Tag: Writing

Writing your second to last book

Nova comes out in a week. This is incredibly exciting. But, you probably already knew that. You probably also already knew that this is book 5 in the Station 86 series and that it is the second to last book.

What you might not know is that this is the first time I’ve ever written a series this long before. Woven was only four books, and one of those was a prequel. So, technically, that was only a trilogy.

Writing a long series, as I’ve found, is a whole different creature. Now that I’ve written the penultimate book in my series, I’ve learned a few things. And so today, I’d like to share what I’ve learned with you.

Have a series outline as soon as possible

I’ve talked a lot, and I mean a lot, about bad endings. Especially in my reviews on Haunted MTL. Endings that don’t feel satisfying, don’t fully answer all the questions asked during the series or simply don’t fulfill the promises of the story.

One of the ways you can avoid that sort of bad ending is by establishing a series outline as soon as possible. Ideally, before writing book one. I had a series outline for Station 86 after book one, and I honestly wish I’d have started earlier.

This is important for several reasons. The first is that it enables you to start working in foreshadowing from the start. A great example of this is Futurama. Spoilers ahead.

In the very first episode, we see a shadow on the floor when Fry falls into the cryogenic tube. It is several seasons before we find out who that shadow belonged to, and the significance of Fry being frozen.

Writing a series outline also stops you from feeling paralyzed when starting your next book in the series. Unless you’re writing a continuing series that doesn’t have an overarching plot, like The Cat Who series, you have an overlying story that you’re telling through the series. So it’s important to understand, at least a little, how each book is going to move that main plot forward, while also being a satisfying story by itself.

For example, the main storyline of Station 86 is that there are hollow mechanical things that are killing people for seemingly no reason. This is the main issue our heroes have to face. Each story has been about some new aspect of that.

Seeming set the stage, introduced our characters and world, and established that Earth had gone dark and wasn’t sending or receiving messages.

You Can’t Trust The AI was a story about AI dogs attacking Station 86, because the Hollow Suits had taken over their home station.

Virus was a zombie sci-fi story, that happened because someone was trying to create a weapon against the Hollow Suits.

Station Central was the first one to include an actual attack by the Hollow Suits. And Nova is where we finally learn what the Hollow Suits are, and our heroes come face to face with them.

None of this was by accident. It was all in my initial series outline.

But understand that it is not set in stone

This is something I think a lot of people don’t understand about an outline. Just because you have one, doesn’t mean it can’t change dramatically. If you come up with something better, or your original outline just isn’t vibing anymore, you can redo it. You can change it. You can toss the whole thing and start over.

For example, Nova was not going to be a book at all. All the important parts were going to be flashbacks in the final book, the one I’m writing right now. Then, I realized that there was simply too much to tell, and too much I wasn’t going to have the space for if I tried to do that. It would feel rushed, and unsatisfying. So, I wrote a whole other book. And in doing so, I had to rewrite the final one.

This is why this book took so long, but that’s a whole other issue.

The important thing is that you don’t have to stick to your initial outline. Your series is going to surprise you. Let it.

Anything might happen

A series ender can bring all sorts of surprises. People who you never thought would come back might. People you never thought would get back together might. People you thought were certainly going to live to the end of the series might not.

This is when it’s time to pull no punches. This is when your character’s worlds are unraveling. It’s when they’ve leveled up, been beaten down, and are standing just outside of the big boss’s reach. Which means it’s time to go for broke.

Which sometimes means making some tough decisions. Like killing a character you didn’t want to kill. Or having a love story end badly. Because, well, that brings me to the next point.

It can look like the bad guys won

No one wants to read a book where the antagonist is a pushover. They need to be someone intimidating. Someone it seems like the hero can’t possibly beat. And so, it’s okay if it looks like good is temporarily defeated in your second to last book. Maybe their team has been thinned. Maybe they’re imprisoned. Maybe we think they’re on death’s door.

Maybe any number of things. But, it’s okay for your second to last book to not have a happy ending. I would argue it’s probably for the best. Because we all like a comeback story, right? We all love the times someone defeats all odds and comes out with a win.

That’s what your last book is for. It’s the finish line, the moment of triumph after years and years of writing for you and years of journeying for your readers. So if you want that comeback, you have to knock your character down first.

Know what’s happening in your last book

While I was writing Nova, I had a document open the whole time for notes on the last book. Because, of course, this is what it’s all been building to. And so it’s fair to say that the last two books in a series are one book, just published at different times. Never is it more important that the story should flow from the last page of one book onto the first page of the next. I’ll be honest, I was tempted to write Nova and the new book at the same time, going through drafts together as though they were one large book. I might have done that if I hadn’t let so much time lapse between Station Central and this one. But if I do another long-term series, I’ll probably do just that.

