Why Buffy The Vampire Slayer worked, until it really didn’t

Let me tell you about my Thursday nights as a kid. Well, as a teenager. It was sort of the best night of the week. I would park myself in the dining room, for three solid hours of tv. Those hours were devoted to some of the best television I’ve ever seen.

Buffy, Angel and Charmed. 

Yes, I have been a nerd my whole life. 

The darling husband and I have been binge-watching Buffy and Angel recently, because what the hell else are we going to do? And I have to say, I can see why I loved Buffy so much as a kid. As an adult, I can also see where and why it went downhill.

Boy did it go downhill fast. 

When it was good

It’s very good. It’s a fun show for a teenage girl to watch. The characters are a lot of fun. Willow is relatable, so is Zander. I loved Giles and still do.

The show was funny, but it also had deep moments. No one was a throwaway character. People reacted when someone died. 

None of the characters were perfect. Buffy was a pain in the ass. Everyone kept secrets Ozfrom each other, everyone was selfish sometimes. Except for Oz. Oz was always perfect.

It was just a really fun show to watch every week that wasn’t preachy, stupid or overly complicated. 

I’ll grant, though, that it might be benefiting from nostalgia. Would I like it so much if I didn’t still have those fond memories of Thursday nights? I honestly don’t know. That’s one of the bad things about revisiting shows we loved in the past. We can never again see them with fresh eyes. We’ll always see them through the lens of the past, with the heart of the girl who first fell in love with them.

When it started getting bad

On the other hand, my eyes have still gotten used to modern special effects, and the ones from Buffy did not stand the test of time. The husband and I just watched an episode with a giant snake monster, and we were howling anytime the thing was on the screen. Probably not the impact they were going for. 

Sad to say, but I think most of the good writers left Buffy and went to Angel when it split off. The stories from that point on got a little less mature. They got a little more silly, a little less coherent. 

And character development changed. That was a big issue for me. Buffy continued to grow as a person, but not into a very nice person. She’s selfish and unaware of how she uses people. She doesn’t care about the emotional well being of anyone else, her problems always seem to overshadow everything else. And it’s not just when we’re talking about saving the world problems. It also includes boy troubles. Which are no more crucial than anything anyone else is going through.

I also wasn’t thrilled with many of the story arches. Some of them just seemed designed to be heartbreaking. 

Like Joyce dying. I get that the actress wanted to leave the show. I get that people lose their parents. But I don’t think that this sort of thing had a place on this kind of show. It felt out of place, too mean. 

Finally, let’s talk about the worst addition to the show.

DawnDawn.

I hated this character. I love the actress, but the character is a huge pain in the ass. She’s the scrappy doo of Buffy. I honestly can’t tell you what she adds to the show. Buffy didn’t need an annoying little sister. She didn’t need additional responsibility. 

Which isn’t to say it stopped being good then. It’s still fun, so long as we’re not having a depressing episode. And the addition of the antagonist Glory was great. 

Mind you, I’m not saying that Buffy wasn’t worth watching. I still enjoy the later seasons, right up to the last episode. It just wasn’t what it was at first. It was still a revolutionary show that opened doors for a lot of work we wouldn’t have now without it. That’s worth overlooking some flaws.

Now I want to hear what you think. Did you watch Buffy when it originally aired? What are your thoughts about it now? Let us know in the comments. 

Why What We do in the Shadows works

Spoiler alert. 

I don’t feel like enough people are talking about this show. That’s a shame because it’s a tightly written story. We marathoned both seasons within three days because of course, we did. But if you’re looking for something else to watch while you’re stuck inside, you should consider this. Here’s why it works.

Let’s start with that theme song. I’m a sucker for a good theme song, and this is a great Shadows, old photoone. I never skip it, I always let it play. The song is good, but so is the imagery. Pictures and paintings of the main characters through the ages are funny. More importantly, though, it gives a feel of who the characters are. That’s something we’ve come away from in recent years. But as this show is character-driven, it makes sense that the theme song gives such a good feel of the characters.

The show is about vampires, of course. And while they do show the vampires as hunters and killers, they lean heavily into the sexual aspect of the vampire myth. But not in a sexy way. Oh no, this is hilarious. Like Lazlo’s vagina topiary. This wouldn’t have been half so funny if he wasn’t so damn proud of it! Or the way Nadjia talks about her lover. She thinks it’s very dark and romantic. It comes off as silly, but in the best possible way. 

