What writers can learn from Calvin and Hobbs

Last week we talked about Peanuts, the comic strip about Good Man Charlie Brown by good man Charles Schultz. Today, I’m going to change directions entirely and talk about my favorite comic strip from childhood, Calvin and Hobbs. 

Written by Bill Watterson, Calvin and Hobbs ran from November 18th, 1985 to December 31, 1995. While a decade of work with one character on one project might not seem like a lot, let me put this in perspective for you. Garfield, who we’ll be discussing later in this series, has been running from June 19, 1978, until today. Foxtrot started on April 10th, 1988, and is still published on Sundays. So ten years is honestly quite a short career.

And in that short career, Watterson taught me a lot about being a creative. I owe him a great debt of thanks for that. Not only for the lessons but for many peaceful and joyous hours when I was a little person. 

That being said, not everything I’m going to say is kind. But here are six things I learned from Calvin and Hobbs, and the writings of Bill Watterson. 

Don’t write down to your audience

People have mentioned that I have a wide vocabulary. Not in a positive way, but that’s another story for another time. While some might assume I got this from reading difficult books early in life, the truth is that I learned lots of big words from Calvin and Hobbs. Because there are a lot of big words in there. Lots of big ideas, too.

And I got them. I learned how to look up words I didn’t understand, which is the number one way to increase your vocabulary. I learned that I could teach myself, in other words. Which is incredibly important for kids to learn.

See, here’s the crazy thing that happens when you assume most of your readers are at least as smart, if not smarter than you. You turn out to be right. And when you assume kids can learn things, they rise to the occasion. 

Great art can exist within ‘pulp’ creations

As Calvin and Hobbs went on, the art style changed. Sometimes it was simple, a boy and his tiger bashing around the house and woods, flying through fields and landing, more often than not, in the lake. But the artwork, especially in Calvin’s fantasies, got better. It was deeper, more expressive. More like a painting than what you’d expect in a kid’s comic strip. 

Watterson also started writing poetry. Some of it was for Calvin and Hobbs. Some of it was just good poetry.

As someone who writes genre fiction, it’s easy to feel looked down upon. Genre fiction, much like comic strips, is often not seen as real art until at least ninety years after the creator is dead. 

But that’s frankly bullshit. Art is subjective, but it’s not tied to any specific medium. So if graffiti artists can create works of art, if a cartoon about a little boy with an overactive imagination can include some of the best paintings and expressions of visual art I’ve ever seen, then a genre fiction story can have literary merit. Don’t limit yourself, or your work. 

Put what you love into your work

Bill Watterson likes to learn about weird stuff. If you read Calvin and Hobbs from the first strip to the last, which I have done multiple times, you’ll see Calvin’s knowledge and understanding of dinosaurs grow. That’s because Watterson’s understanding of dinosaurs grows. This is not the only thing that fascinated Watterson, and Calvin by extension. They both love detective noir, outer space, and nature. Calvin brings up politics and money from the perspective of a very bright six-year-old, which is a perspective I think a lot of adults fail to reach.

Write about what you love, and what you know. Write about the things that bother you. In my speculative fiction, I’ve written about witchcraft, depression, fearing that I’ll die alone. I’ve written about coal mining, bad landlords, and small-town living. My characters have dogs because I like dogs. Things that interest me work their way into my writing, whether I mean them to or not. So, why not lean into it? Why not have some fun with our art?

Don’t sweat details you don’t need

Throughout the whole run of Calvin and Hobbs, Calvin’s parents are never given names. We don’t know Susie’s parents, we never even see them. And of their entire class, we only ever know one other classmate’s name.

We don’t know these things because they are not important to Calvin or the way he experiences the world. He probably does know his parents’ names, but that’s not who they are to him. They are Mom and Dad. To Hobbs, they are Calvin’s Mom and Dad.

We do know that Calvin’s dad is a patent lawyer, though. It doesn’t come up a lot, but you can see how that might play into how Calvin sees his dad. Dad is a square who likes plain oatmeal and has a boring job as a patent lawyer. That’s all we need to know.

Sometimes we as writers put way too much detail into our work. Like, way more detail than we need. 

Listen, if it doesn’t have any impact on the story, we don’t need to know every little detail about the world you’re writing. We don’t need to know about the character’s family members that don’t impact the story. Hell, I usually don’t even mention what eye color my characters have unless it has something to do with the plot. Will it help you enjoy Quiet Apocalypse anymore if you know she has brown eyes? No, it doesn’t matter at all. So I didn’t include it.

If you’re in the process of editing something right now, let me give you a bit of advice. Go through your draft with a red pen and see how many details you can remove without impacting the story or the pleasure of reading. I bet you take out quite a lot. 

