Banned Books Week 2025

Did you know that Stephen King was recently acknowledged as the most-banned author in America? Way to go!

It’s Banned Books Week once again. And every year this week feels more and more important. Because every year it feels like America takes another goosestep towards fascism.

But we are still here, damn it! We can still protest. We can still fight in our own ways. And we can do our part this Banned Books Week to help fight off censorship.

Here is a list of things I’ll be doing, both this week and going forward.

(As always, Banned Books Week is an event hosted by the American Library Association.)

Share banned books

I’ll be sharing some of my favorite banned books on social media, using the hashtags #BannedBooksWeek and #Censorshipisso1984. Get the word out far and wide.

Read banned books

This one might be obvious. But what the hell, I’ll put it on here in case. The best way to support banned books is to read banned books.

This year, I’ll be reading Chains by Laurie Halse Anderson. I’m reading this because it’s the book suggested for the Right To Read events being held all over America this week. If you’re close to one, you should consider attending.

Start a little free library

This might be a project. I’m certainly not expecting to get this one done in a week. But now that we’ve moved and I have a yard again, I’m going to put in a little free library. And I’m going to stock it with banned books. I already have some ordered.

The top ten banned books every year are going right in that box.

Support the ALA

The American Library Association needs our help. They need support, financially and politically. Here’s a link if you want to check them out and see all the work they do all year, not just during Banned Books Week.

Show up for libraries

If you can, show up at town halls and community nights where your local library is being discussed. Make it clear that you oppose censorship. Make it clear to your local politicians, too.

Elections are a month away

Speaking of your local representatives, make sure you’re registered to vote. I know I say this a lot. I also know that there’s someone reading this right now who’s been meaning to register and keeps forgetting.

Get it done.

Go vote. Make a plan now. Know your local politicians and know who’s supporting freedom. And who’s not.

So now it’s your turn. What are you reading for Banned Books Week? Do you have a little library or know of one in your neighborhood? Let us know in the comments.

Your writing should look like your writing

I’m writing the third draft of a new project. I can’t tell you what it is yet, only that it’s a dark fantasy piece dedicated to Hekate.

As I’ve been working on this book, the same thought keeps coming up over and over. As I flesh out scenes. As I rewrite dialogue. As I sketch out brainstorming notes.

I keep thinking, “This isn’t the right way to do this. No one writes like this. This isn’t how it’s supposed to be done.”

I’m doing my best to quiet this thought. Because it’s getting in the way of what could be some of the best damned writing I’ve ever done.

Each writer has a specific voice. A certain feel to their work that is distinct, no matter the genre they write. King’s books feel the same from Danse Macabre all the way to Never Flinch. Kiersten White’s work feels the same no matter if she’s writing fantasy or horror. And a lot of the reasons why they feel so different are stylistic choices that, frankly, I might not have made. You might not have made them. I certainly don’t write with such gory detail as King, for instance. We have wildly different word choices, and I don’t feel the need to set every story I write in Main.

Your personal voice comes from five different elements. The first is your word choice.

Words. Writing nerds like us obsess over words. Word choice can change a scene from cozy to chilling. It can make a story inspiring or terrifying. Consider the difference between these two sentences.

“Sharon sauntered towards the door and slid it open.”

“Sharon stalked to the door and ripped it open.”

Both examples include Sharon opening a door. The first one feels sexy. The second is vaguely threatening.

In both, she might just eat the person on the other side alive.

Word choice is about the voice of your story. Dialog is the voice of your characters, and the second element of your writing voice. It helps build setting, build character. And it tells something about you as well.

Are you the sort of writer who does a lot of exposition in dialogue? Do you use it to give away clues? Do you tell us who your character is?

Characters in general are a big part of a writer’s voice. King, for example, used to write a lot about drunk men who were bad fathers. Then he wrote a lot of men trying to get and stay sober. And far too many of them are named Bill.

I tend to write characters who are irritated all the time. Who have a strong hand on their tempers, until they don’t. Sylvia Moreno-Garcia writes characters who are terrifyingly single-minded.

Then, there are descriptions. This is a place where your voice can truly come out. And a place where prose writers can indulge in a little poetry.

