I wrote Cloudy Rainbow, my paranormal romance, in 2007 after my 15-year-old cat passed away. I named the cat character in the book after Floppy and even included some of his real-life adventures in it. Although I’d published articles in pet magazines and a short mystery in an anthology prior to this, I’d never published a full-length book before. Since self-publishing was becoming popular at the time, my husband suggested that I go that route. I invested some money and sent the manuscript to Booklocker.com, a reliable self-publishing company that was referred to me by another author. I worked with this company to produce the book, and it was published in 2008. The library where I work purchased a copy and a few others, but it didn’t sell very well because I had no idea how to market my work and didn’t have much time to do it because I had a young daughter and was working full-time. That would’ve been the end of this book and my writing career had not a library patron who read the book encouraged me to continue writing.

Fast forward to 2015 when I finally took her advice. It was that year that I published the first book of my Cobble Cove mystery series, A Stone’s Throw, with a small publisher. I’ve changed publishers since then and am currently working on the 4^th book of this series. My current publisher, Solstice Publishing, reprinted A Stone’s Throw in 2016 and just reprinted Cloudy Rainbow. The reprints, of course, include fresh edits, a new cover, and some updates to the story. I had no idea that, after ten years, my writing had improved so much. While I enjoyed re-reading the plot of my first published novel, I found that it needed a lot of polishing. During the final stages of editing, my mother passed away. I notified Solstice that I wanted to add her to the dedication. She was very proud of my writing and especially of my first book. Also, the book deals with loss. As it helped me get over losing Floppy when I first wrote it, it helped again to ease some of the pain of my mom’s death.

Cloudy Rainbow will always be a special book to me. Not only does it feature my beloved cat, but it goes back to the time I worked as secretary and Features Editor in college on the C.W. Post Pioneer newspaper. In addition, it includes a virtual world similar to Second Life. I had become involved in Second Life in 2006 to meet fellow librarians around the world who participated in it. After Floppy died, I created and still maintain a virtual pet memorial center in SL called Rainbow Gardens where I display photos of real-life pets that people have lost. Both Floppy and my cat Oliver who died last November are featured there.

Cloudy Rainbow wasn’t the only story I’ve written about loss. The Path to Rainbow Bridge, a short story available only as an eBook, won a Certificate of Excellence from the Cat Writers Association this past summer.

Although I’ve made a few changes to Cloudy Rainbow, the blurb remains the same except that I consider it a 10^th anniversary edition. I think that some of the themes I approach in the book, although the characters and happenings are fictional, touch on universal questions most of us have about life and death. Without bringing up religious beliefs, I believe a line from the blurb is significant: “When you lose a loved one, whether it’s a relative, friend, or precious pet, you wonder where that special soul has gone and if you will ever see him or her again.”

Thanks to my fellow Solstice author Nicole Luttrell for giving me the opportunity to share the story behind Cloudy Rainbow.

Debbie De Louise is an award-winning author and a reference librarian at a public library on Long Island. She is a member of International Thriller Writers, Sisters-in-Crime, the Long Island Authors Group, and the Cat Writer’s Association. She has a BA in English and an MLS in Library Science from Long Island University. Her novels include the three books of the Cobble Cove cozy mystery series published by Solstice Publishing: A Stone’s Throw, Between a Rock and a Hard Place, and Written in Stone. Debbie has also published a romantic comedy novella featuring a jewel heist caper, When Jack Trumps Ace, a standalone mystery, Reason to Die, and has written articles and short stories for several anthologies of various genres. She lives on Long Island with her husband Anthony; daughter Holly; and Cat Stripey.

If you want to check out Debbie’s books, click here!

eBook & Kindle Unlimited: mybook.to/CR2
Paperback: mybook.to/CRpaper

Social Media Links

Facebook: https://www.facebook.com/debbie.delouise.author/

Twitter: https://twitter.com/Deblibrarian

Goodreads: https://www.goodreads.com/author/show/2750133.Debbie_De_Louise

Amazon Author Page: Author.to/DebbieDeLouise

Website/Blog/Newsletter Sign-Up: https://debbiedelouise.wordpress.com

So, I was reading another blog the other day. Note that I’m not giving you a link. I only give links to blogs I think you should actually read.

This blog was by a woman with a husband, small son, and a work from home job. Good for her, that’s a handful. I wanted to see how she managed her day.

That’s when she told me that she got up at 4:00 AM to practice what she referred to as self-care. I have a problem with her definition of self-care, but we’ll get to it.

She was getting up at that hour so that she could do a crazy number of things including working out, writing in her journal, and a million other things! Someone who loves this woman needs to sit her down and explain to her that self-care isn’t supposed to be another impossibly high bar we set for ourselves. But she’s not the only one I’ve seen doing this crap. The internet is full of people (mostly women), who are bragging about fitting a stupid amount of activities that could be considered self-care in stupid times of their days.