If you’re writing a long-term series, I’d love to hear about it. And if you have any suggestions or tips, let us know in the comments.

Paper Beats World is a labor of love. If you love this post, please like and share it. And if you want to support us financially, you can do so on Ko-fi.

Nova is coming out next week! You can preorder it now on Amazon.

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What is our moral responsibility as writers?

This is a subject that I’ve touched on a few times recently. But I realized I’ve never done a whole post about it.

Which is strange, because I think about this a lot. Like, probably more than I should.

To what extent are we as writers morally responsible for the actions of people who consume our content?

Books have gained infamy for inciting violence and bad behavior. Violent video games were blamed for school shootings. Music is blamed for promoting promiscuity and gun violence. Well, only rap music is ever blamed for that. Country music talks about sex and shooting people all the time. Ben Shapiro never has anything bad to say about those performers.

This is a topic I thought a lot about after writing Quiet Apocalypse. When I was writing it, I just wanted to write a scary haunted apartment story about a clever witch and her attempts to stop the apocalypse. It was only afterward that I realized it might be seen as an anti-abortion message.

Which was never, ever my intention. I am pro-choice all the way and regularly donate to the Brigid Alliance.

So, am I to blame if someone uses Quiet Apocalypse as an example of anti-abortion propaganda? Are any of us responsible for people who use our fiction as an excuse to do awful things?

No, we’re not. And if you, like me, have these concerns, I hope that today’s post will help you put them to rest.

People who do bad things are just looking for an excuse

It is the sad reality of our world that some people are going to do terrible things. They’re going to be bigots, they’re going to bully others. Sometimes they’re going to shoot up innocent places. Even holy places.

But these people didn’t get this idea from reading a fictional story. Not a single mass shooter was a perfectly well-adjusted member of society before they played Call of Duty, and now they’re shooting up a nightclub. Drug addicts weren’t clean and sober, then read Alice in Wonderland and started dropping acid.

The desire to do those things was there before the fiction was consumed. And while this fiction might speak to a dark part of them, it didn’t build that dark part from nothing. To say otherwise is to scapegoat storytelling so we don’t have to look at the deeper societal failings that lead to drug addiction and gun violence.

There’s a ton of WWII fiction, and yet there are still Nazis in America right now

We are surrounded by WWII stories. Any streaming platform is bound to have countless movies and TV shows about the war. And there are hundreds upon hundreds of books about it. Some of my favorites are Maus, Number The Stars, and Jacob the Liar.

Nowhere in any of these stories are the Nazis the good guys. And, in case this needs to be said, that’s how it fucking should be. The Nazis are not now, and never will be, the good guys.

And yet, somehow, we have modern American Nazis. Proudly marching around with swastika flags and tiki torches.

How did this happen when our society is flooded with fiction that demonizes (rightly) the Nazi agenda?

Well, there are a lot of reasons why this is happening. People with far more understanding and education than me have researched this issue and published in-depth work regarding it. But I think we can safely say that it wasn’t the massive amount of WWII fiction. It seems to be despite it.

So if all of this work has been done with Nazis as the bad guys and it hasn’t deterred modern Nazis, why do we assume that pro-violent material will cause violence?

There is no way to tell how people are going to interpret your fiction

Lewis Carroll never wanted anyone to associate Alice in Wonderland with drug use. Homelander from The Boys was never supposed to be a good character, but some on the far Right in America have rallied around him. Rage Against the Machine has always been political, and yet somehow people have missed the message.

We just have no way to tell how people are going to perceive our work. No matter how clear we think we are with our message, someone can still take it the wrong way.

This isn’t because people are dumb. Well, not entirely. It’s because people see the world through their own experiences. Our perceptions are based on every experience we’ve ever had, the society we live in, and the lessons we were taught as children. And no matter how compassionate and empathetic we are, we can never see the world through someone else’s eyes.

We are never responsible for the actions of other people

This is something that I struggle with, coming from a high-control religious group. The sort of group that teaches girls to dress modestly so that we are not stumbling blocks for our brothers. We were taught that we weren’t supposed to go shopping on the Sabbath, because we were then causing other people to sin by working on the Sabbath. We were taught that we would be missionaries in our everyday lives if we lived the gospel well enough and devoutly enough.

I was also told by my grandmother that I should fast and pray so that my mother would stop smoking.

That’s a lot of responsibility for other people that was placed onto my very young shoulders. And yes, deconstruction has been a journey for me. There’s going to be a post about this soon.

So I get it. I get what it’s like to feel guilty because of what other people do. But we are never responsible for other people’s actions. Unless you are intentionally inciting violence and hate, it is not your fault if people commit violence or are hateful after reading your work. You are responsible for you. That is it.