How you describe something shows us your voice. How long it takes you to describe something also does that.

Some writers I could mention could spend a little less time describing things if I’m being honest.

You might be wordy. You might write tight. All of this is part of your voice.

Finally, where you set your stories is a huge part of your voice.

I tend to write about communities big enough that you don’t know everyone, but not so big that you can get through Walmart without seeing a high school acquaintance you’d rather not. I probably do this because I’ve always lived in that sort of place. So that is how I understand the world to be. Even when I’m writing about spaceships with ghost dragons, this theme comes up.

Some people write about small southern towns. Some people write about dark, gothic places. Some people write about the Pacific Northwest like it’s the eeriest place in the world. Which I take personally, as a person who lives in the foothills of the Appalachian mountains.

Here’s the thing about your writer’s voice. It’s the most important thing to remember. You can recognize your voice. You can, and should, study other writers’ voices. But you really shouldn’t try to force your voice.

Who you are is going to come through in your writing. Where you live, how you were raised, who did the raising. How you see the world. It’s all going to come out, one way or another, in your work.

And that’s a good thing! That’s the whole point of art. Entertaining stories don’t stick with us as much as ones that make us feel something. And we make readers feel something when we share how we uniquely experience the world.

We don’t have to do that by writing memoirs or opinion pieces. We can write about whatever we want to. Werewolves, hockey players, dragon hunters. No matter what you choose to write, you should shine through. And you should never, ever feel like you need to copy another writer’s voice. First of all, you won’t be able to. And second of all, we need as many unique voices in the world as we can.

Paper Beats World is a labor of love. If you love what I do here, please consider liking and sharing this post and leaving a comment. You can also support me financially on Ko-fi.

Spooky season is coming, and it’s time for some creepy reads. Check out my horror novel Quiet Apocalypse, about a witch trapped in her apartment during a dark winter storm with a demon devoted to ending the world.

Or check out my horror short, The Man In The Woods. A man tries desperately to protect his granddaughter from the mysterious man in the woods. But his fear only grows when a new housing complex is built too close to the woods.

The story remains

Please indulge me in a moment of nostalgia today. It’s a very special anniversary.

Eleven years ago today, I started writing Woven. After years of feeling stuck in my writing. Years of starting projects but never finishing. Years of shrugging and saying I was a writer, but never really writing. I took expensive bread from a coffee shop that isn’t there anymore to a park that still is. I fed the birds and prayed for a book idea that wouldn’t die before its first real breath.

A spell is just a prayer with extra steps. I believe this was the most successful spell I’ve ever cast.

Eleven years have passed. I have moved homes three times. (And am getting ready to move again, God help me.) The walls and roof that surround me have changed. The desk at which I sit, sipping copious cups of coffee and tea, has changed. I’ve written at a desk older than me, painted over countless times. I’ve written at coffee shops, laundromats, doctor’s offices, libraries and day jobs. I’ve written at a desk my husband made for me by hand. It’s actually the first piece of furniture I’ve ever owned that wasn’t second-hand, and that’s where I’m still writing right now.

The story has remained.

I’ve changed jobs then job titles. I’ve changed my last name.

My family has changed. It shrank, but then swelled again. I lost people I never thought I’d lose. Never thought I could survive losing.

I’ve found new people. A new family, a new place in the world to need others and be needed in.

The story has remained.

I’ve written other stories. Some published, some not. Some tucked away for ‘someday’. Every one of them owes their existence to Woven. Because if it wasn’t for the story about a boy who weaves visions and a girl who spins light, I never would have had the courage or knowledge to write anything else.

I stepped out of my twenties and into my thirties. Soon, I’ll move into my forties. My hair has started to show silver. My back hurts in fun new places.

And yet, this story remains.

I became a horror critic. Then the site folded. Woven was bought by a publisher and then dropped. I republished it. Then I published it wide, a thing I wouldn’t have been able to do if the publisher hadn’t dropped us.

The story, through it all, remains.

We’ve lived through a pandemic and at least two recessions. At least some of us have. We’ve seen wars start and start. And start. We’ve seen three presidents. Well, two presidents and one threat to our country.

