index cards

Another staple in my office is index cards. I use these mostly for outlining. So almost any novel starts with me buying a fresh new pack. 

What a feeling that is. 

I love this because I can write out plot points on the cards and then spread them all out over the floor while I’m figuring the story out. It looks a little mad, to be honest. 

Post its, multiple sized

No writer should be without post its. They play a part in most of my editing. I use them to mark out chapters, keep notes in rough drafts, leave messages and reminders in books. Essentially anytime I need a layer of paper on top of paper, this is what I reach for. 

If I can get them, I also like the little tab markers for keeping drafts in order.

Moleskine

I think these have fallen out of style for bullet journals, but I honestly don’t care. I love these things.

I always get the lined hard covered ones, but I’ll switch up the color. I love everything about them. I love their hardcover. I love the little ribbon to mark my place. I love the envelope in the back to store things. I love the creamy paper that rarely bleeds. I love how soft the paper feels. I love the elastic holder.

Sometimes you can grab these on sale if $20 is too much to drop on a notebook. And keep in mind, I don’t go through these. I might fill two a year. If I went through any more, I don’t think I’d buy the super expensive ones.

Tombow Brush pens

These are a recent find, but I love them. These brush pens are used in my bullet journal and for any drawing I do. Their colors are bright and vivid. They last forever. And they just feel so artsy. 

They also cost a decent amount, usually $3.50 per pen. So it’s a good damn thing they last awhile. 

Sakura Gelly Roll 

Because I like to do a lot of layering in my drawing, gelly roll pens are a must. I use them to draw over ink I’ve already put down. This is especially useful with a white one. It helps me give dimension to drawings or make them look like they’re shining. 

Pilot Precise V5 in red

In red and red only. I use these pens for just one thing, editing. 

The pen tip is super sharp, and it makes me feel like I’m literally cutting the fat out of my drafts. The ink stands out well and doesn’t dull when I’m shuffling through pages for months. 

So that’s it. Those are the tools of my trade and where most of my money goes. But now I want to hear what you think. What are your favorite stationery supplies? Let us know in the comments.

You can support Paper Beats World on Patreon and Ko-fi.

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Should we even do Nanowrimo this year?

2020 has been a dumpster fire of a year. Literally, the worst one I’ve ever lived through. I’m not going to try to make light of this.

So what if we don’t do Nanowrimo this year? What if we throw our hands up and say it’s too much. With everything else we’re dealing with, who could add writing a novel in there? Shouldn’t we all spend November trying to just survive and figure out how to have Thanksgiving on Zoom?

Hell no. 

Mind you, I’m not shaming anyone who doesn’t participate. But I’ll be doing it. And if you were thinking of writing a novel this year, you should do it too. Here’s why.

Publishers are still buying books

Agents and publishers are still accepting queries. Books are still coming out. People are still reading. So why not write a book?

Fiction can reach hearts and change minds.

If you’re feeling helpless, write about it. Write about your story of 2020. Write out your anger, your pain. Write about losing your job, your freedom. Whatever this year has been for you, write it out. 

Or you could write a fictionalized story about a country that let a deadly pandemic run wild even though they had the means to fix it and save thousands of lives. Just a thought.

Fiction can reach hearts and minds that straight facts can’t. Think of how many times fiction has hit you right between the eyes and made you see the world differently. You have the opportunity to do that now. Writing is the voice we have in addition to voting.

Vote!

So let’s use every tool we have. Get your story into the world. 

It’s a needed creative outlet

Okay, so not everyone wants to change the world with their words. Some people just want to create something. 

It’s in our nature to need a creative outlet. To make something. To paint, sing, write, draw, knit, whatever. If you just want to write a little something for fun or to say you did it, go for it! Write something and don’t worry about what you’re going to do with it later. Just love the process.

We can get something good out of this year 

We know how hard this year has been. There hasn’t been a lot to be happy about. Everything went wrong. People will be spending holidays without loved ones they had last year. 

We have to get some good out of this year, damn it. Any good we can. And if we can end the year on a high note, be able to say we did this one big thing, that’s a win. 

Let’s win just a little this year, together.

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Things to remember when writing different classes

Today’s cover art is from Anastacia Cooper.

As an author, no one is more critical of my work than me. No one is a bigger fan than me, either. But we all know how fantasy fans are. We only truly rip apart what we love most. And when it comes to Woven, I’m always thinking of things I wish I’d done better. I’ve written other books since then, and I’m sure I’ll find a thousand faults with them over time. 