At the end of the day, it’s good that we as writers are concerned about the impact we have on the world. It’s good if anyone worries about that. But we cannot allow our fear of other people’s reactions to silence our work. All we can do is tell our stories to the best of our ability, and hope that they inspire good and not hate.

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Nova is available for preorder now on Amazon. Check it out.

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Why aren’t you writing?

Writing for most of us starts as a passion. It’s something we love, something that brings joy to our lives. I started writing stories as a child, scribbling down my imagination play.

These days, writing is still a passion. It’s still something I get very excited about. Time spent writing is still fulfilling, still fun. It’s still the best way I know to get my feelings out, entertain myself, and get the demons out of my head.

So why, then, do I feel like I don’t want to write?

Not all the time, of course. Most of the time I want to write so much that I actively forgo other activities to write. I used to play video games, for instance. Used to. Writing and reading are the best ways I can think to spend my time.

And yet there are still times when I want to do literally anything other than write. If you’re a writer, I bet you feel the same way sometimes.

This isn’t ideal. Anything that makes you want to avoid the thing you love most of the world is not great. But to avoid the desire to avoid your writing sessions, we need to figure out why you don’t want to write. And to help you with that, I have five questions for you to ask yourself.

Do you not like your current project?

Sometimes we don’t like our projects. Usually, this happens in the middle of a rough draft for me, and for a lot of other writers. The story feels boring here. It feels like starting at point A was a ball, and getting to point C will be fantastic. But point B is shitty and we feel shitty writing it.

When you feel like this, you want to consider what you’re writing. Is it dull? If so, then maybe you should change it up. Make it more exciting. Because I’m sure we all know as readers that books bog down in the middle. But there’s no reason to accept this as a matter of course. Middles of books can be great fun to read and write. And this will help a lot if you find that you don’t want to write what you’re writing right now.

Remember, if you’re not having fun writing, the reader isn’t going to have fun reading.

Have you made writing into a chore?

When you write for a (alleged) living, it’s easy to feel resentful towards your work. I have a real problem with this. I have this innate hatred of anything I’m supposed to do. This often seems like a kiss of death for things that I love. If I adore a show, there’s no way to ruin that love faster than to decide to review it.

Which isn’t to say I don’t love reviewing things. It’s just that as soon as it turns from something I do for fun and something I do because I have a deadline I’m irritated by it.

But if I let that dumb rebellious you can’t tell me what to do attitude win, I would never do the thing I love most in this world. I would never write work I’m proud of and share it with all of you.

We all have an inner child, but we also all have an inner teenager who wants to slam our bedroom door and play loud music while our parents try to reason with us. The problem is that, in most cases, our parents were right and we should have listened. The other problem is that now that we’re adults and working for ourselves for the most part, we have to be the parents to our inner teens. And the best way I’ve found to do this is bribery.

Bribe yourself to get started. Promise yourself a new book, a trip to your favorite coffee shop, or your favorite bag of chips if you’ll just sit down and get started on the project. I’m sure you’ll find, like I do, that once you get your ass in the seat you don’t need that reward anymore. The writing is always rewarding after we get over that rebellious hump.

Are you tired?

These next two questions might sound the same at first, but they’re quite different. Being tired is a shorter-term malady.

Which isn’t to say it shouldn’t be respected. Maybe you’re tired today. Maybe yesterday you wrote a whole bunch. Or maybe you didn’t get a lot of sleep last night. Maybe you had a few days that asked more of you than you had to give and now you need to rest.

Never put your health in jeopardy to get words on the page. If you need to rest, then rest. The work will be there when you get back.

Are you burned out?

Burnout isn’t the same as being tired. It’s like the difference between a cold and a flu. Burnout is going to take much longer to recuperate from and will take more serious treatment.

I wrote a whole series about writing burnout a few years ago, that you can check out starting here.

The first thing to remember when feeling burned out is that it is morally neutral. You are not lazy. You are not failing. You have been doing too much for too long and in our society that’s almost unavoidable.

Being burned out might require more time away from your desk than you like. I know I hate it. I feel like I’m falling behind while everyone else is running ahead of me. And it sucks.

But you’ve got to give yourself grace.

There are going to be things you cannot put down. You have to do your day job. If you have contractual obligations, you have to meet them or ask for an extension. You have to care for your family, your pets, and yourself. Not in that order. If your writing isn’t the sort of thing that you’re working on a deadline for, then put it aside for a while.

It will be there when you get back. And so will your readers.

Are there more important things you need to be doing?

Finally, I come to the worst question. Because it involves adulting, and it’s the reason why this post is so late. I didn’t have time to write it this week when I usually do. I had obligations at my day job, then I had to go to a doctor’s appointment. Then I had to go get blood work done because of the doctor’s appointment. Then I had to run errands for Easter on Sunday. Then I had to fight with my bank over something. I woke up with the will and desire to spend an hour at my desk working on my current rough draft. What I didn’t have was the time.