The story, though, remains.

And at this point, I feel like I’m ending a long journey. With Falling From Grace going wide this Friday, I’ve done almost everything I can do with it until I can afford to make it an audiobook. (I’m working on it.) Unless I write another book in the same world, the story of Woven is at its inevitable end.

Except, of course, that there are new readers in the world every day. New people looking for new stories. And I don’t think that’s likely to change anytime soon.

So this story will remain. I’ll write others. I’ll share others. And we’ll all keep right on changing.

I am so glad you’re here to share the journey with me.

Falling From Grace is going wide on Friday!

A retrospective on the Hunger Games series

“If a book will be too difficult for grown-ups, then you write it for children,” 

Madeleine L’Engle

Hello, my name is Nicole. I’m thirty-nine years old, and I love young adult fiction. No, I don’t think we need a support group for this. Unless we all support each other in telling people who judge us to mind their own damn business.

One of my favorite series is Hunger Games. It’s been getting a lot of talk recently, with the release of the latest prequel, Sunrise on The Reaping. The good news is that the book was terrific. The bad news is that Suzanne Collins has said publically that this will likely be the last Hunger Games book.

However, I think that we’ll still be talking about this series for a very long time. While its popularity will likely wax and wane, this is the sort of story that stands the test of time. 

Inspired by the new book launch, I recently reread the series. And I have some thoughts, both as a writer and as a person living through the prolog of a distopian novel. 

So I know we’ve talked about several of the books by themselves. But today, I want to pull out and look at the series as a whole. Maybe we can learn something about writing a series that will stand the test of time. Maybe we can also learn something about dealing with our political situation. 

There are so many questions remaining

At this point I’ve read the whole series twice, except for Sunrise. And I still have so many questions. If anything, I have more questions after the reread. What happened to Lucy Gray? Is the Tigress that shelter’s Katness Snow’s cousin? If so, why does she now hate him so much?!

A great story doesn’t do all the heavy lifting from us. It leaves things open to interpretation, and argument. It allows fans to feel like we’re a part of the story. It also builds a community. A fandom. 

Speaking of which. What do you think happened to Lucy Gray? Let me know in the comments. I personally think she ran off and found a covey in the forest. 

The characters are complicated

There are several characters in Hunger Games that are wonderful people.

Katness is not one of those people. Neither is Haymich. And I don’t even think I need to discuss what sort of person Snow is. 

But, maybe I do? Because he’s not always a monster. Sometimes he’s kind. Sometimes he’s compassionate. He’s brave even, in some ways. 

That’s probably the best thing about this series. The main characters are morally gray. They do some bad things. And some good. These are characters that I think we can all see ourselves in, for better or worse. I think it’s the worse part that’s the bigger hook, actually. 

For me, Katness has a lot of the flaws I see in myself. She’s selfish. She uses people. She refuses to consider that other people might care about her. And she clearly doesn’t ever trust another human soul.

These are parts of myself that I don’t like. And so, I don’t like Katness. But I’ll also never forget her.

It asks something of us

I don’t think it’s any surprise to anyone that we are living through some dark times. Honestly, I lack the energy and time to list all the things wrong with our society right now. 

In the Hunger Games series, Katness is raised in a very dark world. She hates this world, but she accepts it. Her aim is never to overthrow the Capital. It’s just to make sure her sister survives. And while Peeta is happy to fight, he probably never would have if he hadn’t been backed into a corner where it was his only option.

Haymich wants to fight in Sunrise on The Reaping. So does Lenore Dove. They fight. They do not go quietly. They battle with everything they have, as little as it is. 

They paint their posters.

Hunger Games asks us to consider our actions in the America of right now. Are we painting our posters? Are we making good trouble? Or are we just enjoying the bread and circus?

We should strive to be Haymich and Lenore Dove, so that later generations don’t have to be Katness and Peeta. Sing the protest songs. Vote. Send physical mail to representitives. Protect your neighbors and show up for your community. 

Speaking of showing up for your community. I know a lot of people are struggling right now. But if you can, please consider donating to The Trevor Project. Their federal funding ended on July 17th, and they do crucial work to support LGBTQ+ youth.