Which brings me neatly to the next reason why What We Do in the Shadows works. It’s funny! At no point does this show take itself seriously. The characters think a lot about themselves, but they’re ridiculous. They’re silly and selfish and they always think they’re entirely right.

Take, for instance, Colin Robinson. He’s an energy vampire. He’s a Daywalker, and he can feed off other vampires. All the other vampires in the house are scared of him. This sounds like a really tough, badass character.

 

Shadows, colin
Two horrifying vampire

Until you realize that he talks his victims to death. And that he has an office job because that’s his feeding ground. And he wears bland clothes and glasses. He’s a really funny character.

 

What We Do in the Shadows is a mockumentary. But unlike many of the other popular ones, it feels like it could be. The camera crew is attacked a few times. They never show up anywhere you wouldn’t expect a crew to be. At least one time a camera guy is locked in a well with the vampires, about to witness their fiery, sunny deaths. And I swear you can see the camera shaking. I’m highly amused that the least realistic mockumentary show has the most realistic camera crew.

From a visual perspective, the show does a great job of portraying the feel of an old, gothic mansion. Everything is dark wood paneling, red drapes. It’s all very heavy. The shadows stretch in just the right angles. Every scene is very dark, but also colorful.

Unless we’re at Colin Robin’s office. Then the tan and gray are even more striking by contrast.

Finally, let’s talk about my favorite part of the show.

Guillermo De la Cruz. 

Guillermo is Nandor’s familiar. He wants to be a vampire. But as the series progresses,

Shadows Guillermo
Badass king

we start to realize one thing about him; he’s going to crack hard. We can start to see this in the very first episode when Nandor forgets their anniversary. We also find out later that Guillermo is related to Van Helsing. There is vampire hunting in his bones. This becomes apparent when he starts accidentally killing vampires. All of this becomes a good thing for Nandor and the other vampires after they accidentally invoke the wrath of the vampire council. Slowly, as the series progresses, Guillermo becomes filled with rage and kind of becomes a badass. The last episode, which I loved, includes him wiping out an entire theater of vampires to save our main characters. And then, standing atop two theater chairs, he says, “My name is Guillermo De la Cruz.”

 

Because the vampires he’s defended for two seasons don’t even know his last name. 

If you haven’t seen What We Do in the Shadows, I can’t recommend enough that you watch it. And if you have watched it, leave a comment below. I want to know what you thought of it.

Why the IT Crowd Works

I’m still marathoning old shows, at least for now. As usual, I hate myself and have decided to do Camp Nanowrimo this month. I decided that three days before the end of June.

(Okay, I’m being too hard on myself. What happened is that I realized I was way behind where I wanted to be in my novels for the year. So I needed to clear my plate and put novel working first for a whole month.)

But all that aside. I finally got around to watching all of The IT Crowd.

I’m amazed it took me this long. I work in technical support, I love British comedy and I have a weird tolerance for laugh tracks. I don’t like them, but I can tune them out. 

I’m not going to say the show is genius. I’m not even going to say it’s great. But it’s good, it’s lasted, and it works. Let’s discuss why.

In describing The IT Crowd, I kept coming back to one phrase. It’s relatable, but then it

it crowd, roy
We don’t all date women who’s parents died in a fire at a water park.

goes past that and becomes ridiculous. Let me give you an example. We’ve all messed up at work. Most of us haven’t set a fire extinguisher on fire and just let it burn for hours. We’ve all been on bad dates. We usually don’t have chocolate pudding on our faces the whole time, only for our date to think it’s literal shit.

 

While the characters get into ridiculous circumstances that are somehow relatable, it doesn’t end there. The characters themselves are caricatures of people we might very well have in our own lives. 

it crowd, mossNo one is as socially awkward as Moss. But I bet there’s someone in your life or at your job who you think of every time you see Moss. I have a friend who seems just like Roy. To my knowledge, he’s never run through his place of work without a shirt on. But he doesn’t tell me everything, so who knows? And I have, for sure, forced my feet into shoes that were too small because they were just so cool! (They were baby pink Sperry’s. Don’t judge me.) But I didn’t let it get to the point of crippling me. 