I had to be a grownup yesterday. Today, I have to be a grown-up again write contractually obligated work, and clean my house. I have to be an adult, even though I want to write my story.

Sometimes your creative writing is going to have to take a back seat. Sometimes there are other priorities that you just cannot ignore. You have to take care of yourself. You have to mind the business that pays you. You have to care for your family and your living space.

The important thing here is to separate what needs to be done, what probably should be done but can wait for another day, and what doesn’t need to be done at all or could be delegated to someone else. I would never skip writing to dust, sweep, wash the windows, or vacuum. I might have to skip writing to do dishes or wash clothes. It’s about what needs to be done, and what doesn’t.

So that’s it. Now, I want to hear from you. What do you think is the best question to ask yourself when you’re not writing? Let us know in the comments.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting us by liking and sharing this post. You can also support us financially on Ko-fi.

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Adding new characters so people don’t hate them

If you’re writing a series, you’re going to find that your cast changes over time. This makes sense and is realistic in real life. If your MC is learning, growing, and changing then people are going to leave and come to their lives. They might move, go to school, change jobs, or get a new neighbor. Maybe a family member needs to come stay with them for some unexplained reason.

Sometimes this is great. Some fantastic characters have been added later in a series. Using some TV examples because they’re the best known, here are some later added characters I loved.

Patrick from Schitt’s Creek.

Kimmi from Rugrats.

Ben and Chris from Parks and Rec.

Alex from Chuck.

Natalie from Monk.

Chris from 30 Rock

Jessie from Burn Notice.

All of these characters were great additions to their respective shows.

But not all characters added later in a series are great. Some are Godawful. And the examples of that are downright cringy. Think of Dill from Rugrats, Suzie from Space Cases, Scrappy Doo, and the much despised Bobby from Brady Bunch. This horrible addition trend is so well understood, that it was mocked by the Simpsons in their eighth season.

So how do we do it right? How do we add to our cast without creating a Poochie? Well to me, this involves a series of do’s and don’ts.

Do add something to the story that was missing

Most of the characters in my ‘good’ list fall under this rule. Patrick added a straight man (comedic straight) to a pretty zany cast. Kimmi gave Chucky someone who admired him in Rugrats. Alex gave Casey a softer side that he needed in Chuck.

Do you have a character that is a little too silly? Too responsible? Too damn irritating? Give them a character that has the opposite qualities to balance them out. If your story is just a little too dark, add a character that can give levity.

Do give them a believable and sensible reason to be there.

How did this new character join your cast? Did they move? Okay, why did they move?

Kimmi’s a good example of this. She and her mom joined the cast after the Rugrats went to Paris. Her mom was working for the antagonist, fell in love with Chaz, and moved back to the States with him. That makes sense. Well, not in the real world. But in the lovely fictional world in which a school teacher can afford to keep her family in a house in the suburbs.

As a bad example, we can look at Scrappy Doo. Why is he hanging out with his uncle? Why did we never meet his parents? Why doesn’t he ever go home?

It needs to

Do make sure they fit the style and overall theme of the show

We all know that fiction content tends to have a certain vibe. Some shows are warm and cozy, some are more dark. For this example, let’s consider The Good Place with The Boys. In The Good Place, everyone seems to be a little messed up, but essentially decent people.

Compare that to The Boys, where no one seems like an essentially decent person except the two main characters, Hughie and Annie. And even they, if they were plopped into The Good Place, would seem far too dark and messed up to belong there.

So, as much as you’re trying to bring something new and different to your universe, you don’t want them to be so different as to feel like they don’t fit into the world you’ve already created.

Don’t force this character to take up too much space

Now, we’ve reached the don’ts. And this first one is a doozy.

If you’re adding a new character, you don’t want them to necessarily take over as the main character. So they shouldn’t be treated as such. Yes, they should have some storylines. Yes, they should take up space in the world. Yes, they should be important to the plot. But they shouldn’t be the new focus, to the detriment of other characters.

A great example of this done wrong was Rugrats. Dill took over too many of the storylines. Now that there was a baby who needed looked after and cared for by the rest of the cast, every story had to be about him in some way. Before, each episode told a story of one baby, or the assembled cast facing a problem. Now all the problems were about dealing with Dill. Or they were exacerbated by his presence.

Honestly, did Stu and Didi never actually watch their kids?

Don’t take the place of existing characters

This one is a personal issue with me. And it started young. I’m likely dating myself here, but when I was a kid I loved the show Space Cases. It was kind of like Voyager, but with a younger crew. A ship was lost in way outer space, carrying two adults and a group of teens. Scifi hilarity ensued.