Another charity that means a lot to me is the Brigid Alliance. They help people travel to access abortion care. 

Please do what you can, when you can, while you can. Don’t let the sun rise on another facist regime. 

Oh, I guess that got a little political. It’s almost like art is crucial in dark times. Go write something rebellious today. 

Why Incidents Around The House Works

Released in June of last year, Incidents Around The House is an interesting book. It’s a fantastic example of a modern horror novel, and I read it in a matter of days. If I’d had nothing else pulling at my attention, I’d likely have read it in a matter of hours.

Incidents Around The House is a story of a girl named Bela and her family. It is told from Bela’s point of view, in a stream-of-consciousness manner that ignores silly things like grammar, paragraphs, and sentence structure. It is simply the story told from the point of view of a little girl, exactly as she would tell it. And while that was off-putting at first, it wasn’t long before I couldn’t have cared less.

That being said, I would consider this to be an interesting and experimental choice. And one that could have backfired terribly. But it didn’t. Instead, Incidents Around The House was one of my favorite books of the year so far. So let’s break it down and see why it works.

There was no need to convince anyone that bad things were happening

Often at the start of a horror novel, especially a haunted house novel, a lot of time is wasted. Our main character has to convince themself, and possibly others around them, that yes something deeply ominous and dangerous is in fact happening.

In this book, there was none of this. Bela, our main character, knows that something is wrong. And she doesn’t waste any time trying to explain this to her parents. She’d rather her parents not know about ‘Other Mommy’. So we’re able to skip a lot of the tedious, “Why won’t anyone believe me?” nonsense and get right to the “There’s literally something hunting our child,” part of the story.

There’s a great lesson for writers in this. You can skip the tedious parts of a story. You can skip the bits we’ve all seen before. You can skip the boring bits. Because if they’re boring to you, they’re boring to the reader.

Now, is your story going to be nonstop action all the time? Of course not. You’ll build ambiance and character. You need time to set the scene. But you can do this in interesting ways. Certainly, Incidents Around The House does this, introducing Bela and her parents over breakfast while Other Mommy looms in the background.

The sense of despair is great

Throughout the story, Bela and her family turn to one person after another for help with the Other Mommy. Over and over they’re betrayed, turned away and abandoned.

We can feel the frustration in the parents, even though they aren’t the main characters. Even better, we can feel the confusion and helplessness of poor little Bela. She’s realizing, maybe for the first time in her young life that not only do her parents not have everything under control, but most adults don’t either.

This leads to an isolating, choking sort of feeling. One that we feel right along with poor Bela and her parents. It’s horrifying, and quite well done.

This is something I struggle with, personally. Taking away all options from a character. Giving a character hell. But that’s what leads us to a riveting story. It’s certainly what drives me to finish a story. Not just a desire to know what happens, but a need to know how in the hell the characters get themselves out of this mess.

The story played on justifiable fears

Often when writers write children, outside of children’s literature, the characters don’t feel like children. They feel like little adults.

I am astounded by how much Bela feels like a child. And this truly increases the horror of the story. Because this is not a child-friendly story. This is a story that deals with some adult situations. Situations that I wouldn’t want any child to have to experience.

And that is, of course, the point. It is scary to imagine a child going through things their adults can’t protect them from. This allows the story to be ‘real world’ scary instead of just fictionally scary.

Horror always works best when it’s an allegory to something we’re actually afraid of. Most of us don’t fear a demon coming out of our child’s closet to get them. We are scared of them being in danger and not knowing how to help them.

The experimental art form didn’t get in the way of the story

Sometimes when a story’s told in an unusual way, it feels forced. It feels like there was more interest from the writer in experimenting with this new form than in telling the actual story.

And this particular format was a hard sell for me. I don’t want to say I’m a grammar snob, but I am. So if this story hadn’t grabbed me so quickly, so completely, I would have been too uncomfortable with the unstructured structure.

But the story came first. The format fits well with the story being told and allows Bela to truly be center stage.

All in all, Incidents Around The House was a masterclass in creeping horror. It inspired me to try some out-of-the-box formatting with my work. And it certainly inspired some uneasy moments.