I have a soft spot for any show that manages to surprise me. They’re rare. And they’re even rarer when we’re talking about relationship predictions. And I was sure, from episode one, that Roy and Jen were going to end up together. And they don’t! And that makes perfect sense for them. It would have been awful if they’d gotten together. It would have ruined the show. I think we see that way too much. We don’t see enough friendships between men and women. I was never so thrilled to be wrong.

Finally, let’s talk about catchphrases. Is there any more iconic one than, “Have you tried turning it off and on again?” It’s good advice, it’s funny, and it’s so true for anyone who works in technical support and IT! If literally anything isn’t working, turn it off and back on. It was even referenced in Dr. Who. Hell, it’s been suggested several times that we should turn 2020 off and back on. And if I could find a way to do it, I would.

Now I want to hear how you think. Have you watched The IT Crowd? What worked for you?

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Why Shitt’s Creek works

Normally I stick to speculative fiction on this site. But frankly, I think everyone needs a feel-good show right now. And since I just watched all of Shitts Creek in the span of like, a week, I wanted to bring it to your attention.

I didn’t watch this show as it was coming out. I was barely aware it existed. But, being at home more than ever we were running out of shows to watch. So we thought we’d just check out the first episode, see what it’s about.

And we were hooked from there.

So let’s break it down. Let’s talk about why this show was so good. And why I hope to see a lot more like it.

Let’s start, as always, with the characters. Every character on the show is lovable. But Davidalso sort of awful. Let’s take David, my favorite character, as an example. He’s self-centered, obsessed with material goods and has the weirdest fashion sense I have ever seen. When in a relationship he’s weirdly distant and clingy at the same time.

He’s also a really good big brother. While Alexis has been running all around the world and getting herself into all sorts of trouble, he’s been at the ready to help her. He’s still there for her, even if he’s there in the most acidic way possible. 

David also has a head for business. He’s smart, good with numbers, and understands what people want. 

If a character is too good, we can’t stand them. It’s unrealistic. And it sort of makes us hate ourselves a little by comparison. But if a character is too bad, we don’t like them. I don’t like watching someone be cruel to others and mess their life up time and time again. A blend of good and bad is entertaining, comforting and realistic. If we can see that other people are flawed but still good, then we can allow ourselves to be as well.

Most of the shows I watch are kind of horrible. Rick and Morty, Dead Like Me, Angel, The StevieOrville. Bad things happen, characters have real falls from grace. People get addicted, divorced, maimed, fired, lose their kids, go to jail, get beaten half to death, or the whole way.

Nothing really bad ever happens on Schitt’s Creek. Yes, there is tension. Yes, there are problems. But nothing that is emotionally scarring. And right now, when there are so many awful things going on, that’s a comfort.

However, that doesn’t mean that there isn’t growth and change. It’s hard to see if you just go episode by episode. But, in the same way we change without really noticing, the characters do too. The care they feel for each other and the town deepens. Their concern for other people widens. They open themselves up to loving others. They learn the value of earning what they have, which they’ve never had to do before. By the end, they’re still themselves. But they’re better, deeper people too.

So what do you think? Have you watched Schitt’s Creek? What other feel-good shows would you recommend? Let us know in the comments below!

Why Man in High Castle worked, until it didn’t

I am a big lover of alternate history. I also have this weird fascination with stories about WWII. So it’s no surprise that I enjoyed Man in the High Castle. It seemed almost custom made for me. What would have happened if America had lost WWII?

This isn’t the first story to explore that theory. Hell, I don’t think it was the twenty-fifth to do it. But despite going over material most of us have already read before, the creators of this show managed to do it in a new and fresh way. A way that grabbed my attention and the attention of millions of others.

MHC JuliannaUntil that is, they lost it.

But we’re not to that point in the story yet. Let’s talk first about what the show did that worked.

Let’s start with the Smiths, who could be considered the first family of the Reich in America. The parents are John and Helen Smith. They are the picture of American 1950’s perfection. Except, of course, for the fact that they are all nazis.

This is part of how the story crept under my skin. John’s everything a good American man should be. Good at his job, a loving father. But there he is with a swastika on his arm. Oh, and the little matter of killing people who oppose him. There’s Helen, the picture of a 50’s housewife, but she has nazi buttons on her collar. It’s a reminder of how close we all are to that sort of life.

