Would Your Book Pass The Bedchel Test?

Do you know what the Bechdel Test is? I only heard of it recently, which makes me sad as a feminist.

The Bechdel test, named for the cartoonist Alison Bechdel who came up with it in a comic called Dykes to Watch Out For, consists of three rules. If a movie didn’t follow these three rules, the character in question wouldn’t go see it.

  1. The movie must have at least two female characters.
  2. They have to talk to each other,
  3. About something other than a man.

I thought this was silly, until I made a chart of all the movies I like that don’t pass that test. I’d like to share that with you. If you don’t see a movie on here, please keep in mind that I am being honest and I won’t add a movie on here if I haven’t seen it. I also have not listed all the movies I’ve ever seen, I would  be here all day. This is a list of the movies I’ve watched over the past 12 months, that are fairly well known.

Movies that Pass

The Hunger Games

Catching Fire

Mockingjay Pt 1

Frozen (Disney got a win)

Thor

Star Wars, Episode 7

Maleficent

Descendants (I have two pre teen daughters, don’t judge me.)

Mona Lisa’s Smile

Scream 1,2,3

Paranormal Activities 1-5

Dogma

Movies that don’t pass

Captain America

Iron Man 1,2,3

Avatar

The Avengers

Independence Day

Star Wars, 1-6

All Three Batman movies from the recent trilogy

Jersey Boys

All the Indiana Jones movies

All the James Bond movies

All the Men in Black movies

Jakob The Liar

Patch Adams

All 7 Freddy Kruger movies

Star Trek, 2009

Star Trek, Into Darkness

Yes, Stan Lee can be blamed for a lot of list two. We all know he was a sexist asshat, despite being a brilliant writer. He’s still an asshat.

What kills me is this; why doesn’t every movie pass this test? Is it really that hard to have two women in a book talk about something other than boys? I had to add some movies that were specifically known to be ‘feminist friendly’ to fluff that first list out.

Why? Why is it really so hard to ‘include’ women, when we are fifty percent of the population? Why do more than fifty percent of movies fail this test?

Now, I like all of the movies on the bottom list, don’t get me wrong. But, ladies and gentlemen, hear me loud and clear;

Representation Matters

I’m not the only person who’s said it, and I pray I won’t be the last. To have just one woman shown as a real person instead of background eye candy, it sends the message that this is the exception. Sure, Black Widow is badass, but we sure got Pepper Potts reminding us how women really do live to take care of men.

And don’t tell me those kinds of movies don’t sell. We’ve got Katniss, who is freaking awesome, her sister who’s just as awesome, and Joanna, and President Coin. The cast is pretty balanced with awesome women and men. Seems like those movies are doing just fine in the box office.

As writers we don’t always consider ourselves part of the ‘entertainment industry’. We should, because a lot of those movies up there were books first. Even the ones that weren’t were screen written.

And so, as one member of the entertainment industry to another, let me ask you, would your book pass the Bechdel Test?

Said Is Not Dead!

I’ve been seeing this phrase around the internet recently, and I’ve got to tell you, it’s pissing me off.  “Said is dead.”  Have you seen this?  I really hope that it’s just a trend, and it dies a merciless death soon.

Said is a simple word.  He said, she said, they said.  I like simple words when I’m writing, and I’m not alone.  Steven King and I might not agree on outlines or how many sex scenes a horror story needs, but we do agree on this.  At least according to his book On Writing, which should be on every indie author’s reading list.

I understand that there are a lot of reasons people want to use more complex words, especially in transition.  You might think they’re boring, or that maybe your line of dialog wasn’t clear, so it needs a little help.  Maybe you just want to show off how smart you are.  Here, though, are five reasons why you should reconsider.

You should always use the right word for the situation

For example, the word very. (This is about all simple words, not just said)  I hate the word very when used in description.  The sun was not very bright.  It was blistering, it was sparkling.  He had never seen a brighter sun.  The writer who uses very in description is being lazy.  They are half assing it.

But, your characters should be free to use very whenever they please, so long as the dialog rings true for them.  If “the sun is very bright today,” sounds like what your character would say, then let her say it.  The same goes for any simple word.

If a simple word will do, it’s probably best to just use it

Especially if it was the first word that came to mind.  That is most likely to be the most natural, and most comfortable word.  Which means that it’s less likely to jar the reader.  If I read a line with the word pejorative, for instance, that’s jarring.  I know what it means, but negative would have worked just as well.  Now I’ve got the chant from that Simpson’s episode where Homer is accused of pinching the baby sitter’s bottom because she had candy stuck to her.  Totally great episode, but now I’m not thinking about your story anymore.  Complex words, when not needed, confuse laymen and distract word nerds.

Using complex words doesn’t mean you’re talking down to your readers

The New York Times is written to a fifth grade reading level.  Let’s just start with that.  So if such a well known big name newspaper is aiming there, you shouldn’t feel bad at all about writing to a similar level.  But always remember that simple words do not equal a simple thought.  Think of Steinbeck, author of such books as Of Mice And Men and Grapes Of Wrath.  Do you consider those books condescending?  Me either, yet the language is the very simplest.

If you’re writing for kids, don’t listen to me

I have a pretty impressive vocabulary, because I watch Simpsons and read Calvin and Hobbs.  I am not making that up.  My monsters are even better than I was at their age, because they read Calvin and Hobbs and Series of Unfortunate Events.  I love children writers who use great stories to teach difficult words.

I, however, am not writing for kids, so I really do not care to expand my audience’s vocabulary.  I would settle for teaching people to use the words they already know better.

Finally, the number one reason to use simple words

Your job as a fiction writer is to tell a story.  Your job as a non fiction writer is to convey information in an entertaining way.  Whatever words you chose should help you do that, not distract from it.  Just use said, and tell the damn story.

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