My favorite character was Catalina. At the end of season two, she was replaced by her best friend Suzee, who until this moment most of us thought was an imaginary friend.

And I never got over that.

Of course, if you’re writing anything that requires actors, you’re sometimes going to have to replace people. I had a few actors leave my podcast between seasons one and two.

Some of the characters I recast. Some I simply wrote out and didn’t replace. But if you’re writing for TV, you can’t always just replace an actor.

(Yes, sometimes it can be pulled off.)

Then there are examples like Space Cases, or Charmed, where an actor leaves and their position is simply taken over by a new character. And that’s a jarring situation.

If you’re writing a book series, you don’t have to worry about actors leaving. So you do not ever need to shoehorn a new character in to take the place of somebody else. So, you know, don’t do it.

Don’t add a character just because they’re cute

Alright, you all knew this was coming. That’s why I saved it for last. I have some words of revulsion for the Scrappy Doo, Dill Pickles, and Cousin Oliver sort.

We do not need a character added just for the sake of being cute young and new. We don’t need it. If you find yourself writing a new baby, a new puppy, or a new adorable pet sidekick to keep things interesting and fresh, stop right there. Your story doesn’t need it, and it won’t be the saving grace you think it would be. That stunt has worked once and only once, and that was on Sailor Moon.

I hope this post has helped you. And I hope I didn’t trash-talk a character you loved. If I did, please let me know in the comments. And if there’s a later addition character I didn’t reference that you think deserves some love, please let me know about them too.

Paper Beats World is a labor of love. If you love what we do here, please consider supporting the site on Ko-fi.

And don’t forget that Nova, book five of Station 86 starts on Monday! And yes it does have one later series addition, a survivor from Station Central. See you then.

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It’s not important until you make it important

There’s a person I follow on all social media. Her name is Molly, the art witch. I love her. I want her to be my auntie. 

I’ve learned so many wonderful things from her about art, expression, finding joy in life, and witchcraft. One of the best things I’ve learned from Molly is this. Nothing is sacred until we say it is. 

Now, she was talking about grimoires and other magical tools. And this was great news for me as a beginner witch who was being far to methodical about my grimoire. It was incredibly freeing, realizing I could have a grimoire that didn’t look anything like the books I grew up seeing on Charmed. I’ve since crafted three full grimoires, and have two active ones for my continued learning.

But I didn’t come here today to talk about grimoires. I can if you want me to. Let me know in the comments.

Today, though, I want to talk about something else. Tuesday was the ninth anniversary of Paper Beats World. It was a terribly important day for me, filled with big positive emotions. Do you know what I did?

I went to work, because I had to work that day. 

I have launched ten books and three seasons of podcasts. I’ve had a handful of mini milestones in my writing career aside from those. And on most of those days, I have done just about the same thing.

I’ve taken some pictures, posted them on social media, and gone to work. 

What in the hell am I doing? 

I think for the longest time, I’ve been expecting other people to make a big deal out of these days, these milestones and achievements. But that’s a lot to put on anyone. My darling husband is as supportive as they come, and even he didn’t do much more than congratulate me. But really, what else was there for him to say? 

Especially as indie writers, our successes seem lackuster. Our books come out to little fan-fair. Instagram didn’t turn pink when AA came out. No one was waiting outside a book store to snag a copy of Quiet Apocalypse before they went to work. 

Please understand that this isn’t a pity party. Nor is it me talking down about myself or other indie authors. Most of the content I was most excited for this year didn’t have a massive party when it launched. Silver Nitrate came out, no one was dressing up as film monsters and waiting in line to get their copy. Old Gods Of Appalachia is about to start season four. We aren’t seeing a bunch of stoked fans dressed up as dead miners. Instead fans of these things, myself included, simply got the book. We listened to the podcast. We celebrate the stories that we love by consuming them, then posting pictures of the covers on social media and raving about how cool the story was. Quietly.

The point is that no one is going to celebrate your successes as much as you do. These days don’t have meaning, unless we make them have meaning. And yeah, it’s kind of hard to make them have meaning, even if it’s something you’ve waited years for. 

I had to go to work on Tuesday. I actually got sick and had to leave work, spend the rest of the day on the couch on Tuesday. But most launch days, the world just has no intention of stopping. There’s still pets that need cared for. Laundry, dishes, day jobs. These things do not and will not go away. 

But we are achieving things, damn it! We are launching books, we are signing contracts. We are getting our first good reviews and holding the copies of our books for the first time. We as indie writers are winning all the time. And damn it, I’m going to take more time to celebrate those wins. 

So sometime soon I’m taking myself to my favorite coffee shop. I’m getting a Fall coffee, and sitting down with my laptop to look over my own site. To revisit the memories, advice, lamentations and everything else I’ve poured nine years of work into. After all, I start this blog while I was still working on Broken Patterns. It is a very real documentation of my entire writing career. 