Protect what is yours

I’m sure you’ve noticed that there isn’t any Calvin and Hobbs merchandise. This isn’t because of a lack of demand. It’s because Watterson decided early on that he never wanted any toys, lunchboxes, cartoon spinoffs, or cereals tied to Calvin and Hobbs. There were lots of emotions regarding this decision. Lots of people stood to make a ton of money from merchandise. Lots of money from me, frankly. Do you know what I would spend on a Calvin and Hobbs lunchbox? Bill, if you are hurting for money you could still license that and make bank off silly nostalgic women like me. (Nostalgic being one of the words I first learned from a Calvin and Hobbs strip.)

But he never wanted that. He wanted Calving and Hobbs to be about just the comic. And I think that’s beautiful.

By the way, any of those awful decals you’ll see of Calvin peeing on various things are not licensed, and in fact, violate copyright law. So in addition to being tasteless and tacky, they’re also illegal.

It was a hell of a battle to keep Calvin from being plushy, or these days a squishmallow. But it was a battle that Watterson won. And despite my desire for a lunchbox with Calvin and Hobbs sitting in a tree on a fall day, I’m glad he won that fight. It sets a precedence for creatives like us, who might like our work to be about the work itself, and not have our characters slapped on anything that doesn’t move fast enough.

Leave when you know your project is done

I don’t feel that there’s enough Calvin and Hobbs. This is a world I could live in forever. 

That being said, there are a lot of comics I thought I could say that, and eventually, it all gets a little dull. 

Calvin and Hobbs ended while the characters were still fresh. When there was still passion in the story. 

When there was still passion in Watterson for these characters. 

There are a lot of reasons to end a story. Maybe it comes to its eventual conclusion. Maybe you as the creator lost your passion for it. Maybe the project didn’t take off with fans like you wanted it to. Maybe there are just lots of other things you want to spend your time working on. 

Whatever it is, you as the creator get to decide when it’s time to walk away. When it’s time to bring your characters to their happy (or not) ever after.

So that’s it. Sorry this post was a little late, but it was also a little long. Now, I’d love to hear what you think. Have you read Calvin and Hobbs? Let us know in the comments. 

Click here to preorder Man in The Woods today!

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What writers can learn from Peanuts

Writers love Snoopy at the typewriter. At least, I love him. Like, a lot. I love his terrible stories that all start the same way, it was a dark and stormy night. I love his rejection letters that threaten violence. I love the everlasting optimism that drives him to write another story, send another submission, and even enlist Lucy as his beta reader. While his writing might be terrible, his ability to get up and dust himself off is an inspiration to all of us drowning in the slush pile. 

But that’s not all the inspiration that Peanuts has for us. Unlike his beloved creation, Charles Schultz was a terrific writer. Charlie Brown, Snoopy, and the gang have been a constant source of joy and inspiration for decades. Today, I wanted to share with you the five most important lessons I’ve learned as a writer from them.

It’s okay to lose

Charlie Brown never has a winning baseball season. Lucy never gets Schroder to like her. Linus never gets to see the great pumpkin and Snoopy always gets rejection letters. Even Peppermint Patty, who always wins on the football field loses in the classroom. 

But that’s okay. They all lose, over and over, and they’re fine. They get through, they get by. And they’re pretty happy most of the time.

Look, we’re going to lose from time to time. I know I do. I’ve had failed launches. My football and hockey team didn’t make it to the playoffs this past season. I’ve bottomed out my emergency fund more times than I care to talk about. Life is far from perfect. And that’s okay. Life is still good, even when we lose.

Don’t shy away from what you believe in

My favorite Peanuts character is Linus. He knows himself. He knows what he needs, what he believes in, and who he is. 

Linus is a Theologian who carries around a blue blanket for support and believes wholeheartedly in God and The Great Pumpkin. And he doesn’t care if anyone else believes. He also doesn’t care if anyone thinks he’s foolish, or childish for doing what’s best for him.

Linus is my role model. I want to be brave enough to tell people exactly who I am and what I believe in. And in fairness, I usually am. Most people reading this will already know that I’m a witch and also a Christian. It’s weird, but it works for me. 

I also aspire to be unapologetically me. To carry my version of a blue blanket for comfort as I face a world that is sorely lacking in peace. To insist upon my cup of stars. 

What’s your blue blanket? Let us know in the comments. Mine is a specific red lipstick and my favorite crystal necklace with a St. De Sales medal attached to it. 

Plan for the rain

One of my favorite Charlie Brown quotes is this. He said the secret to happiness is to own a convertible and a lake. If the sun is shining, you can ride around in your convertible and enjoy it. If it’s raining, you can be comforted by the knowledge that all that rain is good for your lake. 