I wish I could cradle your face in my hands while I tell you this; these people are missing the point of self-care. They are not taking care of themselves, they are showing off.

In case you saw one of these people posting pics of their 5:00 AM work out and now feel pressured to do the same, or if you are one of these people pushing yourself to do more and more, please let me give you some pieces of advice.

Be realistic about how much self-care you really need.

My life has dramatically changed recently, so self-care has been essential to me. I actually wrote a list in my bullet journal, to keep myself accountable. I’ll share my list with you. Yours might look similar to mine, or it might look very different. That’s okay, we all need different kinds of care.

• Make and keep doctor, dentist and therapist appointments.
• Keep my home in order to my level of comfort.
• My face care regiment.
• Ten minutes of yoga in the morning.
• Drink water every day.
• Wear clothes that I enjoy and feel comfortable in.
• Take one day off a week.
• Journal at night before bed.
• Honor my craft by writing every day.
• Read every day.
• Get enough sleep.

I’m not spending hours with an inner journey journal. I’m not working out for an hour or more a day. I’m not doing a bunch of crap that I don’t really enjoy or find value in because someone told me I need to ‘take care of myself’. I consider what I really need to do to take care of myself and do that.

The next time you think you should do something for self-care, ask yourself this; Will this really take care of me? Or is it just something that seems like I should be doing it?

Set honest boundaries with your work.

One big thing that upset me with the blog that inspired this post was the realization that this woman was working from 9:00 to 7:00. That’s way too much work, Girl! For real, work smarter, not harder.

One thing I didn’t add on my list because it’s not really an actionable item, is setting boundaries with my work. I try not to work a lot of overtime if I can help it. Sometimes I have to, but I really try not to. Overtime is hard for me and takes away time I could be spending with my family or with my writing.

Now, I get that the economy blows and it’s not realistic for anyone to turn away extra money if they can get it. Yes, I work some overtime almost every week and I kind of need to do that right now. But I don’t need to work as much as I have in the past, so I don’t.

Set honest boundaries with your family.

This is, I think, the big issue I have with these crazy self-care hours. Our lost blogger was getting up at 4:00 because she didn’t think she could take the time during normal people hours to take care of herself. Why? Because she’d filled up all of her time from 7:00 in the morning to 10:00 at night with taking care of other people.

This is called being a martyr, and we need to stop it. For one thing, it’s abusive to the people who love us.

Do you think this woman’s husband is going to divorce her if she spends some time working out before dinner? Will her son write nasty things in his autobiography about her if she asks him to have some quiet time in the afternoon so she can write in her journal for twenty minutes?

Do you think she’s ever tried?

That’s the thing of it. So many of us, mostly women, think that we have to commit ourselves to our families without even asking if we can take time for ourselves. No, we shouldn’t ask, we should inform.

Say it with me.

“I’m going to stop by the gym before I come home and sneak a workout in.”

“I’m heading to the coffee shop to write for an hour. Do you want me to bring you anything?”

“Mom’s going to sit on the couch with her book for a while. Here is the basket of toys we take out during that time. Please play with them quietly until this timer goes off.”

And that’s it! Don’t you feel better now? I know I do.

I love how self-care has become so popular. I don’t love how wrong people are getting it. Self-care isn’t some new way to brag about how much we can accomplish in a day. It’s not another burden to put on our shoulders. It’s permission to care for ourselves as well as we care for those that we love. So, take the time to take care of yourself honestly this week. I give you permission to sleep in past 4:00.

Are you subscribed to the PBW Update? Here’s why you should be. You’ll get an extra post from me about writing or publishing. You’ll get a round up of the most recent PBW posts. You’ll learn about a new indie writer in every issue. And, you’ll be the first to learn about promotional offers and events for Station 86 and Woven. PBW Update issues come out every other Monday.
Click here to sign up.

Welcome to part two of Science Fiction sub-genres. If you missed part one, click here to catch up.

Why are there so many science fiction sub-genres? Because they’re pretty different from each other, and everyone’s taste is different. It’s hard to say that a story about virtual reality belongs in the same category as a story about First Contact. While many of these sub-genres can be found blended together, it’s safe to say that any one of them is strong enough alone to tell a good story.

Cyber Punk

Cyberpunk is a glorious blend of cybernetics technology and less than highly evolved people. These are fighters, teched-out, basically.

There are definitely aspects of cyberpunk to Station 86. There are always going to be people using tech that they don’t really understand. There are sure those people around today.

Some examples of cyberpunk would be Blade Runner and Blade Runner 2049, and a new show on Netflix called Altered Carbon.

Dying Earth

Pretty self-explanatory, and scary because it will become a science fact one day, the Dying Earth science fiction subgenre is about the Earth in its last days. It’s not what I’d call happy, except for an episode of Dr. Who that involved watching Earth blow up.

I wouldn’t classify any story that involves a disaster destroying the Earth under this sub-genre, though. These are more stories about an old world, at the end of its natural life.