This is how I’m making this anniversary sacred, how I’m making it special. And I’m vowing now to never pass up another opportunity to celebrate a writing win again. 

So how about you? What do you do to celebrate your writing milestones? Let us know in the comments. And I’ll see you again next week. 

Don’t forget, Preptober is officially just a month away. I have a brand new updated for 2023 version of my Preptober Planner available now on my Ko-fi shop.

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The best writers in films

Last week, we talked about ten of the best fictional writers on television. Which of course got me thinking about some of my other favorite fictional writers. The writers portrayed on the big screen. Because of course, people love talking about what they’re passionate about. And what writers are passionate about, more often than not, is writing. 

Today, I’m bringing you the top seven best portrayals of writers in movies. Some of them are funny. Some are scary. And some made me bawl like a baby. But all of them are great examples of flawed people trying to do the same thing we’re trying to do; craft stories.

Secret Window

Starring Johnny Depp and based on a short story by Stephen King, Secret Window is the story of a writer named Mort Rainey looking for some peace to write his latest book. This quiet is destroyed by a man named Shooter, who insists that Rainey stole his short story. Rainey desperately tries to prove that he didn’t commit plagiarism, while Shooter stalks him through town.

I honestly think being accused of plagiarism is scarier than being accosted by some hayseed in a wide-brim hat. I adored this movie. And I thought the ending, unlike some of King’s other endings, was truly satisfying. 

Orange County 

Starring Colin Hanks and Jack Black, this is the hilarious story of a young writer named Shaun, desperate to escape his dysfunctional family. He goes through a series of hilarious hijinks with his brother and girlfriend, trying to get him into a writing program at Stanford. 

If you’ve never seen this movie, it’s a great time. And of course, it discusses the very real issue of whether or not to attend higher education. 

The Shining

Of course, I was going to be talking about this one. It’s not the first Stephen King story on this list, and it won’t be the last. It is, perhaps, the most famous. 

Do I even need to summarise this story? Jack and Wendy, and their son Danny, spend the winter at a hotel as caretakers. This is every writer’s dream, and Jack is a writer. He thinks he’ll spend the whole winter writing his novel while making some easy money.

Of course, that amount of quiet and isolation is often the last thing a writer needs. It’s also the last thing a struggling alcoholic needs, especially when his spirits are replaced by, well, spirits. 

Dead Poet’s Society

(Note. This movie deals with teen suicide.)

A good teacher can make all the difference in a young person’s life. Especially the life of a young artist. Such is the case with John Keating, played by Robin Williams. He inspires a group of teenage boys to not only read poetry but to care about it. To care about their own writing as well. Keating reminds them, and us, that a poem is not a dry dead thing. It is a moment in time, an emotion, a spark, captured in words on a page. 

It’s a passionate movie about living for what makes you feel alive. 

Moulin Rouge!

Yes, I do love this movie, and not ironically. Is it a good movie? No, not really. Is it a really fun movie with a wonderful soundtrack and a fun main character? Yes, yes it is. 

Christian is a writer looking for work. He wants to write a play for a dance club called the Moulin Rouge. Its star is a woman named Satine, who is dying of consumption. Through his writing, Christian makes her last days magical. Even as he struggles to protect her from the evil Duke. It’s full of music, wild characters, and absinthe. It is, I think what a lot of us thought the writing life would be like, full of drugs and interactions with wild artists. Spoiler, it’s actually full of coffee and editing manuscripts while turning down social invites because you’re on a deadline. 

Misery

This will be the last time I talk about Stephen King in this post, I swear. But you know I had to talk about Paul Sheldon, Annie Wilkes, and Misery. 

Starring James Caan and Kathy Bates, this is the terrifying tale of an obsessed fan who saves her favorite author from a car crash. All is going fine until she finds out he’s going to kill off her favorite character. Then, things get not fine real fast. 

On one hand, I love the thought of having someone obsessed with my writing. On the other hand, I hate the idea of having someone that obsessed. Either way, it’s a dark and gruesome tale, told well. 

Also, Kathy Bates is a queen. 

Finding Forrester

This is easily my favorite movie about writing of all time. It stars Rob Brown and Sean Connery. This is the tale of a reclusive writer who is, frankly, an asshole. Through a series of events, he starts mentoring a young writer named Jamal. 

A lot of topics are discussed here. Racism, of course. Poverty, and how it impacts the opportunities of young people. When it is and is not okay to approach a famous person. In the end, though, it’s a story about a friendship built on a common passion. A passion for writing. If you’ve never seen it, go watch it right now. It is incredible. 

Now, I want to hear what you think. What is your favorite movie about a writer? Let us know in the comments. 

Paper Beats World is free to read, but it’s not free to make. If you can, please consider supporting the site on Ko-fi. 