As a matter of housekeeping, I will not be posting anything next week because I will be at Nebula Con and it’s my birthday. But we’ll be back with our regularly scheduled post on June 13th.

Paper Beats World is a labor of love. If you love what we do here, you can support us by liking and sharing this post. You can also support us financially on Ko-fi.

Starting Chains is now available everywhere! Click here to see the full list.

The End of Haunted MTL

The publishing world is ever changing. What was a thriving online market yesterday could well be bankrupt tomorrow. A publishing company that was an unquestioned pillar can crumble. A beloved author can seemingly go out of her way to destroy her reputation.

And a beloved horror review site can shutter.

Sadly, Haunted MTL is no more. And, I might as well rip this band-aid off now, there will not be another season of AA.

I might write the story in book form, if anyone is interested. I was certainly going somewhere with the story.

I started working for Haunted MTL in 2019. I’d already published several novels by this time, but this was something different. This was an actual writing job.

I loved my time writing for Haunted MTL. I met so many amazing writers and made friends with several. There is nothing better than writing friends. I got to see horror movies that I might never have seen. Some I wish had never assaulted my eyeballs, like Antichrist. Some I loved very much, like Silent Night and Pooka. I conducted live tweet events during American Horror Story and Dexter, and got to talk to fellow fans all around the world.

Being a critic was a fantastic experience. If you want to be a good writer, one important exercise is to dissect a piece of work that you have strong opinions about, good or bad, and consider why it either works or doesn’t work. As a critic, that was exactly what I did twice a week. And I even got paid for it.

I was also invited to participate in several charity anthologies, which is always great. We conducted storytelling events through the years, writing short stories together. Including several years of Christmas and holiday horrors.

We did podcasts. We did events. We once read A Christmas Carol together and posted it. It was a laugh.

It was too good, maybe, to last.

I will miss Haunted MTL. I will miss the sense of writing camaraderie. Of being on staff. Of being part of a team.

But even as I mourn, I know it’s time to move on. As I said at the top, the publishing world is ever changing. And so even as this spooky door closes, another will open.

If you find yourself in this sort of situation, I’m so sorry. But remember, setbacks like this don’t necessarily reflect on you. Sometimes projects don’t work. We are artists, and art is subjective. Sometimes we’re going to do our level best and still not succeed. All there is for us then is to dust ourselves off, have a little cry, and write another story.

Then another, and another.

Paper Beats World is a labor of love. If you love what we do here, you can support us by liking or sharing this post. You can also support us financially on Ko-fi.

Starting Chains is going wide! Check out all the places it will be available here.

My local bookstore closed

For my entire life, there’s been a bookstore on my local Main Street. It was called Book Nook. And, being who I am and doing what I do, I loved that place.

It had old-fashioned wood-paneled walls. Shelves that smelled more like an old library than a shop. As a child, my favorite part of the store was the spinning rack of bookmarks.

Did anyone else have this weird bookmark obsession as a child? Fancy bookmarks were everything I wanted in this world. These days I just use any nearby scrap of paper. That’s a little sad.

Man, that place never changed. I used to beg my mom to take me there anytime we were on Main Street. At the time, Main Street was a place we were a lot. She worked at several different restaurants over the years. We lived in three different apartments tucked above stores. There was a little five and dime where I marveled at the fancy pens that looked like crystal. We ate at Burger Hut and the Hot Dog Shoppe. We used to have Woolworths until it burned down when I was a child, but I remember sitting at the counter and having milkshakes.

I remember the fire, too. The way the smoke coughed upwards in the sky and terrified me. I worried that it would come for us as well. I think I’m still a little afraid of that.

The five and dime is gone. The Woolworths is gone. Any number of other little shops are gone. The Unicorn Gift Shop, several antique stores whose names I’ve forgotten, a frozen yogurt place. There used to be a classy little bar where I watched presidential debates during the first Obama campaign, drinking Long Island ice teas with the campaign director in my town. Now it’s the classy little wine bar where I go to enjoy a glass of chocolate-flavored wine and read. Life moves on, tearing itself down, burning itself out, building new days and lives and stores upon the memories and ashes.