Some examples of the Dying Earth sub-genre include The Time Machine by HG Wells and The House on the Borderland by William Hope Hodgson.

Dystopia

This is a science fiction subgenre that I think we’re all quite familiar with. Dystopian stories are highly popular these days. (I wonder why.) It’s a story about a less than ideal future, in which our society has broken apart, become a nightmare, or devolved entirely. My favorite book, The Giver is a good example, as is Hunger Games, 1984 and Idiocracy.

One thing that I love about these books is that they always show someone fighting against what the world is like. It’s like the human spirit to fight, to make things better, can never be beaten.

First Contact

First Contact stories are generally about the first-time humans make contact with an alien race. Pretty standard. Station 86, my series, is similar to a first contact story, but I don’t actually classify it as such. It’s more like an ‘a few years after First Contact’ story.

My personal favorite example of the First Contact subgenre is the Star Trek movie, First Contact. It’s easily the best Star Trek movie ever. I will fight someone on this if need be.

Galactic Empire

Again, this is a science fiction subgenre that we’re all pretty familiar with. I bet you head a certain song in your head when you read the words.

A Galactic Empire story is all about a group of worlds that either voluntarily or through war, are all part of the same giant unified political force.

Yes, Star Wars is an example. Another example that most people don’t know about is a series by Issac Asimov called Foundation.

Generation Ship

I’ve never read a Generation Ship subgenre story, but I really want to. I also want to write one.

A generation ship story is about people who are on a spaceship heading somewhere new. They know that they won’t reach their destination, but their children will. What an amazing ideal, a group of people willing to spend their whole lives on a ship so that their children can start a whole new world.

Some examples of Generation Ship stories are Dust and Chill, by Elizabeth Bear Inside Out and Outside In, by Maria V. Snyder

I hope you’ve enjoyed our series of Science Fiction subgenres. Part three is coming up next Friday.

In Devon’s world, magical work is as common as turning a pot or fletching an arrow. What isn’t common is a man with thread magic. When Devon finds that he is a seer, weaving prophetic tapestries, his family tries to keep it a secret.

But the family can’t hide Devon’s visions after he predicts a devastating plague in the dragon lands of Coveline. He travels there to help the dragon queen save her people.

Meanwhile, Devon’s sister Lenore joins the Church of Singular Light. As Lenore learns to serve, and falls in love with her city, she discovers a dark underbelly to the church.

Lenore fights for her city, and Devon rushes to find a cure to the plague, while an unseen enemy raises an army to destroy Septa from within.

Get it here now.

I’m coming to you today with a bonus post, and that usually means one of two things. Either I’m posting a new short story, or I’m telling you about a new book.

It’s the second one.

On September 14^th, I’ll be launching a collection of Paper Beats World posts, lovingly re-edited and updated in a snazzy e-book form. It’s called Deciding To Start, a collection of essays to inspire new writers.

And guess what? The pre-order is already up and ready to go. Here’s your link, if you’d like to secure your e-copy now.

Deciding To Start contains some of the best blog posts from the first two years of writing Paper Beats World, updated with new information and new insights. It covers such topics as inspiration to start writing, advice on the tools you need to get started, how to be a writer while also being a full time human being, and inspiration to keep going.

This project was honestly an emotional one to work on, especially so close to my four year anniversary here on PBW. It’s amazing to look back at how far this little site has come, and how much has changed in all that time.

What a difference four years can make

I love irreverent humor. Blue humor, offensive jokes, grown-up cartoons, things like that. I’ve already done a review of Rick and Morty, for instance, and I stand by it being a smarter show than most people give it credit for. (I can’t say the same for some of my fellow fans. All I can say is I’m sorry.)

The problem is that when you write a character that embodies this sort of irreverent humor, they can become really awful characters. The Peter Griffin sort that really doesn’t have a personality aside from being offensive. No one likes those characters.

If you want to write something hugely inappropriate with really awful people as main characters, there are some things you should keep in mind, though. Shock value for the sake of it is rarely entertaining. So what keeps your offensive humor from being that? Here are a few things I would suggest.

Be funny

This is the first and probably most important rule about writing offensive humor. It has to be funny. You can’t tell a bad spousal abuse joke and expect people to be okay with that. Now if you tell a funny spousal abuse joke, or make a career out of it like Andrew Dice Clay, you’ll probably be remembered as a legend.

(A side note not. I couldn’t think where else to mention this, but after bringing up The Dice seems natural enough. Being an irreverent comedian works better when you’re not a horrible person. You don’t get to make racist jokes if you’re really a racist. You don’t get to make sexist jokes if you’re actually sexist. Don’t be a jerk and expect people to laugh at your jokes.)

Be smart

Offense comes better from a place of intelligence. If your character comes off as offensive and smart, that’s a fun character. If your character comes off as offensive and stupid, that’s not a fun character. At least not a fun protagonist.