It’s gonna rain in your life. Bad things are going to happen. Life’s gonna be a lot easier if you accept that. Especially in your writing life. Maybe your publishing company will go under. Maybe your computer will crash and take your document with it. (Cloud backups, people!) Maybe your loved one will get sick while you’re trying to launch your book. Your career and your life is going to be a lot brighter if you accept right now that things aren’t always going to go to plan, and it’s not even a little bit your fault. 

It’s okay. Enjoy your convertible, and know that the rain is good for your lake. 

Know when to fight for yourself and your creations

This one’s a bit of a cautionary tale. Charles Schultz, much like his beloved Charlie Brown, was a little bit wishy-washy. He never liked the name Peanuts for the strip. He wanted to call it Lil’ Folk. 

He also wasn’t super thrilled with the rampant commercialization of Charlie and the gang. I’m not thrilled that Hallmark owns the rights.

At some point, Schultz lost control of his creation. Likely it happened in the same way the frog is boiled, little by little. 

We have to protect our creations. Yes, as writers we have to work with publishers. Yes, sometimes we need to listen to other people’s ideas. But sometimes we need to listen to ourselves and stand up for ourselves. Sometimes we’ve got to say no, even if that means we don’t work with a certain company. Otherwise, we end up with a comic strip named something we don’t like, or a whole series of books with trashy covers. 

This was a lesson I needed to learn myself.

Keep trying

Even though Charlie Brown never wins a baseball game, he keeps trying. Even though Linus never sees The Great Pumpkin, he keeps trying. Even though Lucy will never win Schroder’s love, she keeps trying. Okay, maybe Lucy should stop trying. That’s kind of stalker behavior. 

But the rest of them are right to keep trying. And so are we.

We’re not idealists here. We’re professional writers, and we know how freaking hard that is. It’s getting harder every year.

There are fewer and fewer publishing companies and bookstores. Magazines are dying. The paying markets are drying up. More and more people are struggling to make ends meet, so they sure as hell aren’t buying luxury items like books. At least not as many. 

And yet, I’m going to keep trying I’m going to publish my books and submit my short stories. I encourage you to do so as well. 

Step up to that pitcher’s mound. Show up in the pumpkin patch with your best friend and blue blanket. Yes, you might lose the game, or miss trick-or-treat. 

But maybe, just maybe, the Great Pumpkin will find that your pumpkin patch is the most sincere. And he’ll bring toys to all the good little boys and girls. 

Or, in our case and Snoopy’s, publishing contracts.

Pre-order Man In The Woods on Amazon now.

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Here comes another book!

If you’re following me on Instagram or Mastodon, you might have seen some fun and dark videos from me in the last few days. And you might have been wondering what that was all about.

Actually, if you read my post last week you probably know what this is about already. But just in case, here you go.

That’s right. I’m relaunching The Man in The Woods as a standalone short story on Amazon. And if you’ve never read this eerie little tale of mine, you are in for a treat.

Plus, check out that new cover. I love that cover!

The Man in The Woods was inspired by the consistent residential development of my sleepy little hometown. I have a deep hatred of insta-neighborhoods where each house looks exactly the same. They often go up in or near quiet neighborhoods where families have lived for generations.

Families that know the land. They know the things that exist in those lands and what to do to protect themselves. They know to watch for the signs of danger. And there’s often danger to watch for. Such is the case in The Man in The Woods.

The short story is available now for pre-order on Amazon. It’ll launch on May 5th, and I’m super excited. It’s a fun read, and I hope you love it.

Go preorder your copy, and share it around if you want to give me a little bump. I’ll appreciate you forever.

0

My publisher just dropped me! What do I do now?

On March 27th, I woke up to five of the most confusing emails I’ve ever received. Each one was from my publisher, had a pdf of one of my books attached, and contained only two words.

Rights returned.

Confused, I did the unthinkable and checked the author’s Facebook page for the publisher. At first, it appeared that it had simply vanished. I caught a comment from another author in a notification that I could no longer open. It read simply “I just got emails that said rights returned.”

Still incredibly confused, I sent an email to the publisher. It was fairly simple, so I’ll include the entire email below.

Hello,

Sorry, I must have missed an email. Can you tell me why all of my book rights are being returned?

Thanks,

Nicole Luttrell

The answer came days later. As it was also simple, I’ll include that entire email below as well.

Your books were returned for a lack of promotion.

The only thing I cut from that communication was the name of the COO. I could share it. But I, unlike the people who run this publishing company, am a professional. I’ll not be saying the name of the publisher here. You know who published me. 

I have had links to my books on my website for years. The Woven trilogy isn’t exactly something I’m quiet about. And yet, at some point, this became not good enough. It wasn’t good enough for at least one other writer. I believe there were likely other victims in this culling, but I cannot prove that.

So here I was, at the end of March, with four books dumped into my lap that had been adequately represented just days before and me with no reason to think this was going to happen. 