But not Book Nook. Man, that place never changes.

As a kid, I went there to buy Goosebumps and Babysitters Club books, series I loved equally. As a young woman, I waited outside the door for them to open the day the last Harry Potter book came out. The storekeeper there that morning was both confused and, I think, annoyed to have some overly excited woman in her early twenties waiting at her door. Apparently, this was a new experience for her.

I had my first book signing there when Broken Patterns came out. A copy of the book sat in the front window for months. They even hung up a poster from Starting Chains.

For months. To the point that it faded.

That place never changed.

That was a great experience. A young mom came in, clearly with just barely enough money to get her daughter a book. I gave her a copy of mine and she was thrilled.

I hope she’s doing alright.

I’d pop in from time to time. Sometimes I’d find great things. The author’s extended version of The Stand and American Gods. I impulsively bought some hardcover books that I still love to this day. Strange The Dreamer and An Absolutely Remarkable Thing.

But I didn’t get the sequel to either book there. They never seemed to get them in.

As other stores came and went, Book Nook stayed. Its new releases dwindled. Its stationary options did too, until they went away entirely. So did the bookmarks.

There were no cute impulse buys at the counter. The same counter with the same register that had always been there. Instead, there was a display of lottery tickets. And they clearly made money from the lottery tickets. Once during a book signing, I watched an elderly woman come in and proceed to purchase a scratch-off ticket. She scratched it with no joy, then bought another and another. She kept going for quite some time, scratching tickets with absolutely no emotion on her face.

It became a place that wasn’t fun to be in. Where I rarely if ever found new books I was interested in reading. The hours were erratic, so even if there was something there I wanted, I had a hard time coming in.

And it never changed.

Earlier this year, I received an email from the manager, telling me they were going to close and that I needed to come pick up my books.

Losing my local bookstore has left me with mixed emotions. They survived so much, hanging on through decades of Amazon encroachment and even the pandemic. But they never, ever changed. They never grew with the times. They did nothing to offer readers and buyers a better experience. They simply existed.

And now, they don’t.

I do not blame the store entirely. But neither do I blame competition entirely. Neither do I blame consumers entirely. But all three share a bit of the blame.

Myself included.

I could have been more patient and asked them to order the books I wanted. I could have scheduled more events there, even though the reason I stopped was that no one showed up to them.

But in the end, the issue lies with all three. We should shop small when we can. Big corporations should stop using such predatory practices. They won’t, but they should. And small businesses should put in the effort to grow and change with the times.

In the end, though, I don’t write this to blame anyone. I write this to mourn. No matter the reasons, my local bookstore is closing. The store I shopped in as a child is gone. And I hate that. So I just wanted to hold space for it today.

I don’t remember who said this, or even where I first heard it. But someone somewhere said that every piece of writing is a love letter or a eulogy. This was both.

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Broken Patterns is going wide on April 25th. You can preorder it now by clicking on the image below.

My thoughts after Pathfinders Writing Collective’s March Madness

I got an email on Monday that maybe you got too. It was from the Nanowrimo organization, explaining that they are shutting down.

I have mixed feelings about this. I posted months ago about why I was stepping away from Nanowrimo. But it’s an organization that inspired millions of writers over the years. It gave me the inspiration and courage to write my first published novel.

This one. Available now on Amazon and going wide as of April 25th.

And yet, I also feel we are seeing the writing community’s response to AI writing. We will not support any organization that gives quarter and comfort to AI platforms that steal our work and produce flat and soulless stories flooding our markets.

There is one part of the letter that I agree with, though. Interim executive director Kilby Blades said, “Many alternatives to NaNoWriMo popped up this year, and people did find each other.”

And this is true. We found each other. And this past month I participated in a writing challenge that does just this. The Pathfinding Writers Collective March Madness event. And it was a fantastic experience. Even though my team lost. If we’re being fair, I personally lost twice.

Let me explain.

My personal goal for the month was to write for 31 hours in March. One hour a day. And that sounds easy until we remember that I’m caring for a husband who had a hemorrhagic stroke. He needs an incredible amount of hands-on care. So there were a lot of days where an hour of writing was a delightful daydream.