That’s why characters like Rick from Rick and Morty House from House work well. They’re assholes, and hugely offensive. But they’re smart.

Have realistic characters

Another reason why characters like Housework is because their actions are realistic. Even if a lot of the rest of the show is not. (Sometimes, it is Lupus.) It’s the same as any other character. The world may be amazing. The powers the character possess might be completely unrealistic. But they still need to be people. A person who’s an asshole and treats people badly does so for a reason. Normally a really sad one, to be honest. A megalomaniacal character like Rick or House really doesn’t like who he is, so his drug addiction makes perfect sense, as does the way he treats his loved ones. You can see where the pain, where the anger is coming from. They’re not just mean to be mean. There’s a reason why the equation pain plus time equals comedy works.

Have endearing characters

If you’re writing a character that’s going to be really offensive, that can’t be all there is to them. They have to have some endearing features, or your reader is not going to have the patience for their hate, no matter how funny it is.

A good example of this Will McAvoy from Newsroom. He’s a vaguely racist ass who has driven away almost everyone who wanted to work with him. It’s only in the course of the show that we find out why he’s an ass. He lost the woman he loved, lost faith in his country, and in himself. He’s endearing because we understand these losses, and understand why he is the way he is. We also see times of bravery, times of compassion. We see that he’s a good man if a flawed one.

I don’t know that we can say Rick and House are good men. In fact, I’d say, Rick, in particular, is a weak man. He doesn’t care to change, or make the world better. He’s content to amuse himself and do things that he thinks might make him happy.

But it’s that constant need to focus on his own selfish desires that reveal his real pain. We can see that there is some goodness in him when he occasionally helps people for no selfish reason. But it seems that he almost regrets it afterward. It’s almost as though there’s a pain in his past that he never intends to feel again. I think we can all understand that.

In closing, don’t be afraid to write offensive humor. Just don’t let it turn into a poorly written character.

After years of war between Montelair and Septa, the two thrones are united by family. Victor’s nephew, Morgan, is sharing the throne with the last heir of the royal line, Jacob. He and Lenore decide to travel to Montelair with their newborn daughters to help broker peace.

But peace among their own people is harder to achieve. The city is tormented by a terrorist who calls himself The Tinker. He and his group of anarchists plant bombs through the city and call for the death of the new kings from every street corner.

Meanwhile, in Calistar, Sultiana and Devon are marching to war with Kussier. The ancient hatred between the two countries is sprung anew when Sultiana is declared heir to the Calistar throne.

Waiting at the border, though, is a much darker enemy. A force from legend threatens to consume both countries, and possibly the world.

Get it here now!

Last Friday, I told you I was going to talk about different science fiction subgenres. True to my word, I’ll be starting that today.

And by starting I mean that this will be a six-week long series that will give an overview of six sub-genres a week. Because there’s a lot of them.

Why are there so many science fiction sub-genres? Because they’re pretty different from each other, and everyone’s taste is different. It’s hard to say that a story about virtual reality belongs in the same category as a story about First Contact. While many of these sub-genres can be found blended together, it’s safe to say that any one of them is strong enough alone to tell a good story.

Alien invasion

Quite a popular genre for movies, the alien invasion genre is pretty self-explanatory. Aliens have invaded Earth, probably for nefarious purposes. Some examples of this subgenre are probably already in your mind, like Mars Attacks or Independence Day. (Obviously, the quality varies wildly.)

This is not one of my favorites. Generally, the alien race comes off as violent, selfish and often stupid. Now if someone could come up with an alien race that had a legitimate reason to attack, I’d get behind that.

Alt history

Probably one of my favorite science fiction subgenres, alt history is just what it sounds like. What would the world be like if Hitler had gotten into art school? What if Henry Ford had never been born? What if the allies had lost WWII? What if Columbus hadn’t found America? You get the idea.

I have a fascination with history, so of course, I love reading about what could have happened. There are a thousand little lynchpin moments in history. If one simple thing hadn’t happened, everything might have come out differently. It’s the butterfly effect.

How you might ask, does this qualify as science fiction? Wouldn’t this count as historical fiction? Well, maybe. But most alt-history stories include some science fiction element like time travel. That’s why it counts here.

The most recent example I can think of for this genre is Stephen King’s 11.22.63. I haven’t read it yet, but it is on my list.

Parallel universe

This genre is similar to alt history, at least it can be. Parallel universe stories are often a look at what might have happened if -blank-. But many of the stories tend to be more personal than worldwide. They don’t have to be, they just usually are. I’m thinking of an episode of Dr. Who, where Rose and Ten go to an alternate universe where her dad is still alive.

One of the best examples I can think of here is this old school show, Sliders. It’s not the best sci-fi show ever, but it’s pretty decent if you’re looking for something new to watch.

Apocalyptic/post-apocalyptic

This is another science fiction sub-genre that’s been used in movies frequently. It’s the end of the world, and it’s not going quietly. Mankind is dying, being destroyed, being eaten, killing each other horribly. This genre often puts its foot into the horror genre.