I am hurt. I feel betrayed. I don’t know the real reason my publisher decided to drop me and potentially other authors. And yes, I imagine if I’d fought the issue I could have forced them to keep right on publishing my book. But frankly, I don’t feel like it. 

Frankly, I think I’ve got every reason to take my books and go home. Frankly, there’s a reason that Falling From Grace was the last book I published with them, even though I’ve published several books and a podcast since then. The company wasn’t exactly professional to start with. The covers were sad, the promotion was dismal. The launches were botched and my concerns were never met with any real answers. And honestly, the rights for at least one of my books were about to expire anyway.

If you ever find yourself in this situation, I have some advice for you. First, understand that it is perfectly okay to get mad. This was shitty behavior, and I didn’t deserve it. My books didn’t deserve it. I have every right to be angry. 

Don’t freak out online

Just because I have a right to be angry doesn’t mean I should jump on social media and start dragging people. It’s childish, and it’s unprofessional. Even here on my personal blog, I’m not going to start calling out my former publisher by name. I’m not going to call names.

For one thing, I’m a grown-ass adult. Just because others have not treated me properly doesn’t mean I’ve got to act in kind.

For another thing, the publishing world isn’t all that big. If I was to act like a child over this, I’m not going to like how other professionals in the field react. 

Don’t feel like you’ve got to hide what happened to you

That doesn’t mean I can’t tell you all that this happened, though. After all, I have every reason to warn people that this is the kind of thing that can happen to you. Since this is a blog about living a writing life, it’s kind of my job to warn you. Just because you have a publisher doesn’t mean your career is set.

This is one of many reasons literary agents are worth their weight in coffee. 

But if you have been mistreated in the publishing world, and you can talk about it without acting like a twat, do so. We need to know who the bad actors are in this world. 

See this as the opportunity that it is

Finally, celebrate. Yes, I’m sorry to say that this means my books are out of print right now. If you never got a chance to read the Woven series, you’re going to have to wait until later this year. 

Don’t think for one second that a setback like this has to be the end of your writing career. It’s not. You have your work, and you can do whatever the hell you want with it now. That’s the beautiful thing about the self-publishing world. If you have the rights to your books, then do what you want with them.

More of this on Monday. 

All in all, I think the next several months are going to be pretty exciting for me. And for you, if you like my work. Because now I have all my books back. I can only make them better. And of course, I have several other projects in the works. 

If you’re a fan of my horror stories, check in on Monday. 

If you loved season one of AA, July is going to be fun for you.

If you’re a fan of fantasy stories about boys who weave visions and girls that spin light, you should look forward to November. 

Don’t let anyone stop you, my loves. Don’t let other people’s shitty behavior make you shine any less. And I can’t wait to take you along on this journey with me. 

Paper Beats World is a labor of love. If you can, please consider supporting us on Ko-fi.

5

We should be concerned about AI writing

It was a dark and stormy night, the kind of night that makes you want to stay inside and lock all the doors. But Sarah had promised her friend she would house-sit for her while she was away on vacation. The house was old and creaky, and the sound of the rain tapping against the windows made Sarah uneasy.

As she settled into the couch to watch a movie, she heard a strange noise coming from upstairs. It sounded like footsteps, slow and deliberate. She tried to convince herself it was just the old house settling, but the sound persisted.

Sarah cautiously made her way upstairs, her heart pounding in her chest. As she approached the guest bedroom, the sound grew louder. She pushed the door open and found the room empty. But then she noticed something odd – the closet door was slightly ajar.

As she reached for the door handle, a cold breeze swept through the room, sending a chill down her spine. She hesitated for a moment, but curiosity got the better of her. She slowly pushed the door open, and what she saw made her scream in terror.

Standing in front of her was a figure, dark and shadowy, with eyes that glowed like fiery embers. Its mouth twisted into a sinister grin as it reached out to grab her. Sarah turned and ran down the stairs, the figure hot on her heels.

Just as she reached the front door, Sarah felt something grab her ankle, causing her to trip and fall. As she looked up, she realized that the figure had been nothing more than a coat hanging in the closet. But the relief was short-lived as she heard a sinister laugh echoing through the empty house.

Sarah quickly got up and ran out of the house, never looking back. She never returned to that house again, and she never spoke of that night to anyone. But she knew that she had encountered something truly terrifying, something that she could never explain.

I didn’t write that story, a chatbot did. 

Yeah, we’re talking about chatbots today. And I’ll be really surprised if I’m the first person you’ve heard talk about this topic. It’s been hotly contested in social media. Artists of all sorts are in arms about AI-generated art. Is AI content taking a chunk of the already slim writing market? Are we going to lose our jobs to AI writers? Was this blog post written by an AI?

(No, except for the above story, it was not. This is all me, baby.)