But this was still an incredible success for me. Let me explain.

I still wrote more than I had been writing

As mentioned, this is a busy season of my life. And for much of February my writing took a back seat. Hell, it wasn’t even in the back seat. It wasn’t in the trunk. It was in the attached trailer behind the damn car. Most days I couldn’t even think of looking at my writing.

But in March, I wrote twenty days out of thirty-one. I made the time. I tried to write an hour, but sometimes made only 15 minutes. Sometimes I only made 10. But that’s still more than what I had been doing. I didn’t make a ton of progress, but I made more than the month before.

There was this incentive, you know. This desire to make sure I had some numbers to put on the board, even if it was a small number. Because any number, any number at all, was better than zero.

I kind of love time-based writing goals

Writing goals work for me. I like having numbers to work towards. For most of my writing career, my goals were word-count based. But I’m realizing that this sort of goal isn’t conducive to actual writing. It doesn’t take into consideration all of the work that goes into writing that isn’t putting words on the page. I was ignoring the time I spent researching, freewriting, outlining and planning. Those are all vital parts of writing that need time and space. They need to not be rushed.

I also find that my writing goes faster when I devote that time, unrushed, to the brainstorming process. It’s as if by giving my mind time to mull over the story without a keyboard under my fingers, it has more space to breathe and is already written when I am ready to write.

Having a community is awesome

We’ve talked about this before, so I’m not going to devote much time to this. But that doesn’t mean it isn’t important!

It is, if I’m being honest, the most important part of challenges like this. It’s what made Nanowrimo so special.

Writing is solitary. Its deadlines are often self-imposed. I have no boss asking me for updates. I have no co-workers to bounce ideas off of. I have no external pressure to create. Which is both a blessing and a curse.

For one thing, it’s lonely. For another, it makes it so much easier to push off tasks I don’t want to do because, after all, there are no repercussions.

But when I have a team of people I’m working with, there is some good pressure. When I don’t want to let my team down, I’m inspired to get my ass in my chair and write. On days when I might not have written at all, I wrote. On days I needed inspiration, I had the rest of my team. And that made all the difference.

I didn’t take as much advantage of the challenge as I wanted to. I could have done more. I could have attended more writing sprints. I could have chatted more and made more friends. But for where I am, I think I did the best I could. And I saw so many writers reach so much farther than they thought they could. I saw this wonderful community of writers cheering each other on, supporting each other, and inspiring each other. I don’t want to give out names that aren’t mine to give, but one writer in my group wrote through 249 hours in one month. Girl, how?!

But whether we wrote almost 250 hours or thirteen hours, we all came together to reach a goal. We all made progress on our stories. And we need stories now more than ever.

So the question is, will I be participating in more Pathfinder Writing Collective events? Absolutely. I cannot wait.

Paper Beats World is a labor of love. If you want to support us, you can do so by liking and sharing this post. You can also support us financially on Ko-fi.

Broken Patterns is going wide! You can preorder it now everywhere.

Stories Save Us

This is a speech I gave during the Stories We Share Event at the Butler Library event on December 27th. Several lovely people suggested that I publish it. So, here you are.

Hi there. My name is Nicole. I write stories about dragons, ghosts and spaceships. Sometimes I write about the ghosts of dragons on spaceships. And, like most people who are at least mildly funny, I have been through some hard life events.

Don’t worry, this isn’t all depressing, I promise.

I was raised by a mother with a lot of chronic health issues. This meant I spent more time in my childhood than I should have in waiting rooms, doctor’s offices, or just keeping myself occupied quietly so my mom could rest.

I passed the time by reading. Chronicles of Narnia, Goosebumps, Laura Ingells, Babysitter’s Club. These stories kept me company in dark places. I escaped into Secret Gardens and attic rooms enhabited by Little Princesses.

As an adult, I fell in love with and married a man who also has chronic health issues. Because of course, right? And again, books have come to my rescue. Stephen King, Philippa Gregory, Tamora Pierce, Kiersten White and Grady Hendrix keep me company through scary days.