Often this genre centers around watching the survivors of the apocalypse try to put their lives in something that resembles order again.

Some good examples of this are The Stand or Mad Max.

AI

Pretty obvious that this one is a favorite of mine. AI, artificial intelligence, is a concept done best by Issac Asimov. It’s all over movies, tv, and books because it’s something that fascinates a lot of people. Everywhere from friendly AI in Rosie the Robot or K9, to the malicious Hal 9000, the thought of AI clearly has our imaginations captured.

And, we just recently started turning this science fiction into science fact! A partial AI named CIMON is heading to the space station soon. He’s going to be able to perform small tasks, talk to the astronauts, and keep them company. How cool is that! Or terrifying, depending on your opinion of AI.

I’ve already mentioned Asimov, who is pretty much the father of this sub-genre. Even if you’ve never read any of his books, you’ve seen his work in movies. Bicentennial Man and I Robot are just two of my personal favorites. And, of course, I wrote a novella called You Can’t Trust The AI. I might have mentioned.

Colonization

This is probably the most exciting sub-genre right now because it might soon be science fact! We’re already ready to send a group of people to Mars. We just won’t be able to get them back.

Colonization is a science fiction subgenre that’s about going to another planet and setting up camp. Obviously, the story ideas abound.

Ironically, one of my favorite stories in this genre is a dark one by Ray Bradbury called Mars is Heaven. A ship full of astronauts land on Mars, only to find everyone who they’ve ever loved who’s passed on there, waiting to greet them. I’ll let you read it to find out the ending.

I hope you’ve enjoyed part one of our science fiction sub-genre series. Part two will be up next Friday. See you then.

Enjoy twelve dark tales from the twisted mind of Nicole C. Luttrell. Meet a girl who has bad dreams, a boy who watches too much tv when alone at night, and a mysterious scratching coming from an old school desk. 

Get it here now!

Recently the husband and I did something we’ve been meaning to do for some time now. We signed up for a service called Movie Pass. (Note, this is not sponsored.) It’s cool, you can go see a movie a day for ten dollars a month.

We’ve been seeing a lot of movies.

One night, we’d intended to go see the long-awaited Incredibles 2. But then things happened and we were late to the theater. So, we saw Jurassic World, Fallen Kingdom.

The next morning, my mother in law asked me how the movie was. I started discussing the dinosaurs, the good special effects, the bad special effects. The strong suspension of disbelief that the movie requires to enjoy. Then I said, “There was definitely some sexism going on in the movie, but not enough that it was unwatchable.”

And she said, “Yeah, I’d heard about that.” A moment later, as I was discussing a scene where a character walked across a glass roof in sneakers in the rain, and how she should have slipped, she stopped. “How many movies did you see last night?” she asked.

“Just one,” I said, “Jurassic World.”

“Oh, I thought you were seeing Incredibles 2,” she replied.

“Wait, so what’s this about Incredibles 2 being sexist?”

At the time I hadn’t seen the movie, of course, so I didn’t want to read anything that might cloud my opinion of the movie. But the accusation that it might be sexist worried me. Disney has its reputation, of course.

At this point, I’ve seen both films. And I’ve read some of the arguments for and against the supposed sexism in Incredibles 2. So I thought it would be fun to compare the two movies, based on their gender equality.

The sexism of Jurassic world

Before I go any further, I do want to say that Jurassic World, Fallen Kingdom was a fun movie to watch. If you’re a fan of the series, you’ll like it. I enjoyed watching it, despite the issues I had with it. It wasn’t so sexist that I felt the need to walk out of the theater in a huff.

But, Generally any movie that has the main character calling himself chivalrous because he doesn’t let his girlfriend drive the car is going to irritate me.

But I don’t love that the child character gravitated towards the female lead, not the male. Even though it was him that she saw interacting with baby dinosaurs earlier in the movie, and she didn’t know this woman from Eve.

But, it would be nice to see the female lead be a little less screamy.

But, they didn’t need to make the antagonist so boneheaded sexist. That’s not a good look.

The problem isn’t really that the movie is sexist. It’s that the characters are stereotypes. The sensitive ecologist. The strong male lead with a sensitive side. The feisty, spunky doctor. The cowardly computer tech. It’s lazy, just lazy. But let’s be fair, we’re not seeing these movies for the dazzling characters. We’re seeing it for the badass dinosaurs.

If you’re wondering, the movie did not disappoint! Blue was awesome!

The awesomeness of Incredibles 2

After I watched Incredibles 2, I was really confused by my mother in law’s insistent that there were rumors of sexism. It sure didn’t seem sexist to me.

Actually, it seemed pretty damn awesome and totally non-offensive. I’ll try to avoid spoilers as much as possible.