The bad news

Let’s start with how I got the above story that, again, is not mine. I pulled up a free AI word generator and asked it to write me a scary story. That’s exactly what I typed in. Write me a scary story. Whether or not that story was scary is arguable. But the story is competent.

So what if I had asked the AI to write me a product description? Or a blog post on a specific topic? The chances are good that I’d have gotten a similarly bland but competent response. 

Back in the day, I wrote product descriptions for independent businesses. Lots of writers do that to make money. Some other ways writers make money include but are not limited to ghostwriting blog posts, writing content for business sites, and copywriting. When done well by a creative and talented writer, any of this content can be awesome. But not everyone needs that writing to be awesome. Frankly, that writing just needs to be competent. Businesses need a ton of writing done, and nothing is saying it needs to be lyrical and lovely. It just needs to give accurate and concise information. So yes, I think a lot of companies that used to pay writers for writing are probably already using AI-generated work instead. Being a full-time writer was already hard. Hard enough that I, after nine years of work have not gotten there. Lots of writers rely on copywriter gigs to make consistent income. To me, this feels like low-cost competition copywriters didn’t fucking need.

Then, of course, there’s the thorny little question about where this content came from. Again, referring to the story above, I do not know how the AI did that. In a matter of seconds, by the way. For all I know, this writing is the work of some unnamed and uncredited author. An author that I just unknowingly stole from. And insulted by calling their work dull. If that’s you, I am sorry. But don’t worry, creativity’s like any other muscle and it can be strengthened. 

The point is that stealing from creatives is a terrible thing. And it’s the last thing we want happening on a grand scale.

This is a major concern for visual artists, and I get it. No one should have the right to take your work, even a part of it, without giving you the credit you deserve.

The good news

You probably didn’t need me to tell you that the story above wasn’t mine. It’s clearly not my writing style. If you’ve been around Paper Beats World for a while, you know my writing style. 

If you’re a fan of anyone’s writing, you can probably recognize their writing style. I could read a paragraph by either Laini Taylor or Justina Ireland and probably tell you who wrote it. 

This is what is really missing from that writing example above, any sense of personal style. 

This is why I don’t think creative writers have anything to fear from AI writing. At least, not yet. AI can only replicate what already exists. It cannot develop its own style, or create new things. 

Yes, I do think the market’s going to get flooded by shitty, AI-written fiction. No, I don’t think it’s going to cause much of an issue. There is still no replacement for human creativity and personality. 

What can we do about it?

Sadly, I don’t know that there’s much we as individual creators can do. We can’t make businesses hire actual writers instead of using AI-generated content. And we certainly can’t stop people from using this AI technology. Nor should we, because that’s a slippery slope. Look, I might not think the AI can write a good horror story, but it still has a ton of vital uses.

But we can reject AI-created work. As indie writers, we can keep hiring actual graphic artists to create our covers. We can shun AI art and writing online, and call it out when we see it. We can make sure that we’re being honest if we do use AI in any of our writing. 

Which, to be clear, I have no intention of doing. But if you do, that’s fine. Just remember that real human creativity is always going to shine through. 

Another way to battle AI content is to support flesh and blood creators. If you’d like to support Paper Beats World, you can do so on Ko-fi.

5

And it’s not even September

This year has just been going by at a crazy pace, hasn’t it? It feels like it was just March a few days ago, and now it’s already September.

Wait, no it’s not September. We’re actually in the darkest timeline, where librarians are receiving death threats for providing books. 

Silly me.

Yes, you’ve probably already heard about this. But I’m going to talk about it anyway. All over America, but especially in Florida (which is really earning its nickname as America’s dick right now) books are being banned from schools and public libraries. Books that mostly have LGBTQ+ content. And since they can’t outright say that these books are being banned for being gay-friendly, the argument is that these books are inappropriate and sexual in nature. 

Somehow, books about heterosexual love aren’t a concern. Maybe the people who make these decisions see LGBTQ+ love as being just about sex. As a bisexual, I can’t begin to tell you how offensive that is. 

I can’t believe we’re still having this fight in 2023. I also can’t believe we’re fighting for abortion rights, and against Nazis. As the popular internet meme says, I’d like some modern problems. 

Please understand that this issue is so much worse than limiting access to books. Librarians, who are basically superheroes in my opinion, are getting death threats. They are being harassed, getting terrifying phone calls, having people show up at the library with guns. They’re being accused of child abuse, of being groomers. 

Since we’re on the subject, you know what is a real ‘groomer’ issue? The purity culture we force on little girls. If you’re a woman reading this, sound off in the comments how old you were the first time someone told you to cover up your body. I was maybe six and told that my body was inherently a distraction to boys and men. 

But sure, let’s ban the books about girls liking other girls. That’s far more traumatizing than being told grown adults might not be able to control themselves around my six-year-old body. I’m sure that picture books of boy bunnies who love each other are triggering to students who have to participate in active shooter drills the same way I used to have fire drills. 