Now I do more than read these stories, I write my own. And in the past few years, while almost everyone has fallen on hard times, it’s sometimes felt foolish to keep writing fiction. Indulgent, and insensitive even. A writer I’m very fond of named Matt Wallace, who wrote the Savage Rebellion series, said that marketing right now feels like standing outside of a burning building and yelling at the people coming out, “Hey, you wanna buy a book?”

But the answer is yes, yes I actually do want to buy a book and read it. I want stories.

Stories can save us. And they do this in two ways. The first is of course that they’re entertaining. It’s fun to read. And while you can’t run away from your problems, you can take a break from them. Maybe you need some time in Narnia, or a haunted house, or a world where sewing is magic. Because after we take that time, take that break in a book, we come out a little bit stronger. Maybe that gives us the clearer eyes we need to look for the helpers that Mr. Rodgers told us about. Maybe it even gives us the strength and courage to be the helpers.

Here’s the other thing that stories do for us. They tell us that we are not alone. Fear can make us feel like we’re the only ones suffering. That no one else understands the pain we’re going through. But that’s not true. We’ve all had those seasons in life where we’ve gotten a scary diagnosis, tried to leave a dangerous relationship, fought an addiction, moved far away from everything familiar, or worried about how we’re going to pay rent and get groceries, and keep the electric on. We’ve all said goodbye to people we never wanted to say goodbye to, or had something violent and terrible happen to us that we neither deserved or saw coming.

Neil Gaiman said this about writing Coraline. “Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.” But we knew this before Gaiman. The author of Beowulf knew this and wrote about monsters and dragons that the great hero faced. These stories comforted and guided our first ancestors. They helped them cope, heal, and find the courage they needed.

We are not going to fight literal dragons. We aren’t going to face Voldemort, or a sentient haunted house, or a series of unfortunate events orchestrated by a school friend of our dead parents. But we are going to fight our own dragons. And a lot of the time we win, and live to see brighter days.

What worries me, is how many people can’t remember the last time they read something for pleasure. Most of us spend a lot more time doom-scrolling than resting our hearts in fiction. If that’s you, find a book you want to read today. We are standing in a library right now. Find a book to take home with you. Take half an hour, ten minutes, hell five minutes, and read a story you love. Maybe it’s something you read as a child, or maybe it’s a new book. Maybe it’s wildly out of your age range. Look, when I’m stressed I reach right for Beverly Cleary so I’m not going to judge.

Make the space for you to have joy, no matter how bad your day is going. Because we all need to remember that dragons can be beaten.

Falling From Grace is coming in December

Once upon a time, I wrote a story about a boy who wove visions and a girl who spun light. About how, together, they changed their world for the better.

I love that story. But it had a few problems. Problems I only saw after writing three whole books about Devon, Lenore, Sultiana and Victor. All of my main characters but one were born into nobility and wealth. All of them were mages.

Now, that is all well and good. But it’s also a narrow view of the world. Most of us aren’t wealthy. I’m sure as hell not. Most of us are not gifted with such inherent talent that it cannot be denied, which I feel is the closest equivalent to mages in our world.

Some of us have to get by on working hard, saving money and learning skills.

So I wanted to write a story in the world of Woven about a regular woman. Maybe someone not gifted, or destined to do great things. A woman who chose to do great things instead, and shape the world around her through determination and courage.

This brought me to Grace.

You might remember Grace as the angry woman Victor left behind when he moved to Septa. And if you didn’t like her, I’m sorry. I never meant for her to be even a temporary antagonist. She had every damn reason to be angry. Wouldn’t you be if your boyfriend vanished and ended up dating some rich girl?

I needed to give Grace a chance to tell her own story. And in doing so, I told a little of mine as well. Because while I was writing this book, I was also discovering modern witchcraft.

Falling From Grace was first published in 2020. It was a terrible year for most of us, but at least Trump lost his election bid that year. But this time he won, and I think we need Grace again.

I think we need as many women and men as possible who are ready to fight against a mad king. We need witches, advocates and activists. And we need stories about them. So here is mine.

Preorder Falling From Grace here.

I loved writing this book. And I hope that you love reading it. It’s fun, sweary, irreverent and optimistic. I hope it inspires you to see some light in a dark time.

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