Life is good for the Smiths. Until it isn’t. Until their son is diagnosed with an illness that MHC John use this onemarks him for death. This brings to light a very simple and horrific truth that this show brings to light quite well. This sort of life works very well for people who fit in. For people with the right skills, right skin color, right body. For those who don’t fit into a very specific mold, this sort of world is heartless and unbearable. The part of the show that worked best for me, the part that I cared about the most, was watching the Smith family break until they didn’t fit anymore.

The other sides of the show were just as deep. Julianna, an American living in the Japanese controlled West Coast, dives deep into the world of the man in the high castle. She finds out that she and a few others can switch between different alternate universes, bringing back home videos to inspire hope. 

All of this blended in a science fiction alternate history story that was riveting.

Until the last season, when the creators came to a confusing conclusion.

They decided to take everything good about the story and throw it out the window. Or, taking it to such an extreme as to be no longer enjoyable.

They also made the baffling decision to murder several beloved characters. 

The story focused more and more on Juliana, which I wasn’t thrilled with. She’s always been the most unlikable character. They also separated the characters, going so far as to trap one character into an alternate universe. There, she finds characters that we know in a specific way acting the lives they might have had if America had won WWII. You know, our time. While that was a fetching concept for an episode or two, it didn’t hold up. 

All in all, I didn’t even finish the last season. For a show that had me sobbing over the death of a Nazi youth, it worked hard to just make me not give a damn anymore.

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Why Now, Then and Every When works

I picked up this book because it was on sale and the cover looked cool. That was it. 

Unbeknownst to me, the darling husband was reading a list of great time traveling books and picked it up. He, being the more loving of the two of us, told me about the cool new book he found. 

I was still reading Salem’s Lot, so I said that was cool and we moved on.

Then he started reading it. Then, he started reading the trilogy that came before it. Then he couldn’t stop freaking pestering me about reading it. 

When I finally got around to it, I couldn’t put it down. So now, I’m going to pester all of you to read it. It was so good!

It’s about two characters, Madi and Tyson. Madi’s a college student staying in her great grandfather’s house when she finds a coin buried in the back yard. She finds out soon that she can use this coin to travel back in time. 

Meanwhile, years in the future, Tyson is a professional time traveler. He studies race relations at the time of Dr. King. He and his fellow historians travel back in time with some familiar coins.

All this would be fascinating enough. But then, a mysterious group of time travelers starts messing with the timeline.

Of course, I can’t just say it’s a good book and leave it at that. I have to break it down and see how it works. So let’s talk about that today. 

The varied timelines were blended well.

Like many of my books, Now Then and Everywhen is told from two pov characters, switching every chapter.

Of course, because this is a time travel book, both of these characters are in totally different times for most of the book. Even so, the story flows together seamlessly. The back and forth between the two intertwining storylines blend perfectly, stacking information slowly as we learn more about the world and the characters.

Lots of questions answered

If I’m eager to finish a book, it’s usually because I have questions. Questions I need the book to answer. What’s going on? Who’s messing around with the timeline? For what reason? How will they fix it? And for me to appreciate the ending of a book, they need to answer most of those questions. This one did and with satisfying answers.

But not all of them!

Much to my joy, this is the first book in a trilogy. So, of course, some of our questions are left unanswered. As they should be. As the saying goes, the first chapter should sell the book. The last chapter should sell the next book. That’s exactly what this book does.

History well portrayed.

I have a lot of love for History. And I like to see it portrayed right. This book deals with The Beatles and Dr. King. And it never forgets for a second that these were real people. They have family and friends still alive. They should be treated like real people, not characters. This is done very well. 

Sudden but inevitable betrayal

It’s so rare that a story can take me by surprise. But much of this book I did not see coming. There are moments of betrayal, of characters revealing their true selves. They surprised me, I didn’t see them coming. But, and this is important, they made sense for the character! 

It’s really easy to surprise a reader if you don’t care about the story making any damned sense. If your secondary character is suddenly revealed to be the villain and you haven’t set that up, then it feels like a lie. It feels out of place because of course, it is out of place. Worse, it’s a cheat. But these revelations made sense.

Can’t wait for the next one

The first chapter of a book sells the book. The last chapter sells the next book. And for sure, the last chapter did its job in Now, Then and Everywhen. 