Of course, it’s not about protecting children. It’s about controlling what children think about. It’s about controlling what we all think about, and what we consider threatening. Drag queens and queer books are not threatening. Politicians who want to restrict access to books are threatening. 

But I’m not done yet. 

I am a liberal, and if you haven’t picked that up yet I don’t know how. Banning books like Maus, And Tango Makes Three, The Handmaid’s Tale, and I Am Not Your Perfect Mexican Daughter is going to piss me off, as it should any liberal. Banning almost every book Sarah J Mass has ever written pisses me off as a speculative fiction author. But please understand, that everyone should be angry about this!

If you’re an author, you should be scared. If you’re a lover of literature, you should be scared. If you care even a little bit about our freedoms as American citizens, you should be scared. And you should be saying something.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting us on Ko-fi.

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The best writers in films

Last week, we talked about ten of the best fictional writers on television. Which of course got me thinking about some of my other favorite fictional writers. The writers portrayed on the big screen. Because of course, people love talking about what they’re passionate about. And what writers are passionate about, more often than not, is writing. 

Today, I’m bringing you the top seven best portrayals of writers in movies. Some of them are funny. Some are scary. And some made me bawl like a baby. But all of them are great examples of flawed people trying to do the same thing we’re trying to do; craft stories.

Secret Window

Starring Johnny Depp and based on a short story by Stephen King, Secret Window is the story of a writer named Mort Rainey looking for some peace to write his latest book. This quiet is destroyed by a man named Shooter, who insists that Rainey stole his short story. Rainey desperately tries to prove that he didn’t commit plagiarism, while Shooter stalks him through town.

I honestly think being accused of plagiarism is scarier than being accosted by some hayseed in a wide-brim hat. I adored this movie. And I thought the ending, unlike some of King’s other endings, was truly satisfying. 

Orange County 

Starring Colin Hanks and Jack Black, this is the hilarious story of a young writer named Shaun, desperate to escape his dysfunctional family. He goes through a series of hilarious hijinks with his brother and girlfriend, trying to get him into a writing program at Stanford. 

If you’ve never seen this movie, it’s a great time. And of course, it discusses the very real issue of whether or not to attend higher education. 

The Shining

Of course, I was going to be talking about this one. It’s not the first Stephen King story on this list, and it won’t be the last. It is, perhaps, the most famous. 

Do I even need to summarise this story? Jack and Wendy, and their son Danny, spend the winter at a hotel as caretakers. This is every writer’s dream, and Jack is a writer. He thinks he’ll spend the whole winter writing his novel while making some easy money.

Of course, that amount of quiet and isolation is often the last thing a writer needs. It’s also the last thing a struggling alcoholic needs, especially when his spirits are replaced by, well, spirits. 

Dead Poet’s Society

(Note. This movie deals with teen suicide.)

A good teacher can make all the difference in a young person’s life. Especially the life of a young artist. Such is the case with John Keating, played by Robin Williams. He inspires a group of teenage boys to not only read poetry but to care about it. To care about their own writing as well. Keating reminds them, and us, that a poem is not a dry dead thing. It is a moment in time, an emotion, a spark, captured in words on a page. 

It’s a passionate movie about living for what makes you feel alive. 

Moulin Rouge!

Yes, I do love this movie, and not ironically. Is it a good movie? No, not really. Is it a really fun movie with a wonderful soundtrack and a fun main character? Yes, yes it is. 

Christian is a writer looking for work. He wants to write a play for a dance club called the Moulin Rouge. Its star is a woman named Satine, who is dying of consumption. Through his writing, Christian makes her last days magical. Even as he struggles to protect her from the evil Duke. It’s full of music, wild characters, and absinthe. It is, I think what a lot of us thought the writing life would be like, full of drugs and interactions with wild artists. Spoiler, it’s actually full of coffee and editing manuscripts while turning down social invites because you’re on a deadline. 

Misery

This will be the last time I talk about Stephen King in this post, I swear. But you know I had to talk about Paul Sheldon, Annie Wilkes, and Misery. 

Starring James Caan and Kathy Bates, this is the terrifying tale of an obsessed fan who saves her favorite author from a car crash. All is going fine until she finds out he’s going to kill off her favorite character. Then, things get not fine real fast. 

On one hand, I love the thought of having someone obsessed with my writing. On the other hand, I hate the idea of having someone that obsessed. Either way, it’s a dark and gruesome tale, told well. 

Also, Kathy Bates is a queen. 

Finding Forrester

This is easily my favorite movie about writing of all time. It stars Rob Brown and Sean Connery. This is the tale of a reclusive writer who is, frankly, an asshole. Through a series of events, he starts mentoring a young writer named Jamal. 