I loved that Elastagirl was the superhero that was chosen to be the ambassador, to show the world that supers were needed and should be made legal again. I love that it was because she had the fewest number of accidents. I love that Mr. Incredible was frustrated not because his wife was chosen, but because he wasn’t.

It has nothing to do with their gender! She’s chosen because she’s better, he’s mad because he wants to be out there! And yet he still stays home, and becomes a good dad. Sure, he’s exhausted. But what parent who’s used to co-parenting wouldn’t be? How many moms have worn themselves to the bone rather than accept some help? Bob is a great dad, and he proves that.

Neither character is portrayed as not being in their proper gender roles. Just not in the role in their family that they were accustomed to. Bob isn’t fumbling around, setting the kitchen on fire and forgetting to feed the baby. Helen isn’t crying all over, missing her family and unable to cope with the ‘working world’. They are excelling, not failing.

But that wasn’t the point of the movie, and that’s the big thing. It’s a part of their character arch, and it seems like a realistic one. These people seem like they could be real people, except for the super powers.

And that, I think, is the real difference between these two movies. It’s not that one is sexist and one is feminist. It’s that one has well written characters, and one doesn’t. Which I think is the main issue that most sexist movies have. It’s not malicious, it’s just bad character writing.

Sennett, Godfrey and the rest of Station 86 are trying to put their society back in order after the Core attack. Then a mysterious ship from a dying station arrives, bringing artificially intelligent robotic, murderous dogs.

Godfrey, Mason and April must get to the hospital safely, while Sennett is trying to protect Marshal’s Joy and Howard. But the AI dogs are nothing compared to the terrors they left behind on their own station.

Read it now!

As most of you may know, I’m a speculative fiction writer. You’ve probably seen my tagline. It says that I write about dragons, ghosts and spaceships. Sometimes I write about the ghosts of dragons on spaceships.

As cute as that is, it’s not quite helpful if you really don’t know what speculative fiction is. So I thought I’d go over that today.

Basically, speculative fiction is any fiction that falls under Science Fiction, Fantasy and Horror. All of the good books, in other words. I’m going to be breaking apart each of those genres in more detail in the coming weeks. They all have so many different subgenres that it can get really confusing.

With that being the case, I assume I don’t need to go over in detail what Science Fiction, Fantasy, and Horror are. I assume you kind of already know the basics.

What I really want to talk about today is blending the genres. Because that’s really why I’m a speculative fiction author. While I do write the genres purely sometimes, I love to blend them together.

Horror and Fantasy

Sandwashed, which I’m working on right now, is a blend of Horror and Fantasy. I’m having so much fun with it!

These two genres blend together like milk and coffee. A fantasy story can so easily incorporate monsters, demons, and ghosts that terrify and overpower a hero no matter the magic they possess.

Here are some things to keep in mind if you’re blending these two genres.

• Both Fantasy and Horror already have monsters. The main difference is this; in a horror story, the good guy doesn’t win. He might escape, but he doesn’t beat the monster. It’s always still there, lurking just out of sight. Waiting.
• Horror stories are more gruesome than Fantasy. If you’re blending the genre, it’s a fine line to tread. I would say somewhere between Lord of the Rings and Saw.
• The protagonists in a Horror story are usually morally pure people. If they’re not, they’re more likely to die. (Remembers the rules for a horror movie from Scream?)
• Don’t be afraid to let your heroes be valiant, strong and brave. They’re heroes, they should be. But the point of the monster in the night is that it’s too much for your character. That’s why it’s terrifying, that there’s no being good enough or strong enough. It’s just escaping.
• Even so, your world should still be fantastic. It shouldn’t be all about the scary. You’re still in a fantasy world, where magic and wonders should abound.

Fantasy and Science Fiction

This is kind of tricky. You’d think these two genres would be totally mutually exclusive. And to be honest, I haven’t yet blended Science Fiction and Fantasy.

But others have! Where do you think we get steampunk from?

Spoiler Alert for Protector of The Small, by Tamora Pierce

Tamora Pierce is the queen of this, by the way. Her books blend together magic and science flawlessly. The best example is Protector of The Small, in which the main character is protecting a fort full of civilians. They’re attacked by robotic monsters, powered by the souls of the dead. This is the perfect blend of futuristic technology and magic. Here are some tips if you want to tackle this genre blend.

• There’s this great quote by Arthur C Clark that sums up this genre. “Any sufficiently advanced technology is indistinguishable from magic.” If you’re blending Science Fiction and Fantasy, take advantage of that.
• Science Fiction should always have some basis in science, so I wouldn’t rely too much on magic and forget to have some science in there.
• Don’t use magic as a blanket excuse for why your science doesn’t make sense! Your magic should always follow a set of rules for it to work by itself. The science should complement that. (The fun thing though, is that you get to make up your own rules. You just have to stick to them once you do that.)

Science Fiction and Horror

Obviously, this is the most common blend of genes on this list. Horror and Science Fiction blend together so well! Any alien movie where the alien is a bad guy is probably horror. Anything with an evil scientist who creates an evil invention is going to go into the realm of Horror. One of my books, Virus, is definitely a blend of Horror and Science Fiction.