The end of the book includes a shoot out at a Beatles concert, someone running into their great grandmother and a cryptic little kid. It also paved the way for the story to continue. 

I’m looking forward to seeing where this journey takes me.

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Why Into The Spiderverse works, even though it shouldn’t

If there’s one complaint I have about comic books, it’s the sheer lack of continuity. I’m hardly the only fan to have this problem, and I’m sure I won’t be the last.

In a way, I do understand. Comic book characters like Batman, the X-Men and Avengers have been written and rewritten for decades to keep them up to date with modern times. But it can also be confusing as hell! One character has a dozen or so backstories. Nothing’s canon with each other.

But we put up with it as comic book fans, and I’ll tell you why. Because amid all the clutter and chaos we get stories that are true works of art. With so many authors and creators working with these iconic characters, we get some of the worst content (Batman and Robin). But we also get some of the best.

Into The Spiderverse is part of the latter camp. 

I know, I’m late to the game with this one, but I have a good reason. I really, really didn’t Spiderverse, groupthink I was going to like this movie. It looked like a mess, to be honest. All these different renditions of Spiderman, a character I’ve never been super fond of to start with, mashed together just seemed like a comedy of errors. Multiple art forms, varying storylines. I wasn’t down for that. Even the inclusion of my favorite actor, Liev Schriber, as the antagonist wasn’t enough to tempt me into it. I mean, he was in My Little Pony too, and I sure as hell am not sitting through that. 

It wasn’t going to work unless everyone involved gave a shit about what they were doing. And I mean, they needed to put their heart and soul into this. There could be no half-assed writing, no lazy graphics. It needed to flow because there were a lot of conflicting stories that could flow very, very wrong.

Fortunately, everyone used their whole ass. 

Let’s start with character creation. We quickly establish Miles, the main character, as a good kid. A smart kid who has a pretty good life. He’s going to a good school, has a loving family. And his hero, like everyone in his city, is SpiderMan. He’s not a perfect kid. He’s often found out with his uncle spray painting the subway walls. But it’s beautiful art, so it’s hard to be mad at him. You just really like him from the start.

And then he gets bit by a radioactive spider. 

One thing I love about Miles is that he has some common sense. He finds out he has superpowers that are just like his hero. And he goes right to said hero to teach him. None of this going it alone nonsense. He knows he needs a teacher, and he tries to find one.

It’s so refreshing to have a teenage main character that isn’t a total idiot.

Spiderverse MilesOne reason I think Into The Spiderverse works is that they were ready for people like me. People who are a little tired of all the different versions of characters. So, they decided to poke fun of it. They included characters like Peter Porker, played by the hilarious John Mulaney. They included a Noir Spiderman, who I’d never heard of before. I straight up thought they’d added Rorschach from Watchman when I was watching ads for this movie. They also included a messed up Peter who’s screwed his life to shit.

I think what worked here was that they let each of these characters be separate characters. The Spiderman-bot from Japan was a big scary robot powered by a teenage mechanic. Miles was a funny kid who just wants to do right by people. Peter Porker is, as always, hilarious. The story allowed each to be honest to their character while not overpowering the story. It was in their word usage, their actions. Their artwork and body language told a story. But they never took over from the main storyline. 

In addition to blending the different characters well, they also blended the story well. I always think the best stories are the ones that are serious, dark, gritty and funny. There’s a reason I’m such a big fan of Joss Whedon. 

This is largely done by allowing each of the varied characters to stay in their lane. They allowed the funny characters to be funny, the serious characters to be serious. They let the dark moments go dark, without pulling any punches. For instance, there’s a part where Doc Oct is revealed. And she’s like, very interested in watching Peter suffer horribly. They don’t shield us from that. They also don’t shield us from the antagonist’s sad, sadistic backstory. 

I think that’s the way to handle stories like this. As always, I like it because it’s honest. Life is dark, and sometimes there’s no softening that. But life is still funny, even in dark times. At least, I think it is. But I’m usually the one cracking jokes at the funeral. (At least I’m not the one with a couple of cases of beer in the back of the car at the funeral. At least that brave soul decided to share.)

If you want a masterclass in blending styles, watch Into The Spiderverse. Watch how they focus on one main story that ties all the characters together while balancing them so that each one shines.

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