A lot of topics are discussed here. Racism, of course. Poverty, and how it impacts the opportunities of young people. When it is and is not okay to approach a famous person. In the end, though, it’s a story about a friendship built on a common passion. A passion for writing. If you’ve never seen it, go watch it right now. It is incredible. 

Now, I want to hear what you think. What is your favorite movie about a writer? Let us know in the comments. 

Paper Beats World is free to read, but it’s not free to make. If you can, please consider supporting the site on Ko-fi. 

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The best fictional writers on tv

Writers like to write about writing. I do, as I’ve been posting about it here since 2014. So of course we do get fictional characters that are writers. Even though watching someone write isn’t exactly thrilling. I get why more stories are about athletes, politicians, space captains and ghost hunters. Watching them do their job is a lot more fun than watching me do my job.

And yet, some shining and relatable examples of writers on tv do exist. So today, I want to talk about my top ten favorite fictional writers. 

Diane Nguyen, BoJack Horseman

Diane is, like most of the characters on this show, a hot mess. But she’s a hot mess of a writer in Hollywoo, so she is clearly failing upward. Through the course of the show, she’s a biographer, a movie consultant and a magazine columnist. I would love those jobs!

More importantly, she struggles with actual writing problems. Remaining honest and relevant, and working in a field that claims to value creativity while forcing it to bow to focus groups.

Rick Castle, Castle

This isn’t the most realistic interpretation of a writer I’ve ever seen. But there were some really fun writerly moments in the first few seasons of Castle. Especially in the first few episodes, Castle plays a weekly game of cards with some real-life writers we might recognize, including James Patterson, Dennis Lehane, Michael Connelly and Stephen J. Cannell.

I also love that the series starts with a murder based on one of Castle’s books. I think a lot of horror and mystery writers worry that our work might inspire real-world pain. 

Another thing I loved was that the book Castle is working on isn’t done in an episode. That writing process is an entire season long. And the book isn’t released until partway through the next season! That is some realistic writing time.

Nathan Fillion as Rick Castle

Liz Lemon, 30 Rock

The insane workaholic main character of 30 Rock is loosely based on Tina Fey’s time working at SNL. And yes, writing for a weekly live show would be insane. Liz struggles to balance the wishes of corporate, the actors and her fellow writers, more often than not dropping all the balls she’s trying to keep in the air.

I love any time the characters are in the writing room, working together on scripts. I love the depiction of characters editing until the wee hours of the morning because that feels so relatable to me. And I love that Liz both loves and hates her entire creative team. 

Hannah, Reboot

Reboot was a recent show that only got one season on Hulu. From what I understand, the creators are looking for a new home for season two. I hope they find one.

Hannah is the main character. She wants to reboot a sitcom, making it more modern and relatable. Her father created the original show and has a certain amount of creative control. They battle constantly over hiring writers, managing actors, and crafting storylines. It’s old-school comedy writing blended with modern television sensibilities, finding the best and worst of each other. 

Of course, Hannah is also writing through her very real anger about her dad abandoning her as a child. We all write our demons. Even if we say we don’t, we all end up writing about what hurts us the most. Even if we have to turn it into a punchline. 

The cast of Newsroom

Newsroom was what I wish every news channel in real life could be. I wanted to narrow down just one writer on the show, but honestly, they’re all great. From their professionalism, dignity in reporting, and respect for the work, they are heroes. I honestly wish all news was reported by people like this. 

These writers were willing to go to any length to tell the truth. To tell the news. My favorite example of this is in the episode Amen. People’s lives are really on the line in this one, and everyone is aware. It’s a great example of what kind of danger journalists can find themselves in. 

Bart and Lisa Simpson, The Simpsons

Bart and Lisa have been writers in several episodes of The Simpsons. In an early episode, they start writing for Itchy and Scratchy but have to put Abe (Grandpa) Simpson’s name on their scripts because they’re too young. 

Lisa has also written essays that won awards. She’s a dedicated journal keeper. She is, I think, what we all aspire to be as writers, but can never quite reach. 

CW Longbottom and Ian Grimm, Mythic Quest

Video game writing is an ever-growing field. And much like tv writing, video game writing is a group effort. Being in a group of creatives is a hard thing when everyone thinks they’re smarter than everyone else in the room.

Ian and CW work together to create playable storylines. And CW is a little too proud of his Nebula award. He’s generally a little too proud of his writing, which comes up in a flashback episode that brought me to tears. 

Tina Belcher, Bob’s Burgers

Tina Belcher writes some cringy stuff, man. Uncomfortable sex scenes, wish fulfillment with her crush, weird scenarios involving zombies. And I am in awe of her for it. 

Tina is a writer who writes for the joy of it. She fills up notebooks frequently with her friend-Rodica series and is having the time of her life doing so. This is what every young writer should be doing. Writing what you want to write just for the fun of it.