Much of what I already said about Fantasy and Horror applies here. There are just a few more tips to remember about Science Fiction and Horror.

• You want to remember that science can be the salvation or the damnation of a Horror Scifi book. It can also be both.
• But don’t ever let the reader think that all will be well, just because there’s a super smart scientist on the good guy’s side. The point of Horror, again is that the monster seems un-killable. Think about the antagonists on Alien. They kept right on coming back.

I hope that you have fun blending genres. I certainly do. And if you write a speculative fiction story, please let us know!

When a station goes dark, Sennett is asked to join the last remaining IHP members to investigate. When they arrive, they find so much more than they expected. A terrifying virus is loose on the station, that they might never escape from.

Meanwhile, Station 86 is having its first free election. Godfrey hadn’t had any intention of being involved, until he isn’t given a choice.

In the meantime, April’s true identity as the first hybrid humanoid is no longer a secret. And there are those who can’t stand that there’s a half Earthian, half Khloe. There are those that will never rest until the little girl is dead. With Sennett trapped, stations away, Godfrey and Mason have to work together to keep April safe.

Read Virus today!

Hey, guys. Today we have a guest post by Dan Chamberlain, about something I know little to nothing about; gun wounds. I hope you find it as educational a I did. 

Let’s talk about gun shot wounds, shall we?  So you want your fiction to be believable, but you don’t want it to be so graphic that it will turn your readership off. You want to strike that balance that gives the reader the shiver they’re looking for without having the gorge rise in the back of their throat. The devil is in the details.

Here are a few rules a writer should consider if they want their violent fiction to be both realistic and gritty:

#1. A handgun is not a construction crane. It cannot fire a projectile that will lift a human body – even a child’s – off the floor and fling it back against a wall or out a broken window.

#2. Entry wounds are generally (I’ll provide an example of when this is not true) the same basic size or diameter as the bullet. Given the elasticity of skin, often times the entry wound is considerably smaller than the diameter of the bullet.  One cannot look at the entry wound and surmise the caliber that made it, except in poorly written fiction or Hollywood scripts.

#3. The exit wound is generally (I’ll provide an example of when this is not true) larger in diameter – and often much more delightfully gruesome than the entry wound.

As for number one above, that old unbreakable law of physics that reasons for every action there is an equal and opposite reaction comes into play here. If a bullet imparts incredible force on a body, that same force must be imparted in the opposite direction as the bullet is leaving the barrel of the gun. Therefore, if we see a body picked up and flung against a wall due to the impact of a bullet, the shooter would be experiencing roughly the same force against their arm. Imagine the comedy there. Enough said.  Don’t make this mistake.

         Number two is a little more difficult. Unless we are shooting naked people in our books, bullets must first penetrate clothing before getting to the flesh. Depending on the article of clothing worn, a lot of things can happen to the bullet before it enters the body. We’ll talk about this momentarily.

Number three is my favorite topic because with the exception of number one, it is the most often abused in fiction. Bullet wounds are a study in themselves. A blog post can never do justice to the topic so I urge writers of fiction to do their research. This essay is merely to shed light on the topic so one’s fiction is more authentic and doesn’t immediately mark the author as a fraud.

         High-powered rifle caliber bullets are capable of doing great internal and external damage. Some handguns are capable of delivering enough energy to cause similar damage as well, but normally, the handguns used in most fiction are not in that specialty category to replicate rifle energies. Our most popular contemporary handguns are the 9mm Parabellum, the .45 ACP (automatic Colt pistol), the .357 Magnum, the .38 Special, the .380 ACP and the .44 Magnum.

I won’t take each caliber and dissect the damage it can do as there are plenty of articles one can research on these rounds. I suggest you Google Ed Sanow and see what comes up. What I’ll do is approach the topic from the standpoint of someone who has witnessed bullet wounds from several of these rounds and attended the autopsies of the victims who suffered them.

Most bullets used today in defensive situations (I’m omitting war as the ammunition used in war is technically designed to be less damaging than that used in law enforcement or civilian applications) are designed to expand when contacting flesh and bone. This expansion is supposed to cause greater lethality and a more abrupt cessation of combat. At handgun velocities, many bullets perform as designed, but certain factors can come into play, which have an impact (pardon the pun) on what the wounds are going to look like. 

A bullet with a hollow nose – more appropriately called a “Hollow-Point,” is designed to expand like the petals of a flower. It can become clogged with cloth as it passes through various articles of clothing and fail to expand. I only mention this because it’s nice to know and knowing it, can make you seem like a more knowledgeable writer.