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I made a planner for Preptober

It was the fourth of July. Then I blinked, and now it’s halfway through September. 

I love this time of year, and I hate how fast it seems to go. My to-do list right now is packed with tasks and events. Next week is Banned Books Week, the holidays are starting. We’re starting recordings for the next season of AA soon. It’s a busy time when all I want to do is warm up a pot of apple cider and read about cult leaders on my back porch.

And now, Preptober is in two weeks! Clearly, I need a plan if I’m going to get everything done.

So, I made a planner. And I thought you might like it too. So, I put it in my Ko-fi store for a dollar.

Preptober planner

The Preptober planner is six pages plus a cute cover page that will guide you through simple tasks each week. By the end of October, you’ll have a plan in place for how you’re going to write, when you’re going to write, and what you’re going to write. I’ll be printing out one for myself and getting in some planning time in October. 

Probably with some warm apple cider. 

I hope you’ll join me. It’s a great way to ensure you succeed in writing your novel, and it helps support Paper Beats World.

And I hope you’ll be here next week for Banned Books Week. We’ll have extra content galore because the stupidest thing anyone can ever do is ban a book. 

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My favorite Skillshare classes for writers

If you spend any time online, you’ve seen an ad for Skillshare. Every Youtuber I watch is working with them. And all that pitching got to me. I’ve had a subscription to Skillshare for almost a year now.

I’m not working with them. I’m not an affiliate, and I’m getting no money for this post. But I know that I’ve found myself subscribed to one service or another with little to no idea what I was supposed to do to it. 

If you as well have subscribed to Skillshare and are now a little daunted by the selections, I’ve got you. I’ve done a lot of the classes on the platform. So today I want to share with you the five best Skillshare classes that I’ve taken. 

Write an Irresistible Query Letter, Blair Thornburgh

I’ve struggled with query letters. I think all professional writers have that one part of the submission process that they just hate. It’s a toss-up for me, whether it’s query letters or blurbs.

Now that I’ve taken this class, blurbs are my least favorite. It made me think about my novel in a different way. And, even better, it gave me an easy-to-follow template to create a query letter that doesn’t feel like it was written from a template.

Writing Suspense: How to write stories that thrill in any genre, Benjamin Percy

Suspense isn’t a genre I write. But it’s an aspect of every well-written story. And this class, man, was so good. The exercises and explanations are just so helpful. I learned so much about story structure and giving clues through a story.

5 Techniques to Generate Creative Writing Ideas, Alison Stein

This class, my goodness. I wrote out so many pages of ideas for this class. And if I need new ideas, I go back to it. The class was entertaining, inspiring, and left me with a ton of blog posts. At least one of which I recently sold. 

Writing Flash Fiction, Hannah Lee Kidder

I love writing little flash pieces. They take little time and are easy to share on social media. Plus, they can be an emotional gut-punch when done well.

This class helped me do them well. If you’ve read a flash piece of mine and you liked it, thank this class. If you want to write flash pieces, take this class. 

Instagram Poetry, Alison Malee

Finally, this class was a ton of fun. I’m always looking for interesting new ways to show my art. And blending poetry with visual art is rewarding. It’s something that I like doing on a day off or in the evening while watching tv. Again, this class inspired me to do more of it. It also, I hope, helped me do it better.

So those are my top five Skillshare classes. What do you think? What’s the best class you’ve taken? Let us know in the comments below.

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You can also support Paper Beats World on Ko-fi.

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My favorite stationary for writing and bullet journaling

<a href="http://Image by <a href="https://pixabay.com/users/monfocus-2516394/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3297317">Monfocus</a&gt; from <a href="https://pixabay.com/?utm_source=link-attribution&utm_medium=referral&utm_campaign=image&utm_content=3297317">PixabayToday’s lovely art is from Monfocus.

After a long month of cleaning and organizing our whole lives, let’s take things down a notch today. Let’s talk about one of my favorite things and something you probably like too.

Let’s talk about stationary. 

Specifically, this is a list of the products I use to write rough drafts and keep my bullet journal. This isn’t a sponsored post, I don’t get kickbacks for any of these products. They’re just what I’ve found works best for me over the years.

LePen

I’ve talked about these pens pretty frequently. It’s because I’ve been writing with them for six years now. They’re beautiful, come in a ton of colors, and they write on almost anything. I don’t know what it is about a felt tip pen that makes me so happy. But it does.

These are great because I can use them for literally anything. I write rough drafts, write in my bullet journal and planner with them. They’re just one of those things I have to keep on hand at all times.

Good old composition notebooks

If you’ve read any fiction from me, chances are it started life as a rough draft written longhand in a composition notebook.

I mean like the old black and white marble covered ones we used to use in school. 