One thing I’ve struggled with in Woven is that three of the four main characters were noble from birth. While not a single character was supposed to be running things, everyone but Victor was a princess or prince.

That was fun and all, but it was also really limiting. How someone sees the world differs dramatically in different social classes. So when I was writing Grace, her point of view was far different than Lenore’s. Honestly, it was a lot closer to my point of view. 

Today I wanted to share with you the four things I had to shift my writing perspective when writing for Grace.

Dialog

The first change is almost cosmetic, but it’s important. It was how people talked. A princess is going to talk far differently than a common woman, and honestly, it’s a lot more fun writing for the latter. A lot more telling people off and swearing up a storm.

Work

Another big change was the work each character did. Grace goes through many changes in this book, as her responsibilities change. She goes from keeping a house and feeding her family to running a castle. What she even considers work changes from the start of the book to the end. Things that once were chores seem like a vacation now.

What’s important to remember is that what a character does every day is always going to seem easier and more boring than something new. Someone who is used to washing, mending, cleaning and gardening is going to consider a day of meetings, decision making and paperwork freaking exhausting! This was a real shock to me when I transitioned from retail to a desk job years ago. I didn’t think using my brain would be so tiring but man! 

Appreciation

This is something I’ve experienced in my own life. What you appreciate and what you take for granted depends largely on what you’re used to. And as much as we all try not to take things for granted, we all do it. I took for granted that I was healthy until my cholesterol got all messed up. But I’ve never taken my next paycheck for granted. I’ve never taken my home or the health of my loved ones for granted.

Grace will never take a meal for granted. She’ll never take the safety of her home or family for granted.

She does take for granted that her oldest friend and protector, Calvin, will always be there to protect her. That she can depend on him so long as he can depend on her. 

Like most of us, the things she takes for granted are often the things she losses. 

Fears

In a related note, what scares us is often tied to what we take for granted. What we’re certain we won’t ever lose. 

In Woven, Lenore fears largely for her people. She’s not often scared for herself because she’s always been physically safe. She’s never skipped a meal, never had to scape and suffer. But she fears that she’s going to fail her people. And that she cannot abide. 

Grace is afraid that she won’t have food for her family. She’s afraid that soldiers are going to kill them. She’s afraid that they will simply not survive. And it’s likely that no matter how many years of comfort she may or may not have, those fears will probably never go away. 

After writing for nobility and writing for average people, I do have a preference. And if you liked me writing about princesses, I might have some bad news for you. I think I like writing about regular people more. The reason is pretty simple and I hope you’ll agree. 

I love writing people who don’t have the overt power to make changes, but they do it anyway. I mean, isn’t that what we’re all trying to do, change our communities and worlds for the better? My real-life heroes are not usually destined for greatness. They’re everyday people who decided to make a difference.

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The Best Movies for Storytelling

I’m low key in love with movies. Okay, not low key. I really love movies. And I’m as crazy eclectic with my movie love as I am with music. (Remember, I’m the weirdo that has Eminem, Sugarland and Elton John on my tablet, right along with Cher and Panic! At The Disco.)

It goes further than that, though. As I say over and over, my whole life is about good stories. I write them, read them, watch them and listen to them. But, part of PBW is that I also love to share them. I’ve also been watching a lot of top ten videos with my kids. So, with that spirit in mind, here are ten movies every writer can learn from. It’s surprising to me that most people haven’t heard of a lot of these. If you haven’t seen any of them, and you’re looking for something to do this weekend, here you go. And if you’re so inclined, please share with us your favorite movies in the comments below.

Saving Mr. Banks

This is probably the most popular and newest of the movies on this list. It’s the story of how the Disney movie, Mary Poppins, was made. A highly dramatized version, mind you.

At it’s core, though, it’s the story of a young woman with a sad childhood who becomes a writer. Then, she has to watch her story turn into a movie with dancing penguins. (According to the movie, she hated that.) This also makes her come to terms with her past.

Maybe don’t watch this with your smaller kids, but my older daughter loved it.

The Incredibles

I really love Pixar in general. It’s widely understood that Pixar is a creative powerhouse. And The Incredibles is a great example. Being a huge comic book fan girl, I jumped on that movie to start with, but if you’ve never read a comic book or seen any super hero movie, you’ll still love this. Even if you don’t have kids, watch it.

It’s all about super heroes that are being sued, so that they need to be placed in a relocation program. That is, until a super jealous genius decides to look up his childhood hero.