Jessica Fletcher, Murder She Wrote

Who didn’t grow up admiring Jessica Fletcher and her prolific typewriter? She was funny, smart, and a bit of a workaholic. And she managed to take every bit of her life and use it in her cozy mystery series. It is truly a joy to hear her typewriter click. 

Angela Landsbury as Jessica Fletcher

Rob Petrie, The Dick Van Dyke Show

Rob was maybe the first tv character I ever saw who was a writer. And as a young person who was just starting to understand that someday she’d have to grow up and make money, he had a real influence on me. 

You could grow up and write stories. Well, I guess someone has to write them. Even better, there was a girl in the writing room, and she was just part of the team. 

So now I want to hear what you think. Who is your favorite fictional writer on tv? Let us know in the comments. 

Paper Beats World is free to read, but it’s not free to make. If you can, please consider supporting us on Ko-fi.

 

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Emotional Support Stories

If you want to support Paper Beats World, you can do so on Ko-fi. 

At the start of 2023, I was not in a good place. I’m doing better now. It was just a bad case of seasonal depression. But I decided to manage my depression by diving into my emotional support book series. 

Series of Unfortunate Events. 

It’s a long series, I’m still reading it. Currently reading the Grim Grotto. As a side note, you can always follow along with what I’m reading on Goodreads and Bookbub.

All that being said, I wanted to talk a little bit today about emotional support content. It’s been trendy on Instagram recently to share your emotional support content, and I am down for this. As always, I love that people turn to stories in times of darkness. We can always find light between the pages of a book.

Or other mediums, honestly. I have several emotional support shows, like The Good Place, Schitt’s Creek and Futurama. 

So, we already know that good fiction can brighten our lives when we feel dark. But why do we have these specific stories that we come back to over and over again? Wouldn’t a new story be a better distraction? I mean, I know what’s going to happen in every Unfortunate Events book. Can it engage me enough? Wouldn’t it be better to read something new, like finally getting into Sarah Mass or reading Wheel of Time like my husband has been trying to get me to do for years?

I took some time to think about it. While I was thinking, I also paid attention to how I was emotionally reacting to the new content I was consuming. And I realized something. Certain stories were making me sad because they reminded me of some of the very real traumatic events in my past. Things that are still hurting me today.

Yes, I could avoid content that might trigger these memories. Except, sorry to say, trigger warnings don’t work with trauma. Because you don’t always know what’s going to trigger your trauma.

Some things are clearly going to be impactful. I knew going in that things like Stephen King’s The Outsider was going to be upsetting. I did not expect a random episode of Agents of Shield to trigger me. I knew Inside Out was probably going to be hard. Didn’t expect Encanto to make me bawl. 

A story doesn’t have to directly relate to the cause of your trauma to remind you of your trauma. So, unfortunatly, any piece of content could potentially upset someone.

Okay, but that doesn’t mean I’m going to stop reading, watching or listening to new things. I love new stories. And realistically, we are never going to live in a world where we are completely safe from memories of our past. I personally don’t think we should even try to, because I’m a big believer in shadow work and healing from my past.

But that work, my friends, is exhausting! And we cannot, should not do it all the time. So yes, there are times when we should fall back on our emotional support series. 

I know how I’m emotionally going to respond to Unfortunate Events. There are no surprise triggers waiting for me. I can enjoy a story and give my emotions a rest. 

Emotional support content doesn’t need to be uplifting or happy. Though my shows certainly are. The only requirements are as follows. 

You’ve experienced the story before.

You know that your emotional reaction to this story will be positive. 

So please, if you have a friend who is watching Parks and Rec for the fifteenth time, don’t judge them. They might just need a break. 

I would love to know what your emotional support content is. Please let us know in the comments. 

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It’s Read an E-book Week

Hey, everyone. I’m just jumping in here to tell you that it’s Read an E-book Week on Smashwords. 

E-books are a super convenient way to read for people like me who don’t have a ton of places to keep books in their tiny homes. And while I love my physical books a lot (like, maybe too much) there are a ton of reasons e-books are cheaper, more convenient, and overall a pretty good time. 

And now is a great time to grab a bunch of e-books at a great price. Because of course, Read An E-book Week means a bunch of them are on sale. Like, for instance, my books. 

Like You Can’t Trust The AI, Virus, Station Central, Twelve Little Christmas Stories, and Quiet Apocalypse. 

If you’re a fan of space adventures with a dash of political intrigue, you can check out the Station Central series. 

If you’re looking for a haunted house story with a witchy witty main character, you should check out Quiet Apocalypse.

And if you want to grab some Christmas stories that range from heartwarming to horrifying, you can grab Twelve Little Christmas Stories. 

Of course, it’s not just my books. There are thousands of e-books available on Smashwords. 

Let me know in the comments what books you scooped up during the sale. 

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