They’re cheap, let’s start with that. So I feel comfortable writing absolute shit in them. I also love that they’re hard covered, so I can more easily take them places to work on novels outside of my home. Easily the best notebooks to write rough drafts in.

George Stanley notebooks

I do enjoy something a little more long-lasting for my writer’s notebook, though. I stumbled upon one of these notebooks at Staples years ago. After using it for quite some time, I was impressed by the quality. The coil doesn’t come apart, the paper is thick, the cover is solid. I drag my notebook all over the place, as any good writer should. So I need a notebook that’s going to stand up to that sort of abuse. Yes, these notebooks are a bit pricey. But it’s the sort of thing I need to invest in.

Index cards

Another staple in my office is index cards. I use these mostly for outlining. So almost any novel starts with me buying a fresh new pack. 

What a feeling that is. 

I love this because I can write out plot points on the cards and then spread them all out over the floor while I’m figuring the story out. It looks a little mad, to be honest. 

Post its, multiple sized

No writer should be without post its. They play a part in most of my editing. I use them to mark out chapters, keep notes in rough drafts, leave messages and reminders in books. Essentially anytime I need a layer of paper on top of paper, this is what I reach for. 

If I can get them, I also like the little tab markers for keeping drafts in order.

Moleskine

I think these have fallen out of style for bullet journals, but I honestly don’t care. I love these things.

I always get the lined hard covered ones, but I’ll switch up the color. I love everything about them. I love their hardcover. I love the little ribbon to mark my place. I love the envelope in the back to store things. I love the creamy paper that rarely bleeds. I love how soft the paper feels. I love the elastic holder.

Sometimes you can grab these on sale if $20 is too much to drop on a notebook. And keep in mind, I don’t go through these. I might fill two a year. If I went through any more, I don’t think I’d buy the super expensive ones.

Tombow Brush pens

These are a recent find, but I love them. These brush pens are used in my bullet journal and for any drawing I do. Their colors are bright and vivid. They last forever. And they just feel so artsy. 

They also cost a decent amount, usually $3.50 per pen. So it’s a good damn thing they last awhile. 

Sakura Gelly Roll 

Because I like to do a lot of layering in my drawing, gelly roll pens are a must. I use them to draw over ink I’ve already put down. This is especially useful with a white one. It helps me give dimension to drawings or make them look like they’re shining. 

Pilot Precise V5 in red

In red and red only. I use these pens for just one thing, editing. 

The pen tip is super sharp, and it makes me feel like I’m literally cutting the fat out of my drafts. The ink stands out well and doesn’t dull when I’m shuffling through pages for months. 

So that’s it. Those are the tools of my trade and where most of my money goes. But now I want to hear what you think. What are your favorite stationery supplies? Let us know in the comments.

You can support Paper Beats World on Patreon and Ko-fi.

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Should we even do Nanowrimo this year?

2020 has been a dumpster fire of a year. Literally, the worst one I’ve ever lived through. I’m not going to try to make light of this.

So what if we don’t do Nanowrimo this year? What if we throw our hands up and say it’s too much. With everything else we’re dealing with, who could add writing a novel in there? Shouldn’t we all spend November trying to just survive and figure out how to have Thanksgiving on Zoom?

Hell no. 

Mind you, I’m not shaming anyone who doesn’t participate. But I’ll be doing it. And if you were thinking of writing a novel this year, you should do it too. Here’s why.

Publishers are still buying books

Agents and publishers are still accepting queries. Books are still coming out. People are still reading. So why not write a book?

Fiction can reach hearts and change minds.

If you’re feeling helpless, write about it. Write about your story of 2020. Write out your anger, your pain. Write about losing your job, your freedom. Whatever this year has been for you, write it out. 

Or you could write a fictionalized story about a country that let a deadly pandemic run wild even though they had the means to fix it and save thousands of lives. Just a thought.

Fiction can reach hearts and minds that straight facts can’t. Think of how many times fiction has hit you right between the eyes and made you see the world differently. You have the opportunity to do that now. Writing is the voice we have in addition to voting.

Vote!

So let’s use every tool we have. Get your story into the world. 

It’s a needed creative outlet

Okay, so not everyone wants to change the world with their words. Some people just want to create something. 

It’s in our nature to need a creative outlet. To make something. To paint, sing, write, draw, knit, whatever. If you just want to write a little something for fun or to say you did it, go for it! Write something and don’t worry about what you’re going to do with it later. Just love the process.

We can get something good out of this year 

We know how hard this year has been. There hasn’t been a lot to be happy about. Everything went wrong. People will be spending holidays without loved ones they had last year. 

We have to get some good out of this year, damn it. Any good we can. And if we can end the year on a high note, be able to say we did this one big thing, that’s a win. 

Let’s win just a little this year, together.

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