Star ship Troopers

This movie is amazing, and it’s based on the book by the same name. It’s a dark, dystopian future story about a future where people are only considered citizens if they serve in the military. Which is a little worse than it would be right now, because Earth is at war with a scary bug alien race. It’s also got Neil Patrick Harris as a psychic with a pet ferret.

Children of The Damned

The original black and white, not the remake. Based on the book, The Midwich Cuckoos by John Wyndham, this is probably one of the coolest Science Fiction story ever. Everyone in a small town suddenly falls asleep. When they come to, every woman who can be pregnant is. The children who come from this weird rapey situation are all blond with blue eyes. (I don’t think this is a Nazi reference at all, do you?) The kids all have weird manipulation powers. Very dark, and very emotional. Imagine knowing that this child you carried is actually evil, and probably not human. (I know my kids have those days, but still.)

Shaun of The Dead

Is it a little low brow? Yeah, kind of but watch me care. Shaun of The Dead is a zombie movie, but it’s a comedy. It’s about a man named Shaun who is kind of a loser. He’s got a crappy job, two asshole flatmates and his girlfriend is getting ready to leave him. Oh, and some shitty pens that leak red on his shirt. Then zombies start attacking people, and it actually takes people awhile to realize that there are zombies around. The thing I like about this movie the most is that the government acted like I would expect the government to act. They didn’t suck!

House on Haunted Hill

Again, I’m talking about the black and white original, not the remake. Now, before we go to far, the special effects are terrible! At one point there’s a skeleton walking around with fishing line holding him up. You can see it.

Despite this, the acting is super awesome. Vincent Price, my goodness I love that man, played his snooty and rich character to perfection. Of course, being an old school horror movie, only the bad wife and her lover die. Even so, it’s a creepy movie. I’m a little biased, though, because the darling husband and I went on our first date at a local movie house. They played some old black and white horror movies during one awesome summer.

Looper

I want to be careful talking about this movie, because despite the awesome stars who were in it (Bruce Willis, Joseph Gordon Levitt and Jeff Daniels) a lot of people haven’t even heard of it. And the ending is killer.

Basically, the story is based in a world that has two big differences from ours. Time travel is real, and illegal, and telepathy is real. Mobsters send people back in time to be assassinated. Eventually, the people who are in the past who are assassinating for the mob will kill themselves, thereby closing their own loop. This is the story of one man who is trying really hard to close his own loop, but his future self is just too damn fast.

Jakob The Liar

This movie is why I’m in love with Leiv Shcriber. He’s in it with Robin Williams, who plays the main character, Jakob, who lives in a Jewish Ghetto in Germany during WWII. I guess I don’t have to tell you what sort of life that is. He accidentally finds out a bit of news about the war, and spreads it around. When people start wondering how he found this out, he makes the mistake of telling his friend Mischa, (Mr. Schriber) that he has a radio. This all gets even more dangerous when a little girl, who snuck into the ghetto to save herself from going to a concentration camp. It’s a Robin Williams movie, so I’m sure I don’t need to tell you that you’ll choke on your own spit from laughing, then cry your eyes out at the end.

Dogma

This might not be the movie for you if you’re easily offended. But it is a very deep movie, if you can get past the sex jokes. Some of my favorite religious quotes come from this movie, such as, “Catholics don’t celebrate their faith, they mourn it!” Love that.

It’s a story about a woman who works at an abortion clinic who finds herself responsible for saving the world when two fallen angels are trying to get back into Heaven. What they don’t know is that if they get back into Heaven, all of Heaven, Earth and Hell will cease to exist. Again, not one to watch with the little ones. But a good one if you feel like getting some good ideas. Also, a great example of getting a religious message across without being an ass.

Pleasantville

This is, and has been, my favorite movie ever. It’s the story of a boy who’s parents are divorced. He’s a big old nerd who is totally obsessed with his favorite show, Pleasantville. His sister, a rather slutty girl and not the smartest, has a date on the same night as a marathon of his favorite show. They end up in the show, a creepy black and white world that rather resembles Stepford. But as Bud and Sue, the two main characters, start teaching people about ‘the real world’ things start turning color.

I don’t have any way to explain the beauty of this show. If you, like me, wish you’d been born in the fifties so you could have been involved in that cultural explosion, you’ll love this. Imagine a little micro society evolution, decades of sex and rock and roll shoved into a tiny town all in a few days.

I’m sure I didn’t mention all of the amazing movies that writers can learn from. If you know one I missed, please share it with us below.

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