If you watch slow motion video of handguns firing, you will see a significant amount of expanding gas from the explosive forces propelling the bullet as it exits the barrel. I mentioned earlier about exceptions to the entry wound being the same size or smaller than the projectile. This is one of those cases. If your victim was executed with the muzzle of the gun placed against the skin of the head or body, these explosive forces can create an entry wound that is sensational! But there are always exceptions. It doesn’t always happen. Sometimes, the gases enter the body and dissipate inside without making the entry wound any larger than the diameter of the bullet. 

On contact wounds to the head, with say a .45ACP, or .380 ACP or other “low pressure” rounds, there will be an expansion that occurs under the skin between the skull and skin that causes a temporary bulging of the flesh. What you may see there is an imprint of the muzzle of the weapon surrounding the entry wound that may help you identify the weapon used. Keep this in mind if you want to play CSI at the scene. However, if the expanding gases just under the skin and against the skull cause tearing of the flesh, you will often see a “star” pattern of rips and tears, referred to a “Stellate” pattern. Google this and you will see photographs that illustrate it. These can be quite dramatic, or they can be very small, depending on the round used and its relative power.

The reason exit wounds are often described as gaping is largely due to a temporary wound cavity being created by the hydrostatic forces generated as the bullet passes through flesh. If the bullet has sufficient force as it exits, so that this temporary cavity is still being generated, it will manifest itself in a much larger wound than the diameter of the bullet would suggest. 

As in the case of entry wounds, of course, there are always exceptions. If there is a tight article of clothing holding the flesh in place at the point of exit, such as a heavy leather belt, a bra strap or some such item, the exit wound can often resemble the entry wound. In cases like that, an autopsy is the only 100% court-approved way to tell which directions the bullet was going when it entered and exited.

This is just touching on the topic. 

         Since this is an essay, and not a book, I’ll stop here. My primary concern is that a writer be authentic, and not rely on Hollywood for their knowledge of gun shot wounds. Nothing will turn a knowledgeable reader off more quickly, than to discover their new author is a fraud. I take pride in the many 5 Star reviews of my books by people who understand guns and gunshot wounds. Authenticity will always beat the other guys when it comes to sales.

Good luck, and good writing.

Daniel C. Chamberlain is a career Law Enforcement professional as a police officer, a Chief of Police and a Special Agent with AFOSI. After retiring from Criminal Investigations, Dan embarked on a second career as a registered nurse. Dan has been a feature writer for national circulation magazines and is a bestselling author. His novels can be found on Amazon here.

I am super behind on my Marvel movie watching, let’s just get that out of the way. I’m trying to have more fun, though, and not focus so much on being productive all the time. So I’m doing what I always do when I need to make a change in my life. I use my bullet journal.

I’ve got this whole list of movies I want to watch in my bullet journal, and I’m trying to get to them one by one. That’s how we finally ended up watching Deadpool.

It was a great movie, I absolutely loved it. Please be aware, it’s hugely inappropriate. Like, I’ve never seen a movie so inappropriate. This is, in big bold letters, not a movie intended for children!

I will probably do a blog post eventually about doing vulgar, sex and violence well, but that’s for another day. What I want to talk today about is this one speech right near the end of the movie. This speech from Colossus is fairly well known at this point. I’ll paraphrase it here, but here’s a link to the full thing.

Being a hero isn’t a twenty-four hour, lifelong thing. Usually, it comes down to just the decisions you make in just four or five minutes.

This just struck me as so true! But it’s not, not really.

There will be moments in our lives when we are called upon to do heroic things. Some friends of mine and I had such an incident when I was at summer camp. A fellow camper passed out during a hike, and we had to two-person carry her out of the woods. I don’t say this to brag. There was another camper and two adult leaders with us. It was a team effort, but I was proud to be part of that team. I also don’t say this to brag, because I’m sure that you have a story like that. If you’re a police officer, doctor, firefighter or EMT you have stories like that every day.

But being a hero isn’t always about these big, life or death moments. Sometimes it’s just being a good person.

It’s not the decisions we make in those 4 or five minutes that show who we are. It’s our everyday decisions.

People who help out a stranger who’s short at the coffee shop.

People who help their neighbors take something heavy to their car.

People who pick up trash, even if it’s not theirs.

People who are patent with older people, and other people’s kids.

People who mow their neighbor’s grass, instead of calling the city when it gets too high.

People who don’t judge others about their parenting, housework, yard work, day jobs, hobbies, or really any other lifestyle choice that doesn’t harm anyone else.

While this is important to keep in mind for your everyday life, it’s also important to remember when you’re writing a character.

It’s likely that your main character will have many huge moments where they’ll have to be brave on a grand scale. Their lives will be in danger, and they must risk themselves to save others. That comes up in almost every book.

What we as writers should remember, is that while these moments are defining, they aren’t the only ones. How a character acts towards her fellow man every day will often show more of who they are, and what sort of hero they are than any heroic four or five minutes.

Seven pieces of short and flash fiction, showcasing the days of seven very different people. You will find a busy librarian, a lonely man with a guitar and a woman who finds a dream crashing in her brain.

Get it here now.